Singer Songwriter

Entheogenic Psychonaught Playlist

Eclectic Collective -   Wonder

Daily Drops

Tricky Fingers

April Friends

Better When You're Around

Round Midnight - Lyrics 

Round midnight when the engine’s on
Lose my head from the rolling throng
Get my house out of the fire
Get my car out of the wreckage pile
Straight out of lullaby land 
Straight out of Birdland
Like waking up in the morning without my head in my hands

And I’m getting on
Well it’s been pretty long
And I woke up around midnight to see Charlie Parker fly in a saxophone
Well there's gold on the road

Round midnight getting, I'm just getting on with you

Charles Mingus
That’s so like Philly Joe Jones
Miles she likes your Miles Davis shit
Miles Davis shit 
Miles Davis shit 

Gone midnight and I'm just moving on 
With a couple of fellas with sticks and songs
Got my head into a St. Louis fire
Haven’t seen daylight for a couple of nights
Straight out of lullaby land
Straight out of Thelonious land
Like waking up without feeling like my head’s been up my ass

And I’m getting on
Well it’s been pretty long
And if I’m not home before midnight I'll be playing here with this whiskey and these songs
From somewhere out of the earth

Round midnight getting, I'm just getting on with you

Second cousin of the Dizzy man
And the nephew of the devil
A girl sent to me by the devil

I'm getting it on and I can’t do me wrong
Got jazz inside my vein now and the blues even comes out of my asshole
It's the door to my soul

Round midnight getting, I'm just getting on with you

Strange Part of the Country

Round Midnight

Bandcamp

Woke Up Around Midnight

trip9love...???

St. Mary’s Hand

There might be nothing more
Than what you thought she said
That all those streams flowing may someday be
Nothing more than a dried-up riverbed
N’ all those voices of dissension
Are nothing more than figments inside your head

Take St. Mary’s hand
Into Bedlam you will land

There was an abundance of choice
Until the choice was no longer theirs
It stood unconcealed
With its burdens to be bared      
She bore witness
As belief fell away from their prayers

Take St. Mary’s hand
Into Bedlam you will land

With a cold wind blowing
Through your winter of discontent
Release is coming
You best hope it’s heaven sent
Or the other axe might just fall
N’ be the point to what it was she meant

Take St. Mary’s hand
Into Bedlam you will land

Nothing changes but change itself
Humbled opinion is spreading fast
You board up your doors and windows
N’ hope it ain’t gonna last
She speaks in platitudes
To placate any curse that’s been cast

Take St. Mary’s hand
Into Bedlam you will land

It’s crowded at the bottom
All who thought they were up have fallen now
Talking in terms most unbecoming
In an attempt to dissuaded somehow
But she wanted different answers
While they dined on the last vestiges of the fatted cow

Take St. Mary’s hand
Into Bedlam you will land

From pillar to post
They make their way
Walking without purpose
As the ol’ hinge of life just screeches away
She kept on with the situation
And led none astray

Take St. Mary’s hand
Into Bedlam you will land

St. Mary's Hand

Beyond Tomorrow

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song
TexMex Shaman– @texmex-shaman –Stephen–  Duesneberg Starplayer TV Phonic hollow body electric guitar
Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. As mentioned in the previous sentence, he also plays the amazing harp solo after the second verse. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
  Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last slot, after Frans's harp solo. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 
  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 
  We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.
  We hope you enjoy listening to this as much as we all enjoyed creating it.
Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jaz

Bull Legged Woman by Frans Beelaard with Eclectic Collective

Cast of Characters:

 Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix

TexMex Shaman– @texmex-shaman –Stephen–  electric sitar

Llanpsych-- @llanpsych -- Tez – electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel


 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 

  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 

  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New Strings Theory (Eclectic Collective)

Cast of Characters:
 
Cgmaness – @user-419254289-15129531 – Chris – foundational acoustic guitar and seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, lyrics, and vocals
Llanpsych-- @llanpsych -- Tez – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
The Eclectic Collective — composition and mix

  This is the second song in a row that The Eclectic Collective is releasing in as many weeks that was written by Chris. We love working on his songs, and all jumped at the chance to play with this one, as well. He wrote it on an acoustic guitar, onto which he also put some heavy reverb, giving it an ethereal, chordal sound. To that bare bones, Josh fist added his four-string fretless bass to a click track, of all things. Luckily, Ken swooped in soon after and gave it a proper beat with his lively percussion performance. 
  Once the rhythm section was complete, Tez added his melodic, golden-tone guiar in there. Then, it was JJ's turn. He added not only the piano and synth, but wrote the lyrics and sang it, as well. 
  This song was actually mixed by the group, as we all added our parts, although Ken did some final adjustments, too.
  JJ's lyrics tell the story of the first people to reach Easter Island, millenia ago. The wonder of the journey and the discovery of a new home, while using the materials available to survive. Here are his original lyrics.

Original Lyrics by J.J. Terrell:
 
Through the eyes of the gentle rain
Monuments raised where the Lapwings stay
All the sand, the hourglass of man sifts here
A traveling band of gypsies in this land appear
Crowd the fire as the night sets in
Listen for tales of enlightenment
Until dawn
The flowered down of a bird so true
Pure as heaven, the chosen few
It's all waiting for the night

Unabashed (Eclectic Collective)

I don't spend time thinking about what I create, no formulas, no recipes, no planning, no genre in mind, I just go wherever the first few notes take me, pretty much improvised; I tend to go with the first idea that pops into my head; judge for yourself how that pans out!

ISN'T IT TIME WE DROPPED OUT AGAIN

Clean

In the wash

Art can sometimes be radical and have a strong impact on people. Hardcore is the attitude of sticking to self-expression without pandering. I don't care if my songs are art or not. Oh, the English word "hardcore" also means that "art can go beyond a hobby or a job and become life itself. That stoicism and passion" is what makes it hardcore. I would like to emulate this meaning.

№318 Art is hardcore (318)

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.

Wonder (Eclectic Collective with Mahan Mahan)

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production

Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.

Wonder-Eclectic Collective/Mahan Mahan

Lana being honest about how she is in a morning

No Good In a Morning

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

TexMex Shaman–@texmex-shaman –Stephen– Earl Scruggs banjo, mix, mastering, and production

Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.



Wonder - (Eclectic Collective and Mahan💀Mahan)

Cast of Characters:

Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron cello & strings, sound effects, editing production

This song began with Mahan writing a chord progression on his acoustic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh and asked if he'd add some vocals. So Josh came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add more parts, so Josh also laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for.
That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark added the cool, proggy mellotron strings, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to include some additional synth strings you hear throughout, too.
Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section.
We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans
For when I go

Time moves by painfully fast
Everything goes and nothing lasts

We're only here for a very short time
You live your life and I'll live mine
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's
Relentless plans

When it all comes ‘round
I don’t let it get me down
‘Cause in the end,
I won't make a sound
This life is very short
And we're all very small
Everything’s in motion
On this spinning ball
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder
Wonder at it all



Mahan Mahan -- @mahan-mahan — Mahan — Washburn acoustic guitars, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- vocals, vocal harmonies, lyrics, four string Warwick fretless bass, Collings mandolin, and Korg piano, Roland Phantom VST strings, and arrangement 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Earl Scriggs custom banjo, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – mellotron, sound effects, editing production

This song began with Mahan writing a chord progression on his acoutic guitar in hopes of doing something different than his usual punk influenced raucous experimentation. He shared it with Josh after they found each other on the Cloud a couple months ago, and discovered they liked each other's music. Originally, Mahan asked Josh if he'd add some vocals. So Josh, thinking that was as far as he was going to go with it, came up with the lyrics, vocal melodies, and harmonies. Then Mahan encouraged him to add some more parts, if he wanted. So, Josh laid down a piano, mandolin, and bass part to go with it. At that point, it was sounding like a much bigger production than what either of them had accounted for. 
  That's when Josh got the rest of the Eclectic Collective involved. First in was Ken, who added his awesome drums to the mix. Josh and Ken went back and forth a couple of times, as they usually do when trying to dial in the rhythm section. Tez jumped in next with his dynamic electric guitar solo at the end. Then, Mark came along and added the cool, proggy melotron at the end, too, as well as did some expert editing. At this point, it sounded so big that Josh decided to add the symphonic strings you hear throughout, too.
  Once it was in the can, we turned it over to Stephen who not only mixed it brilliantly, but also added a trippy banjo you can hear in the second to last section. 
  We had so much fun recording this, in no small part because Mahan is such a brilliant and desirable collaborator. He really set us up with some magic, and we ran with it. All of his music is exciting and worth a listen on his page. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Josh Clary:

I've been high
And I've been low
Been making plans 
For when I go

Time moves by painfully fast
Everything goes and nothing lasts 


We're only here for a very short time 
You live your life and I'll live mine 
Might as well have fun
Might as well go for a run
Hug my kids, my wife, and folks
Before I go x 2

Into forever dreamless sleep
Wish I had a soul to keep
Time’s like water in my hand
Can't stop the clock's 
Relentless plans
 
When it all comes ‘round
I don’t let it get me down 
‘Cause in the end, 
I won't make a sound
This life is very short 
And we're all very small
Everything’s in motion 
On this spinning ball 
Time flows only one way
I wish it were not so
I’m busy making plans for
When it’s time to go
Take the time to wonder
Make time to wonder 
Wonder at it all.

Wonder - The Eclectic Collective with Mahan Mahan

Surfers like Us ….. composition and all guitar parts

Hi Everyone!
The surf season 2025 is open! 😎
This is a special extended version of my older surf song.
I hope you enjoy the vibe!
Thanks for listening and any support!
Surf’s Up!
Artur

Surf Season is open

       This was written in collaboration with Katarina Jovchevska last year. Kate Jo wrote and performed the music and I wrote the lyrics, added some guitars, sang, and produced the video. I thought Kate Jo did an awesome job with the music and I tried my best to sing it, not very well I'm afraid. The story is about a whale calling for her mate across the vast ocean but then she turns out to be a mermaid instead. A diver is lured to join her in the ocean by her calls & whispers. The story really goes nowhere but I wanted to write something about whales & mermaids. I had tremendous fun recording it and it was great putting the video together as well! 

VIDEO - https://youtu.be/tjmetS-_yOw

This song was our second collaboration, we also wrote "Sunny Miami Day" which was a blast as well! Check out Kate Jo's songs they are awesome, she's here on SoundCloud! (https://soundcloud.com/katarina-jovchevska-1) Thanks for watching and I hope everyone enjoys this Sea Shanty but beware of Mermaids, they literally take your breath away! Cheers!🙏

“WHISPERS”

A SOFT VOICE LOST AMONG THE OCEAN TIDES,
I CAN HEAR HER CALLING ME,
FROM A DISTANCE OF A HUNDRED THOUSAND MILES,
I STILL HEAR HER CALLING ME,             

WHISPERS, A SOMBER REVERIE,
WHISPERS, A HAUNTING MELODY,
WHISPERS, I HEAR HER IN MY SLEEP,
WHISPERS, INVITATIONS FROM THE DEEP,
WHISPERS, MURMURS EBBING FROM THE SEA.         
WHISPERS, RUSHING OUT TO ME,

FIND ME, FIND ME, FIND ME, 

A SIREN LURING ME ACROSS THE WAVES,
A BEACON GUIDING ME, 
MY INHIBITIONS HAVE ALL BEEN SWEPT AWAY,
BY THIS SEABORNE MYSTERY,         
WHISPERS FROM THE SEA,
WHISPERS FROM THE SEA,
WHISPERS FROM THE SEA.
          
BY JIM VALDES & KATARINA JOVCHEVSKA © 2024

"WHISPERS" (Video - https://youtu.be/tjmetS-_yOw)

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet the New Bossa (Eclectic Collective)

We Care A Lot

Scream for Your Life before it changes forever. 

Collaboration

Vocals, Lyrics, Composition, Production, Guitar - Billy @sidehustleprophets

Guitars, Bass, Composition, Production, Mixing - Chris @chris-schlue

Drums - Karli @mightymartens

Scream for Your Life

Scream For Your Life

Q-Don't Stand by Me

Great EWI Breath Controller Cello Jam by Jörg: https://soundcloud.com/joerxworx

The Next Level (Remix Cello Jam)

Tomorrow is Yesterday

Dream of Freedom

Bone Of Contention

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me