What a way-cool production !  Your band just nailed !  Lyric are spot on !

Yepa, I love this 70s vibe. It takes me back to those days when we still danced slow songs. Thanks guys for this beautiful song. 🔝

Ya’ll really brought something special together love these vocal’s truly moving and heartfelt work❤️

Amazing work gentlemen.  It's like the Beatles locked themselves into the Apple studio one sunday afternoon and just jammed away.  Love the vibe

Really cool atmosphere! Great work from all involved. Love that Organ in the back and that spacy guitars. 👍👍👍

Not listened to this one for a while - really does sound like the Stones circa Let it Bleed/Beggar’s Banquet era. Amazing vocals from Steve!!

"Dancing, Sweating, Bouncing.
Bouncing like a fluffy monster of another sound dimension.
Bouncing like an electron in the magnetic cage of your lust."

Dancing, Sweating, Bouncing

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

Lyndon B. Johnson - ”If you can convince the lowest white man he's better than the best colored man, he won't notice you're picking his pocket. Hell, give him somebody to look down on, and he'll empty his pockets for you."
https://www.snopes.com/fact-check/lbj-convince-the-lowest-white-man/

John Philpot Curran, "The condition upon which God hath given liberty to man is eternal vigilance; which condition if he break, servitude is at once the consequence of his crime and the punishment of his guilt.
https://www.bartleby.com/lit-hub/respectfully-quoted/john-philpot-curran-17501817-2/

Patrick Henry - Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!
https://avalon.law.yale.edu/18th_century/patrick.asp#:~:text=Is%20life%20so%20dear%2C%20or,liberty%20or%20give%20me%20death!

No Surrender

Now convince the lowest man that he's better
And he won't even notice you're picking his pocket
Hell, give him someone to look down on
And he'll empty his pockets for you

If ya wanna be free, live your life own way 
Then eternal vigilance is the price ya pay
Cause  Servitude is the consequence
If you’re too damn complacent  

No surrender, to the powers that be
No surrender, to autocracy
No surrender, no surrender 

It’s a lie, It’s a lie, It’s a lie
It’s a crime, It’s a crime, It’s a crime
Of the time, of the time, of the time
It’s a low down stinking lying crime of the time.

Is life so dear or peace so sweet
To be purchased at the price of slavery 
Some will bend the knee and kiss the ring
For me I say let freedom ring 

If ya wanna be free, live your life own way 
Then eternal vigilance is the price ya pay
Cause servitude is the consequence
If you’re too damn complacent 

No surrender, to the powers that be
No surrender, to autocracy
No surrender, to the chains of tyranny

No surrender, to the powers that be
No surrender, to a wanna be king
No surrender, no surrender

NoSurrender

Art and Miles
By David Husted

Vs
How much more now is enough
the body turning home
passions and the red, red dust
You and wonder roam

Far more grace than we can see
often so deceived
To give, to give to give away
And find where tender lays

Miles 
It's miles and miles away
Smile
We're gonna find another way

Ch
We were larks whistling, 
soaring with our wings  
The memories fade, but the love remains 
We were fine art, a masterpiece 

We were larks whistling, 
soaring with our wings  
The memories fade, but the love remains 
We were fine art, a masterpiece 

We were larks whistling, 
soaring with our wings  
The memories fade, but the love remains 
We were fine art, a masterpiece 

Pre Vs
{instr}

Vs
Miles 
It's miles and miles away
Smile
We're gonna find another way

Miles 
It's miles and miles away
Smile
We're gonna find another way

Outro
How much more now is enough
the body turning home
passions and the red, red dust
You and wonder roam

Art and Miles

"Logic will get you from A to B. Imagination will take you everywhere." - Albert Einstein.

Mix & Mastering by @bahram-dashtii 🙌


Somewhere not Here

Groovy Bird

Inspired by William Walton's Bagatelle No.3.   It is 4am on stage, the club is vacant but loving these acoustics.
Compare: https://youtu.be/9_RsORGkVF8

Bagatelle Acoustics

Cast of Characters:
Steve's Planet -- @steve-vervaet — Steve -- acoustic guitar, vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistrermark -- @user-432503709 — Mark — organ 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string fretless Warwick bass and Roland electric piano and organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
  
This song began with Steve, who wrote it on his guitar and sang it, before sharing it with Eclectic Collective about half a year ago, back in the fall. Always grateful to Steve for sharing his amazing music with us, we kept it alive even though it had stalled out on us for whatever reason. 
  We had a decent skeleton from our original go at it, but decided to scrap it, and start fresh. Ken, being the one who actually revived it, added his solid drums first, providing for a groovy foundation. Tez came next, surprisingly, adding his hooky guitar fills throughout. Mark hopped on shortly after, adding the organ you hear coming in around the 2:00 mark. Josh took his turn after that, even though it was only a couple of days between, by adding his fretless bass to complete the rhythm section. He also, in the same recording session, added the electric piano you hear throughout, as well as the organ in the first half. 
  Once it was in the can, we asked Stephen to mix it for us, in his always professional manner. 
  We all love working on Steve's songs, and admire him as a musician, singer, and songwriter. This makes almost a half dozen songs on which the EC has collaborated with Steve, and we're sure to add many more. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Steve's Planet

Please Come Home (Eclectic Collective with Steve's Planet)

What did you make with

i’m already 
goin’ down
to the end of the story now
wind is blowing
to the end of the story now

come away   come away

time is bending 
drifting down
spin the hourglass all around
pulverize it
spin the hourglass all around

i’m comin’ after 
i’m comin’
i’m unembodied
i’m free

i’m already 
leaving town
train is rounding the mountain now
got my ticket
train is rounding the mountain now

come away   come away
---------------------------------------------------------------------------

image from Malcom Shadrach via Unsplash


Quietus

Crazy ( Re-Prise )

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Please Come Home (Eclectic Collective with Steve's Planet)

Entheogenic Psychonaught (Josh Clary)

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