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A CONSTELLATION OF ILLUSIONISTS

Neu und angesagt: Jazz & Blues 01.06.2022

[UNDER CONSTRUCTION]

Tradacoustic series no. 153

Music, mostly recent, a few days, a few months...

creation: 2022/06/05

HK_Tradacoustic_153

We don't have to cry

Swinger *

And its real

You can purchase the track here: www.korima.net


Lyrics
Are you a fixed star 
of unknown location?
Strumming a particle guitar
Celestial creation.

Are you the beat of a solar storm
Travelling Earthbound
Of elemental form
Worshipping sundog.


To the sound of the whistling sun

Strumming a particle guitar

Are you a shooting star
in an absent moon sky
Dancing past
Jupiter and Mars
Through a billion and one stars?



Steve Pumphrey's inventiveness, musicality and virtuosic guitar playing have infused Particle Guitar with celestial splendour.
Privileged to have had this track mixed by Damian Chennells https://soundcloud.com/damianchennells
Mastered by Ciarán Cullen
https://suzanneledwith.bandcamp.com/releases
Art concept by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

Particle Guitar

Original track by Holy Shitshow : https://soundcloud.com/user-649412648/kool-aid

Kool-aid (Open collab with Holy Shitshow)

"Tomcat Disposables"
The new single off the upcoming album "In Case I Make It" by Will Wood
Music & Lyrics by Will Wood
Produced by Will Wood
Recorded by Simon Ficken at Backroom Studios in Rockaway NJ
Mixed by Kevin Antreassian

Vocals, Baritone Ukulele, Keyboards, Percussion - Will Wood
Alto Saxophone, Flute, Clarinet - Matt Berger
Bass - Vater Boris
Guitar - Mike Bottiglieri
Drums, Percussion - Mario Conte
Strings - Yoed Nir

Tomcat Disposables

África

A Royal Affair - Music by REKHA - IYERN [Fe] | Live Hardware Synth Instrumental through an amp right off of my studio floor

Part of an upcoming soon to be released Electronica album from moi :)

A track about a medieval like gathering to celebrate-discuss the couple's introductories, their arranged Royal Affair! The setting in my head, a high society pre-official-celebration event that takes place in the grand castle hall where the noble guests of honour attend the glamorous occasion fit for the chosen King and Queen yet to be!  They can say no if they wish so keep your fingers crossed for good luck as the families & related ties meet & greet highlighting the desirable qualities of each! The serious tone discussions linger about until progress is made, a final decision awaiting. So let us now politely curtsey, bow, fan, smile, hold the stance-stare-glare fixated! More trumpets now please! We so need the hype-vibe pumped up to make this vital connection go green! 

Keeping up with the obligatory motions is the name of this game...mode of course, diamonds and pearls, ornate embroidered design style...divine perfection creatures of the flirting-fine kind...good looks adorned in eye catching draping ruffling-puffing satins and velvety masculine jacket-suit-tail attire, embellished with piercing heavy metallics...to go on to say that all of this razzle-dazzle extraviganza to be accompanied with rustic wine goblets & rich colourful dine, circular dance activity, snotty chit-chat whispers and back stabbing schemes, the music picture mood of an ancient world what I'm trying to convey in a modern poppy way...not sure if I did exactly that or not...using just an Arturia Micro Brute Synth to sound something like an Indian Wooden Acoustic Harmonium or a Bag-Pipe was the challenge fun for me...to rather use, soley the synth and not my harmonium or *Bag-Pipe which I don't even play or own...to try and get the essence medieval feel somehow to shine through...Hmn, maybe yes? Maybe no? Not sure? Ponder over that notion...Hope you will enjoy this perhaps exciting number, REKHA XOXOXO

Cover Art Design - Photo and Graphics by REKHA - IYERN [Fe]

A Royal Affair Composed and Produced, Recorded and Performed, Mixed and Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Trailokya

A Royal Affair

A Royal Affair - Music by REKHA - IYERN [Fe] | Live Synth Improv JAM | Electro Medieval Dance Pop

Presented by Wax Poetics & Calvin Klein

As a celebration of art and culture, Calvin Klein collaborated with Wax Poetics in search of the next generation of journalists helping to shape the contemporary music landscape. This partnership reflects Calvin Klein’s continued exploration of inclusivity and self-expression through creativity, art, and the clothes we wear.

We got together at Brilliant Corners in London to celebrate the next generation of music journalists and content creators. Mr. Redley kicked off the evening with a deep selection of jazz, funk, soul, and more.

If you want to discover more about Plugged In then head to the link below.

https://www.waxpoetics.com/connections/calvin_klein_plugged_in/

Plugged In Live: Mr. Redley

The years of that
winter have passed
I’m thinking it’s
finally time that I
Open that door
Where the sunlight pours

Feels like a
dangerous game
To put love in the
driver’s seat
Driving faster than
your thoughts can
Race

I’m falling for
Everyone I come across
Do you think they
Feel the same 

Feels like a
Dangerous game
That I want to play
With all this love

DANGEROUS GAMES

This is a cover of an old Django Reinhardt tune that I learned from David Grissman's version. My friend Chris Maness was kind enough to play the first and second solos, while I took the third with my mandolin. He's incredibly talented and I'm always extremely happy with what we produce when we work together. I used to play this in an old band I was in called Confluence. It's a fun one and we hope you enjoy it!

Minor Swing (with cgmaness) Django Reinhardt cover

Recorded in Modesto, Ca.   Featuring Hammond B3 Organ solo, Gibson 335 Electric Guitar solo. Flute solo. Gibson L5 Electric Guitar Rhythm. Hammond B3 Organ Rhythm. Horn Section Trumpet, Tenor & Baritone Saxophones. Fender Electric Bass. Trap Drum set. Percussion Tambourine, Zildjen Crash Cymbal, Woodblock.

Still Kickin'

Walkin Bluez

Our new jazz original What Happened To Truth is a conversation among friends.  I first sent the track to Georg Boehme and asked him to add some baritone sax, one of his many instruments.  Georg went above and beyond and sends me 4 tracks of baritone sax harmony plus solo, beautiful harmony, phrasing and lead playing that so warmly complements my synth lines.   Fellow woodwind player Sam Mendez added his sweet soprano sax sound and guitarist Al Schulman brings his sensitive playing and assertive soloing.  Our rhythmic glue for Truth is Sergio Párraga's tight conga playing.  
We hope you enjoy our conversation ... What Happened To Truth?

Follow these superb musicians and players:
Georg Boehme - https://soundcloud.com/georg-boehme and https://www.georg-boehme.de
Sam Mendez - https://soundcloud.com/santi-caballero
Al Schulman - https://soundcloud.com/alanschulman https://www.alanschulman.com. https://soundcloud.com/asisjazz
Sergio Párraga - https://soundcloud.com/sergioparraga

and playlists of our music together: 
https://soundcloud.com/jamie-rhind/sets/grooving-with-georg-boehme
https://soundcloud.com/jamie-rhind/sets/swinging-with-santi-caballero
https://soundcloud.com/jamie-rhind/sets/swinging-with-al-schulman
https://soundcloud.com/jamie-rhind/sets/swinging-with-sergio-parraga

Opened at #5 on SoundCloud's Hot & New in the Jazz & Blues category.  And thanks as always for your generous time listening, for your comments and for your shares

What Happened To Truth?  G Boehme / S Mendez / S Parraga / A Schulman / J Rhind

In The Wee Small Hours Of The Morning (David Mann & Bob Hilliard, 1955)

... original composition with real percussion and tenor sax solo .... based on my track https://soundcloud.com/joerxworx/909-2-dreaming which is a guitar feature :-) .... photo based on "Shot by Cerqueira", on unsplash ... with a sax added ;-)

dreaming // the sax version

Glad to present our latest collab, lunatics number 70 :-)
with my friend Hendrik aka https://soundcloud.com/cosmic-ratzzz & his fabulous backing and a sloppy sax solo by me :-) ..... enjoy this 60s rushhour vibe ! photo: Roy iPhoneography, unsplash

Jazz In Bb / Cosmic Ratzzz & joerxworx / lunatics 70

Built on a guitartrack by Werner Garbrecht, processed through iPad Apps like iSymphonic (bassclarinet), Synthmaster2, BleassOmega ... 
Recorded live @ Machma Session 26.05.2022 
Werner Garbrecht guitar
Wolfram Bittner bass
Klaus Meschede tenorsax 
Dr. Jens Michel drums

Abelssoft mp3

Werner's Song

Driven - Paploviante 2022 / Open Collaboration
Bass, Music and Mix Paploviante
Logic Pro X
BPM 125
Free Download
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

Driven - Paploviante - Open Collaboration

I'm so glad I reached out to the amazing Jennifer Roe @jenniferroe to work on a track together. I was introduced to her work via my good friend Robert @r-salchaks-mood-exhibit, when they collaborated on the wonderful, 'Elegiacal'. https://soundcloud.com/r-salchaks-mood-exhibit/elegiacalfinal-draft-audiomaster-2?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Jennifer's post: https://soundcloud.com/jenniferroe/nunataq-ice-age-collaboration-with-belial-pelegrim

Jennifer's voice and words are incredibly powerful and so artfully constructed. Enjoy!

Music and Production: Belial Pelegrim
Vocals & Lyrics: Jennifer Roe
Cover Photography: Jennifer Roe

Nunataq/Ice Age

Nun a taq taq taq taq taq

Hey yah yah yah
Hey yah yah yah

Hey-o
Hey-o
Oh-ay

In the time of lowest light
In the days of shortest sight
You crawl you crawl
You claw your way on hands and knees
You call you call
In the time of lowest light
In the coldness of the night
You crawl
Crawl
You call:

Hey yah yah yah yah
Hey yah yah yah yah
Nunataq
Nunataq
Nunataq taq taq taq taq

One
Small
Step
For
No Man

One
Small
Step
For
No Man

One
Giant
Leap
Into the till
Scrounging for gems

In the time of lowest light
In the days of shortest sight
You crawl you crawl
You claw your way on hands and knees

Your own little ice age
Your pit pond
You sinking in the outwash

Raking stones
Breaking bones
Changing history
Raking stones
Breaking bones
Changing history

Your own little ice age
Your own little ice age
Your own little ice age
Your own little ice age

Nunataq (Ice Age)

Nunataq (Ice Age)| Belial Pelegrim & Jennifer Roe

Thank you for listening!
A new collaboration with the very talented singer & songwriter Sarah Golding.
Check out the great work of Sarah: https://soundcloud.com/voiceofgolding/tracks
Lyrics and vocals: Sarah Golding
Photography: Trudy Simpkin

Lyrics:
See the southern cross, my little love?
Trace the shapes in the galaxy above
Tiny lights in the sky
Distant giant fires
Time will pass, and the stars will age
And my love for you will never fade
Never fade away.
No matter where, why, how far you fly
I’ll be by your side like a constellation
A constellation in the night sky
See the southern cross, my little love?
Trace the shapes in the darkness above
Burning bright in the sky
Distant giant fires
Time will pass, and the stars will age
And my love for you will never, never fade away

Constellation

Constellation (Feat. Sarah Golding)

https://dominiquelebars1.bandcamp.com/track/mes-illusions-aussi

Qu'est-ce que j' te dois, qu'est-ce que tu m' dois ? 
Bienvenue dans la fricomanie
J'ai tout en tête pour faire la fête dans cette putain d' farçocratie
Si j' me fais prendre sans m' faire comprendre, 
j' peux toujours plaider la folie
Si j' me fais pendre, mes illusions aussi..

Comme cette lune brisée dans mon grand cerveau vide
Qui n'a jamais appris à tricher, à rêver d'être avide
Belle comme un sein blond, une noisette sucrée
Et qui t' offre l'amour pour le prix d'un péché..
Ne porte dans tes rêves que ce que tu défends
Comme le ciel et la sève, la vie jamais ne ment

Mes Illusions Aussi

More on this 543rd weekly Disquiet Junto project — Technique Check (The Assignment: Share a tip from your method toolbox) — at: https://disquiet.com/0543/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0543-technique-check/

Rototom Rampage (disquiet0543)

Composed, arranged, performed, and produced by
Carlos Vivanco

Bioluminescence

In Blue

After a considerable amount of time, my old friend Simone (Mome) and I had the chance to record a piece of music together: a short unplugged ballad, a cover of a great classic by CS&N that we tried to render as finely as we could, adding a bit of an unconventional Middle-Eastern flavor. Heartfelt thanks to Mome for adding his awesome acoustic bass part on a couple of guitar tracks I'd recorded before leaving Tunisia. Only recently I had the chance to complete the song with vocals and a few bağlama licks, so... That's it, in hope it won't break anyone's ears. I should add that in fact Stephen Stills wrote this tune, but since the other two guys crucially contributed to its composition with their superb vocal harmonies, I thought it was right to mention the three of them as co-authors. Since we started playing together, about 36 years ago, we'd never covered anything by CSN, so I guess it was about time.
I warn you: despite of its partially exotic vibe, this one definitely sounds way more "traditional" than usual, and I must confess that it was in first place a way to try out my new mic and home studio setup, and a nice chance to jam with one of my best friends ever.
I went through quite a lot of changes these last months... I apologize to everyone because I haven't been around for a while, and I sincerely thank every friend who found the time to drop a line or listen to the stuff I put here. I'll try to reply to your comments and messages as soon as possible, and hopefully I'll have the chance to be more active in future, with new releases and reposts. I still have plenty of strange sounds hanging inside my brain, that's for sure.

Mome :  acoustic bass guitar
Teth Sin : acoustic guitars, bağlama, vocals, tambourine, sampled drums

Original composition & lyrics by Stephen Stills
Arrangement, mix, mastering & cover artwork design by Teth Sin

You Don't Have To Cry

You Don't Have To Cry (Crosby, Stills & Nash cover) | Feat. Mome

LIMITED VINYL EDITION

1984 - Rota

A new song composed with my old friend Gareth, the first since Covid!
Gareth plays acoustic guitar.

Te Amo

On a lonely road the sun is beating down
A wayward wind lifts the dust to swirl around
Te amo, te amo
That's all I have to say
Te amo, te amo, always

The bone white stones are reminders of our home
Our futures locked within our chromosomes
Te amo, te amo
At the ending of the day
Te amo, te amo, always

And time moves slow 
in the corners of the world
when the leaves of love  
remain forever unfurled
As the circling birds 
pick the carcass of the past
Perhaps we gave our love too fast

Te Amo (with Gareth)

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

Did 'magnificent' Nabukonodexa really exist on the edge of an ancient sea? 
Experts say that it was simply a terrifying accident that vitrified the ground over an average of 12 metres thick. 
Some even believe that a civilisation rich in knowledge died out for some reason. They have even suggested that before us, another form of life may have existed! 
The few remaining remains are of incomparable beauty and we will probably never know what really happened as we have no previous traces of our present history.

Nabukonodexa la "magnifique" a t'elle réellement existée au bord d'une mer ancienne ? 
Les spécialistes experts disent qu'il s'agit tout simplement d'un accident terrifiant qui aurai vitrifié le sol sur plus de 12 mètres dépaisseur en moyenne. 
Certains pensent même à une civilisation très riche de connaissances qui ce serait éteinte on ne sait pour qu'elle raison. Ils ont été jusqu'à suggéré qu'avant nous, une autre forme de vie ait pu exister ! 
Les quelques vestiges restants sont d'une beauté incomparable et nous ne saurons probablement jamais ce qui c'est réllement passé n'ayant pour le moment aucunes traces antèrieures de notre histoire actuelle.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Dell, Focusrite, Hewlett Packard, Logitech, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Nabukonodexa

Music, lyrics, vocal & ac. guitar : Grave
Other instruments & mix : PJ Project

I Just Can't Believe It No More W/ Grave

Impulses across a synapse, stars across a galaxy, love from me to you

Songs from a Satellite      
Janine levinson 2022
mixed by Russ https://soundcloud.com/russell-sinfield
#ChaosCookhouse


Songs from a satellite 
Circling the green and blue
And floating down all over you
Stars from a galaxy a forehead wide              
Rocketing from ear to ear
And shooting out of both our eyes

Kids are gonna study us baby for a thousand years to come

The glow of a distant star 
Shining on a distant life
And writing all about us
The quill of a distant pen
An etching of a single life
Took a millennia to write

Kids are gonna study us baby for a thousand years to come

The big swirl of dust and the capillaries
The wedding bells and the flower petals
As the bathwater drains to a tidal eddy
From the tips of the branches counting back to infinity 
The big swirl of dust, and the
Songs from a satellite orbiting the green and blue

Come in? 
Roy G. Biv, paging Roy G. Biv to the galaxy
Roy G. Biv, is there a Roy G. Biv here?
Roy?

Blue on a frequency beyond the light, invisible to human eyes
Is lapping all around us
And we, tethered to the perigee, effectively are bound to be
In love with the world

And the world is so in love with us baby!
The kids are gonna study us baby!
They’re gonna study us

Songs From A Satellite - mixed by Russ

STREAM: https://stem.ffm.to/koansoundevocation

Artwork by diepfris

https://www.koansound.com
https://www.patreon.com/koansound
https://www.instagram.com/koansound

Evocation

https://soundcloud.com/supernatural-bass
https://soundcloud.com/supernatural-bass
https://soundcloud.com/supernatural-bass

Where Time Goes

Mfinity & Supernatural - Aura

Thank you fam for all the support over the years.  ❤️🔉🔊

TrackList
Nas-NY State Of Mind (Arcturus Flip)
ID
ID
Diggin In The Webs VIP
A Tribe Called Quest-Buggin Out (Arcturus Flip)
ID
ID
ID
ID
Arcturus & Hoopla - Mobb Deep Shook Ones Flip
ID NuNu

Art By @fy00g

Beats and Pieces Vol. 3 “Bops”

https://soundcloud.com/swomp_bass
https://soundcloud.com/swomp_bass
https://soundcloud.com/swomp_bass

Mfinity & Swomp - Maitri

A whole bunch of the new mid-tempo tracks I've been working on, and a collection of recent and future gems from Luminus Music: 

Hedflux - Sananga Serenade 
Nanosphere - Sleeping Gate
Grouch - Reverse Entropy (Hedflux Remix)
Hedflux - Peyote Dawn
Hedflux - Wanderlust
Tryptich & Mise - Ooze Cruise 
Kin - Manifolds
Hedflux - Sacralicious 
Nanosphere - Intrinsic 
Nimbus - Alien Music
Tryptich - Air Lines 
Birds of Paradise - Tunnel Visions (Hedflux Remix) 
Frequency Less - Busted (Hedflux Remix) 
Eurythmy - Not a Love Song
Kin - Origins


Photo by Caspian Kai (Design by Kai) @ Envision Festival

Mid-tempo Alchemy Mix

First track of a new album where I'll try to be more eclectic, with closer approach to some genres. Experimented on this one over-editing vocal line on the left, and getting midi files out of organic guitar melodies, which I could play with virtual instruments. I hope you'll enjoy a different Ruizzoid shape.

Dedicated to Germán Coppini’s ‘Golpes Bajos’, one of my favorite groups of the Spanish ‘Nueva Ola’.

Pic: “Trapped in the past”, taken by me casually in the street.

Lyrics (original/translated):

NO TODO ACABA (JUGUETES ROTOS)  /  NOT EVERYTHING ENDS (BROKEN TOYS)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hay cosas en la vida que no cambian nada.  /  there are things in life which don’t change at all.
Hazme pensar que no estás gastada,  /  Make me think that you are not worn,
que el paso de los años no te cambió nada.  /  that the passing years didn’t change you at all.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Juguetes rotos, muñecas olvidadas,  /  Broken toys, forgotten dolls,
la imagen de mi espejo parece cansada.  /  the image from my mirror seems to be tired.
La voz de la noche ya no me llama,  /  The voice of the night doesn’t call me anymore,
me  resisto a pensar que todo se acaba.  /  I refuse to think that everything ends.

Hazme pensar que lo nuestro no acaba  /  Make me think that our thing doesn’t end
cuando despierte por la mañana.  /  when I wake up in the morning.
Hazme pensar en ti con calma,  /  Make me think about you calmly,
hazme creer que te tengo amarrada.  /  make me think that I get you tied up.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hazme creer que aún estoy en casa,  /  make me think that I’m still at home,
hazme pensar que duermo entre sábanas,   /  make me think that I sleep between sheets,
hazme pensar que nada cambia.  /  make me think that nothing changes.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

ER31FI01 RUIZZO©1996 – FRANCÉS RECORDS®2016

No todo acaba (Juguetes rotos)

I Like To Dance.WAV

Texte: Joh
Musique: Joh / Dart / Nephi
Arrangement et mixage : Dart
Montage vidéo: Egon Plincha

Jean Moulin

N'entends tu pas gronder la rue ? Allez viens, rien ne te retiens.
De quitter l'armée du Malotru, dont l'argent est le seul soutien.
Moi la main et parle moi. Prends donc le droit d'être un narquois.
Et tu verras que ma pancarte ne fais pas le poids de ta matraque

Te voir au ordre à la ribambelle d'un système de Pis-aller.
On a bien perdu la gabelle, la note reste toujours aussi salée.
Dans mes rêves je vois des bio-cop, équipés de gilet permaculture.
Mais j'oublie que nos robocops ne peuvent avoir de progéniture.

De Jean Moulin . Tous enfants de Jean Moulin
Comme lui, Délier nos poings . Tous enfants de Jean Moulin

Jean Moulin

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Minor Swing (with cgmaness) Django Reinhardt cover

Entheogenic Psychonaught (Josh Clary)