This is a cover of an old Django Reinhardt tune that I learned from David Grissman's version. My friend Chris Maness was kind enough to play the first and second solos, while I took the third with my mandolin. He's incredibly talented and I'm always extremely happy with what we produce when we work together. I used to play this in an old band I was in called Confluence. It's a fun one and we hope you enjoy it!

Minor Swing (with cgmaness) Django Reinhardt cover

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

We are a collective of about a dozen musicians, who get together weekly to play through the cannon of stoner music. We use mostly acoustic instruments, and have roots sensibilities. We have some really spectacular musicians at many positions. These recordings are single source live. This page is primarily to give the people playing a way to listen to themselves, although, we hope you enjoy it as well.
  Everything posted is done so by Josh Clary, who has his own SoundCloud page Entheogenic Psychonaught (Josh Clary). Here's the link: @josh-clary-1. 
  That artwork on our picture was done by the very talented Kaitlin Page. Find her on Facebook or Instagram or at your local music festival.

Thank you for stopping by 😊
Born in 1972
Agricultural equipment salesman by day, musician by night!

Members of The Eclectic Collective :
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – bass
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth, lyrics, some vocals, song writing
Llanpsych-- @llanpsych -- Tez – electric guitar, mixing, production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion
TexMex Shaman– @texmex-shaman –Stephen– acoustic and electric guitars, production, mixing, mastering
Mistermark – @user-432503709 – Mark –keyboards, effects, piano, some lyrics and vocals.

If you've read this far then I am indebted to you forever. Thank you 😊. Happiness cannot be sought directly. It is a bi-product of love and service to others. 

J.J.

Hey, hope you enjoy the music 🎹

Attention !!! : At certain intervals the main genres will rotate and occasionally something else will come in between.


And if I can only reach one person who likes my music, it was the right decision to present my works.
Camo


Happy and joyful about any support, whether a like, follow, comment or repost


- Ohne Musik wäre das Leben ein Irrtum. -
   Friedrich Nitzsche

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Main:


Hip Hop: Valve

Downtempo/Chill/Organic/Ethno-House: Kokon

Cumbia/Latin: Cumbianaut

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Something else:


Breakbeat/DnB: Molch

Rock: Space Station 

Tech-House/Trance: Trittpfad 

Cinematic/2 Tone/Ska/classic: Chair Room

follow me on :
www.youtube.com/@Blaffy91


DOL is a hardware-first electronic artist. 

All tracks are recorded live in a single take using Elektron, Moog, Akai and Teenage Engineering Instruments. 

No DAW. No edits. Built live on machines.

Dear listener, Feel free to leave comments and I'll try to reply.

I've been making music for around 16 years now but because of the wonderfully generous community that is SC, I have learned so much in a short time. I look forward to learning even more by collaborating. 
I suppose my strengths are in lyric-writing and singing. I feel fortunate to have been able to work with some stunning compositions by some very talented SCers.

My very best to you, Mark

Some links to recent Continental Collision streaming sites, etc are available below:

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Composer, performer and producer, my influences are eclectic, among them: Talking Heads, Depeche Mode, Red Hot Chili Peppers, Prince, Aphex Twin, Beirut, RadioHead, Daft Punk, Vampire Week-End, Tony Allen, Joy Division, Kamixlo, Baby Metal, DJ Hell, Cypress Hill, AC/DC, The Raconteurs, SantiGold, Tom Morello, Mozart, J.S. Bach, The Kills, Fugazi, Helmet, Hendrix, Mad Season, QOTSA, Charlie Parker, Coltrane, Miles Davis, Cesaria Evora, Stromae... and so many others.

Raw sounds are what I like most, and I prefer focusing on the vibration produced by the interweaving of complementary melodies rather than adding spectacular effects.
I have been a guitarist and singer in several rock bands. Meeting the audience in concert with my friends was exhilarating, but I had long wanted to lead a personal project.
All composition ideas in this project came to me while walking, a discipline that I am passionate about. City, Forest, Mountain, everything that can be walked makes me want to put one foot in front of the other.
I am pleased to present this project that could be classified in the Electro-Pop category, although some metal, ambient, Jazz or Funk colors frequently come to it, with measure but enthusiasm. I leave you to judge the consistency of the whole and the category in which you would like to put it.
Welcome to my world of walking musician, hoping to discover some interesting landscapes along the way.

I will sing at some point but this is the next step. I'll focus on creating music for now.

Good listening.