those science fiction leads are quite nice.

Josh, thank you for taking the time to play on this.  Great mando, man.!

Great Song. Very open sounding soundscape with this lovely sounding bass, great acoustic drum set and on top these lovely and sweet sounding guitars! Love it!

48_LassEsMin2RaumSein - released on 20 July 2023

No.3 inspired by club mix of "Lasso" by 2Raumwohnung #ambient #dance #electronic #house #liverecording

(produced with Blocswave & Launchpad)

LassEsMin2RaumSein

MALE  ORDER BRIDE-MIDGET SUBMARINE.

Bande originale d'un film jamais tourné 

The Bat Man

Cast of Characters:
~Mark F-- @mark_fosella -- bass guitar, composition

Llanpsych -- @llanpsych -- Tez – guitar

cgmaness-- @user-419254289-15129531 – Chris – guitar

TexMex Shaman–@texmex-shaman –Stephen–  production, and mix

J.J. Terrell–@j-j-terrell –electric piano, organ, and synth

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-electric madolin

This song originated with Mark creating a bass line to a metronome, and sharing it with Ken. Ken immediately added his driving drums, and invited the rest of the EC to join in. JJ was first up, laying in his foundational organ, and e. piano magic in the first half, and the cosmic synth melody in the second part. Batting second was me, who established the melody in the first half with my electric mandolin, and mirrored the melody in the second half with the same. Next came Tez, who laid in the funky guitar right after the first break, all the way to the end. Batting clean up was Chris, who laid in the psych guitar in the first section, as well as the high guitar part in the second movement. Of course, we needed an expert producer to mix this for us, so we turned to Stephen, who always gets it exactly to everyone's specifications. That in and of itself is quite a skill, and I don't know how he does it, but everyone is always satisfied with his work.
  This is the second song we've done with Mark, who is a tremendously talented bass player, and delightfully creative songwriter. If you aren't familiar with his work, do yourself a favor and hop on over to his page for some delicious bass music. We hope you enjoy listening to this song as much as we enjoyed making it.

The Adventures of Stefan Ortèz (Eclectic Collective with Mark F)

Written and produced by Belial Pelegrim for Triplicate Record's June 2024 various artist release of "Selections For Solitary Moments"
released June 26, 2024
https://tripfm.bandcamp.com/album/selections-for-solitary-moments

Mastered by Michael Southard

Iris

Sweety Hug

A few things to say. I composed this song in 1982, fresh from reading of 'War and Peace'. Now I find a certain youthful verbiage in the lyrics, the song (naked and raw) has a 70s style. The recording of voice and guitar (live) is a few years old, rather sloppy, with bad mixing and excessive application of echo in some places.
To try to rescue it from its obvious banality, and to hide some of the errors and flaws, I've been arranging it these days using some vocal sampling as well, hoping to make it somewhat interesting.

Cover image: Louis-François Lejeune, "Visiting a Bivouac on the Eve of the Battle of Austerlitz, 1st December 1805" (1808). Musée de l’Histoire de France, Versailles.

English lyrics (rough translation)

The French counted the stars under Austerlitz
there had never seen so many fires lit in just one night
memories suspended in the winter, as cold as their hands
they had never been so pale, so skinny and far away
the emperor was dreaming or perhaps not sleeping
a woman he was waiting for in that night 
a war that was not waiting for him

the soldiers sang the cannons were silent
inside the chariots at the bottom of the plain 
the stars chased each other
the emperor drank, drank or maybe got drunk
a woman killed that night
a woman who smiled
the drunken emperor was looking
at that woman he did not know
Paris shrouded in a circle of smoke that was moving away

Paris woman dressed in black
Paris bride then already withered
Paris daughter of old Europe
Paris already betrayed
Paris bride dressed in dark
Paris woman then already grown up
Paris daughter of old Europe
Paris already lost

The French counted the wounded under Austerlitz
there had never seen so crosses hung in just one night
Suspended fragments of anger, hot as their hands
they had never been so pale, so alone and far away
the emperor was sleeping now he was dreaming
a woman who appeared that night 
a war that resembled him

the soldiers were silent the cannons smoked
in the hearts and at the bottom of the plain the voices hid 
the emperor drank, he drank now he got drunk
a woman he loved on that night
that woman frightened him
the drunken emperor was looking
that woman he recognised
Paris at the centre of a circle of light that drew closer

Paris woman dressed in white
Paris young frightened bride
Paris mother of new Europe
Paris already betrayed
Paris bride dressed in white
Paris woman then already grown up
Paris mother of new Europe
Paris already lost

---------

Music and lyrics by Michele Ansani (1982).
Posted on Soundcloud: 2024, July 2.

Austerlitz *

There's something building in the air. Be mindful of your breathing.

Air of Industry

https://soundcloud.com/user-170387368/tracks

eddyoffline & The Junez Mosquitos 2024

From the Inktober 2024 drawing challenge I add some musical colors to the drawings. Each day of October a new drawing needs to be created and posted. see my playlist “Inktober 2024 short tracks”

Inktober 2024 23. Rust-Valentino

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Adventures of Stefan Ortèz (Eclectic Collective with Mark F)

Entheogenic Psychonaught (Josh Clary)

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