ThingsAlwaysHear

All things guitar

April Friends

Radio Far Oeste Playlist Part. IV

I DANCE AS A MORPHOLOGICAL LANGUAGE

We don't have to cry

Silly Rabbit Trips Are for Kids

52 song pickup

My version of a classic Rush song from their 2112 album :)

Tears - Rush Cover

Gingerland

"Vino" out now, full EP "Sueños que Sobran" out in June via Nice Guys records.

vino

Sh*tfaced Again (M)

Wow! What can someone say. If anyone of you really takes the time to read my crap (thanks i appreciate) probably knows, that i had quite some troubles with inspiration and really felt like i over exceeded myself and my artistic vessel in 2k20....

So i really kept sticking more to listening and later on i had to take a complete break, step a bit back and i got to admit that i really enjoyed the off time. I was completely away from and with music, as i couldn't keep up with this intense pace and i simply wasn't able to draw any more out of that fragile "bucket" so to say.

I am really into Collaborating this year, so i put aside my (plenty of) projects and as i really befriended a few of you amazing artists out there, i got to admit, that it was (no offense towards any other closer friends here) the biggest impact for me, when my dear @texmex-shaman suddenly sent me this first raw version of the first third of what i can present to you today.....

It took me quite some time to get into it, but then it evolved, it grew into this wonderful thing here and i think it cured me... kinda... After busy months and going (wild again) with the arts for the cover to try to also convey the feeling into an image to show it to you, my fellow soundcloud friends and all other people....

..., it guided me to the point where i can now say "Here we are. This is it for me, after a long break to be able to upload again something where i put so much love and creativity and musical spirit into"...... This is also a declaration of love to Jim Morrison and his Spiritualty and his Native American Spirit......

Thank you for staying here with me my friends and its always so great to experience all this and this community and passion and love for music and so much more!

Truly yours,
Cmd. SF

########
@texmex-shaman - Guitars, more Guitars, Base, Sitar, Various FX, Drums, Shamanic Rituals
@steve-fullyard - B3, Synths, Flute, Various FX, Vox, Field Recordings, and other weird stuff to hopefully entertain you!
Night Owl - Vox  (thank you my love!!)
########

Thanks to TMS for going all this long way with me, and being so patient and uplifting and a real friend and man u know that i praise you from the bottom of my heart for being such a wonderful person, you resonate so deep brother. Thanks!

Way Out Here ft. Night Owl - collab with TexMex Shaman

Big thanks to Kimbo for again providing the backdrop to todays post your awesome Bro. Guitars by little ol me.
Hope ya like our blend of Electro Fusion Blues
Hope to see ya checking in, hugs Al
Please check out Kimbo's music at link below:
@user-531942986

mixer

The Blues Project

You Cant Relate To This At All

New cool Lineup with Janelle and vonLieblos!

Vocals / Lyrics: Janelle @the-real-janelle
Guitars (Tele): vonLieblos @user-20931549
Music, Guitars (Tele, ?), Bass (P), Drums (AD2), Mellotron (Redtron), Mix & Mastering (DAW): @bonetender

Spotify: https://open.spotify.com/track/3aGFfncrq8WPo6dLAsLZnI

===== Lyrics =====

Oh how I wish I was beautiful
Just enough to catch your eye
Oh is it sad to consider
In trading my time up there in heaven
Just to hold you

Oh I’m so sick in love for you
I’ll find my way into your soul

How can I prove myself trustworthy
Lure you in with no charm
In the end, I’ll find a way
Call in the sirens to play
Oh I’m hoping, for this time
To enchant you

It’s feeling so alone down here
I’m so tired of this cold throne

So tired, so tired
I’m sick, sick in love

So tired, so tired
I’m sick, sick in love

So tired (so sick in love)
so tired (so sick of love)
So tired of this love (from you)

So tired (so sick in love)
so tired (so sick of love)
So tired of this love

Graphic: Gustav Klimt’s The Virgin (1913). Original from Wikimedia Commons

©Janelle, vonLieblos & Bonetender 2021 All Rights Reserved

Hades

Hades (with Janelle & vonLieblos)

A series of musical pieces for you to play after work and forget the stresses and troubles of the modern world

In episode 3 of Space Cruise, we take a little journey around the solar system accompanied by the late great sage and philosopher, Manly P. Hall.

Space Cruise Ep.3

You can purchase the track here: www.korima.net


Lyrics
Are you a fixed star 
of unknown location?
Strumming a particle guitar
Celestial creation.

Are you the beat of a solar storm
Travelling Earthbound
Of elemental form
Worshipping sundog.


To the sound of the whistling sun

Strumming a particle guitar

Are you a shooting star
in an absent moon sky
Dancing past
Jupiter and Mars
Through a billion and one stars?



Steve Pumphrey's inventiveness, musicality and virtuosic guitar playing have infused Particle Guitar with celestial splendour.
Privileged to have had this track mixed by Damian Chennells https://soundcloud.com/damianchennells
Mastered by Ciarán Cullen
https://suzanneledwith.bandcamp.com/releases
Art concept by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

Particle Guitar

竹取物語：It is said to be the oldest story (novel) in Japan. It is said that it was established from the latter half of the 9th century to the first half of the 10th century.

[Original demo]Recorded in 2018

Goodbye Earthlings! I Will Go Back To The Moon(竹取物語)

Thanks Sarah for the great vocals and perfect working together on the song!

Vocals / Lyrics: Sarah Lettes @sarahlettes
Music, Guitars (Tele, Jazzmaster), Bass (P), Drums (AD2), Mellotron (Redtron), Mix & Mastering (DAW): @bonetender

Spotify: https://open.spotify.com/track/5LB6qvZbPQq3MXqoxPYa5P

===== Lyrics =====
The phone cord
The stereo
The television wires
Are twisting
And all I hear
Is your voice in my mind

Can I call you?
Can I call you?

All I know is
Tomorrow
Is forty years away
And I wonder
And wander
Through the land of time and faith

Could I want you?
Could I want you?

My head
And my heart
And my mouth
Have all run dry
And I wait for
Wait for 
One droplet from the sky

Could I have you?

‘Cause with you I’m drinking saltwater
Never get enough
An ocean full
But I’m still hollow
Reaching for your cup
With you I’m drinking saltwater

A sinking doubt
Won’t wash out in the flood
A tidal wave
Can’t fill a broken cup
Could we decide
If this could be enough
A tidal wave
Can’t fill a broken cup

(Drinking saltwater
Saltwater)

‘Cause with you I’m drinking saltwater
Never get enough
An ocean full
But I’m still hollow
Reaching for your cup
With you I’m drinking saltwater
With you I’m drinking saltwater

(Drinking saltwater)


©Sarah Lettes & Bonetender 2022 All Rights Reserved

Saltwater

Saltwater (with Sarah Lettes)

Lying To The Sheep..

LABEL: Shamkara Records
CATALOG: SHR075
Shamkara Records is proud to present 'Laughter & Ecstasy', the new single of Shabboo Harper from EEUU. Pure electronic sound for your senses.
Chill River Radio Show
by Shamkara Records
Every Saturday at 11 AM (GMT+1)
Balearica Music Radio (Ibiza)
www.balearicamusic.com

Laughter & Ecstasy

Shabboo  Harper - Laughter & Ecstasy [Snippet] Shamkara Records

NEW MIX.


More songs at www.korima.net

Cast of players:
SuZanne: David Copperfield
The Candies: James Steerforth, Markham, Grainger & Mrs Crupps.


Lofty Castle
A lofty castle of my own
Like Crusoe pulls up the ladder to be alone
Steerforth, he is our guiding star
Inns of molten blue; that’s our repertoire
“Fill full your cups”

I hear the squawk of corkscrew sound
Long before it’s needed for the next maroon round
I’ve laughed at my own jokes all night
How town sharpens an appetite

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Vast truths that mortals seldom” found

I heard someone fall down the stairs
False reports the tumbler was in fact truly yours
Perhaps there’s foundation after all
I’m on my back on the passage floor

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“But still we held as time flew by”

Who’s that smoking right by the fireplace? It was me!
Who’s that leaning out of the window? It was me!
Contemplate one self in the mirror? That was me too!

Trickling trust divine
“Crackling fever” free
“Unaccustomed wine”
What deceiver it could be

“Drink to me only with your eyes”

Lofty Castle

Original track by Holy Shitshow : https://soundcloud.com/user-649412648/kool-aid

Kool-aid (Open collab with Holy Shitshow)

Sublimation

Disco Funky

The title is inspired by by these lyrics from Modest Mouse: "Language is the liquid that we're all dissolved in..." from the song Blame it on the Tetons off the album Good News for People Who Love Bad News.

Photo credit to Bureau of Land Management (USA) CC BY 2.0

Language is the Liquid

14/4
I felt this one was half finished so I did a remake
https://soundcloud.com/user-370942421-686440500/strike-remake

Synthezisers:
Moog Model D
Moog Voyager XL
Moog sub 37
ARP Odyssey
ARP 2600
Novation Summit

Strike

Baltic Azure

On A Loss

Too Late To Dance

This is a song inspired by Fela Kuti in an afrobeat style. I used the looper on BandLab for the beat. I really can't show enough appreciation of that feature. It's literally opened up a whole new world of music for me. I love afrobeat and Fela. I hope this represents the genre fittingly.

The Dark Heart

Sea mist.

Afterlight

Biomorphology

Buy "Afterlight"

Partitura sonora per "Triumph" di Marco Lucchi.

Ostacoli Sonori & Marco Lucchi - Trionfo IX

A Royal Affair - Music by REKHA - IYERN [Fe] | Live Hardware Synth Instrumental through an amp right off of my studio floor

Part of an upcoming soon to be released Electronica album from moi :)

A track about a medieval like gathering to celebrate-discuss the couple's introductories, their arranged Royal Affair! The setting in my head, a high society pre-official-celebration event that takes place in the grand castle hall where the noble guests of honour attend the glamorous occasion fit for the chosen King and Queen yet to be!  They can say no if they wish so keep your fingers crossed for good luck as the families & related ties meet & greet highlighting the desirable qualities of each! The serious tone discussions linger about until progress is made, a final decision awaiting. So let us now politely curtsey, bow, fan, smile, hold the stance-stare-glare fixated! More trumpets now please! We so need the hype-vibe pumped up to make this vital connection go green! 

Keeping up with the obligatory motions is the name of this game...mode of course, diamonds and pearls, ornate embroidered design style...divine perfection creatures of the flirting-fine kind...good looks adorned in eye catching draping ruffling-puffing satins and velvety masculine jacket-suit-tail attire, embellished with piercing heavy metallics...to go on to say that all of this razzle-dazzle extraviganza to be accompanied with rustic wine goblets & rich colourful dine, circular dance activity, snotty chit-chat whispers and back stabbing schemes, the music picture mood of an ancient world what I'm trying to convey in a modern poppy way...not sure if I did exactly that or not...using just an Arturia Micro Brute Synth to sound something like an Indian Wooden Acoustic Harmonium or a Bag-Pipe was the challenge fun for me...to rather use, soley the synth and not my harmonium or *Bag-Pipe which I don't even play or own...to try and get the essence medieval feel somehow to shine through...Hmn, maybe yes? Maybe no? Not sure? Ponder over that notion...Hope you will enjoy this perhaps exciting number, REKHA XOXOXO

Cover Art Design - Photo and Graphics by REKHA - IYERN [Fe]

A Royal Affair Composed and Produced, Recorded and Performed, Mixed and Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Trailokya

A Royal Affair

A Royal Affair - Music by REKHA - IYERN [Fe] | Live Synth Improv JAM | Electro Medieval Dance Pop

keep

Scotty: guitars, lyrics, vocals
Tommy: bass, keys, adlibs

So, Tommy texted me at 8:13 Friday night to see if I wanted to come up to the city for a day or night or whatever seeing as we hadn't seen each other in seven months or so, at least, and the idea at the time seemed nice but my kids were sick and I just assumed it would be a 'no' from the wife. Plus I was working until 1 a.m. Friday night and had my first Saturday/Sunday off in a while so chances were I'd end up hanging around the house with the fam and doing a bunch of shit around the house that I normally don't get the chance to do. 
By Saturday I had completely forgotten about the presented opportunity until dinner time when I finally brought the idea up to my wife, and to my surprise, she was like, 'yeah, you should go'. 
So I immediately called Tommy who promptly returned my call indicating that, yes, the offer was still on the table, that his wife and kids were away until, like, Tuesday and that I could crash on his couch if necessary. Well, of course it would be necessary. Especially if we were to get steamed to the beams and work on something new. Which was the plan, after all.
So I fought somewhat shitty traffic for two hours until I reached Tommy's place a little after 7 p.m., Saturday. Shortly after arrival we whipped out a pre-rolled Sour Diesel and took the dog for a J walk to get steamed and to discuss how we were to approach our new song. 
We decided it was best to warm up with a few classics, 'Presently', etc., and then find a cool looperman beat to sorta find a groove to roll with over top. Then commence the layering and voila!
By the time we got back to the house, set up and steamed again it was 9 p.m. and we were losing precious time. We wound up selecting the first beat we listened to, the beat that you're hearing now, because I was fucking with this blues riff you hear now and it seemed to sorta work. So we got down to business and after a handful of takes each, this groove was born. By the time we got the groove down and recorded it was time for munchies. So we decided to take a break to order some food. 
One of the benefits of living in the big city is that you can order things like Thai food at 11 p.m. for delivery. So that's just what we did. Oh, and some cookies and chocolate milk.

Cookies And Chocolate Milk

After a considerable amount of time, my old friend Simone (Mome) and I had the chance to record a piece of music together: a short unplugged ballad, a cover of a great classic by CS&N that we tried to render as finely as we could, adding a bit of an unconventional Middle-Eastern flavor. Heartfelt thanks to Mome for adding his awesome acoustic bass part on a couple of guitar tracks I'd recorded before leaving Tunisia. Only recently I had the chance to complete the song with vocals and a few bağlama licks, so... That's it, in hope it won't break anyone's ears. I should add that in fact Stephen Stills wrote this tune, but since the other two guys crucially contributed to its composition with their superb vocal harmonies, I thought it was right to mention the three of them as co-authors. Since we started playing together, about 36 years ago, we'd never covered anything by CSN, so I guess it was about time.
I warn you: despite of its partially exotic vibe, this one definitely sounds way more "traditional" than usual, and I must confess that it was in first place a way to try out my new mic and home studio setup, and a nice chance to jam with one of my best friends ever.
I went through quite a lot of changes these last months... I apologize to everyone because I haven't been around for a while, and I sincerely thank every friend who found the time to drop a line or listen to the stuff I put here. I'll try to reply to your comments and messages as soon as possible, and hopefully I'll have the chance to be more active in future, with new releases and reposts. I still have plenty of strange sounds hanging inside my brain, that's for sure.

Mome :  acoustic bass guitar
Teth Sin : acoustic guitars, bağlama, vocals, tambourine, sampled drums

Original composition & lyrics by Stephen Stills
Arrangement, mix, mastering & cover artwork design by Teth Sin

You Don't Have To Cry

You Don't Have To Cry (Crosby, Stills & Nash cover) | Feat. Mome

A Demon Cube Disguissed as Butter

A Demon Cube Disguised As Butter

Thanks for listening!

Lyrics:
I made a deal with her.
she is the universe.
give me just this one thing.
I'll crawl out of my hole.
And let you in my soul. 
Forget I am nothing. 
So please.
Let me see.
well beyond me.
into thy naked eye.
Please
let me feel.
something unreal.
before I up and die. 

You are song and light.
You are an endless night.
It all seems so magic. 
But everything you touch.
returns to you in dust.
It all seems so tragic. 

Thanks to Jonathan Beckenstein for the excellent advice. 





Artwork https://www.pinterest.com/sierraval01/

thy naked eye

stuff to do

Some transitions present a great challenge to courage and love. There are truly positive ones that still also involve lots of loss. No way around it, no good way.

Sometimes music helps with that, just a bit, until you can get on board.

So Long Savage Girl

Playa Bonita
Rodolfo Planes https://soundcloud.com/rplanes ; Bass
Pichy Sotomayor : Guitars, Synth, drums programming, mix and master.
Picture : Pao Sotomayor
Original song ©2019 Pichy Sotomayor


Happy New Year for All !!!

Playa Bonita  (Planes / Sotomayor)

I Like To Dance.WAV

Great composition by Paco Ray, worked out along two years.
Last collab to be posted in this profile, first friends I did music with:
https://soundcloud.com/paco-ray: composition, lyrics, instrumentation, vocals, production.
https://soundcloud.com/david-sinverg-enza: lyrics, vocals, bass guitar.
https://soundcloud.com/esemanolain-ruizzo: vocals, pocket sax, coaching.




Letra  / Translated lyrics (inspired by Aldous Huxley's novel 'Island')

EL PÁJARO MINAH  /  THE MINAH BIRD

Me desperté  /  I woke up
de un sueño equivocado,  /  from a wrong dream,
tumbado entre palmeras,  /  lying among palm trees,
no estoy perdido ni encontrado.  /  I’m neither lost nor found.

Me siento bien,  /  I feel alright,
el sol me ha iluminado,  /  the sun has illuminated me,
la vida se estremece  /  life is shaking
y el egoísmo se ha agotado.  /  and selfishness is exhausted.

Pero cómo no lo pude ver?  /  But how couldn’t I see it?
No tenemos que ir ni que volver.  /  We don’t either have to go or come back.
Hay que sentirlo para creer  /  One must feel it to believe
que vivimos muy cerca del Edén.  /  that we live very near of Eden.

Es esto real?  /  Is this real?
Atrás quedan las ruinas de la ciudad.  /  Behind are left the ruins of the city.
No pierdas tu tiempo,  /  Don’t waste your time,
no sufras más.  /  don’t suffer anymore.

Cuando el ave abra sus alas  /  When the bird opens its wings
y el día se convierta en oscuridad,  /  and the day becomes darkness,
escucha su cantar,  /  listen to its singing,
deja de pensar y vive.  /  stop thinking and live.

Pero cómo no lo pude ver?  /  But how couldn’t I see it?
No tenemos que ir ni que volver.  /  We don’t either have to go or come back.
Hay que sentirlo para creer  /  One must feel it to believe
que vivimos muy cerca del Edén.  /  that we live very near of Eden.

El ritual del Mosha,  /  The ritual of Mosha,
luz del amor al alba,  /  light of love at dawn,
la plenitud del alma,  /  the fullness of the soul,
el privilegio de la vida  /  the privilege of life
como canta el Pájaro Minah  /  as the Minah Bird sings.

Una procesión de focos avanza,  /  A procession of lights goes onward,
rugir de tanques, ruido de armas.  /  tanks roar, noise of guns.
Un grito llama a la venganza  /  A shout claims for revenge
cuando un soldado dispara al Pájaro Minah.  /  when a soldier shoots the Minah Bird.

Tanques y tropas arrasan la ciudad.  /  Tanks and troops raze the city.
La estupidez humana es el arma más letal.  /  Human stupidity is the most lethal weapon.
Cien años de historia  /  A hundred years of history
en una noche ven su final.  /  in one night watch their end.

Cuando el ave cae al suelo  /  When the bird falls to the ground
y su sangre se convierte en hielo,  /  and its blood turns to ice,
y se apaga su cantar…  /  and its singing fades…
Jamás aprenderás si no quieres escuchar.  /  You’ll never learn if you don’t want to listen.

Pero cómo no lo pueden ver?  /  But how can’t they see it?
Hemos sido bendecidos al nacer.  /  We have been blessed at birth.
Hay que sentirlo para creer  /  One must feel it to believe
que la vida es sueño.  /  that life is dream.

Y no quiero despertar   /  And I don’t want to wake up
de este sueño equivocado.  /  from this wrong dream.
Me siento bien…  /  I feel alright …
Me siento bien…  /  I feel alright …

Paco Ray: El Pájaro Minah (ft. David Sinvergüenza & E-Ruizzo)

Suspense

Out on Spotify!

2PM 4 MRR

Dark Star Approximately

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Dark Heart

Entheogenic Psychonaut (Josh Clary)