I've been trying to decide which version I like more, and don't know that I can. they both have interesting elements to them to appreciate. being primarily a keyboard guy (these days), I might gravitate to this version if pushed. I do like the crunchy guitar lead on the other version, but overall I may go with this... I especially like the second half.

and always cool to see how these collaborations shape up and come about.  I admire how you can take something, wrap your ideas around it, and take it somewhere else.  :)

Awesome track 💥 Great originality & creativity 👌🏼

Very unique vibe on this track! Love the driving, hypnotic rhythm

bro this is really particular.. I love it!!!

Wow amazing sound production..💯
Its captivating 💯
Bravo

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

I leave you here this Spanish Fantasy that aims to translate in the form of a fantastic serenade the spirit of those lands and their people, being on the other hand autonomous music that represents in my imagination many and sometimes indefinite feelings.

Spanish fantasy.

Phantom World

Words and music K Gennery

For my Nan, Emily Adelaide Francis 1903-1972
Mother of 15 
Grandmother to 24
intro voice, my 93 year old Mum, talking about her Mum.....Emily.

While on my own i find myself lost in the past
maybe i should step back and leave well alone
For there you are ready to receive me
feel safe and warm wrapped in the arms of emily

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

you were gone in a blink of an eye
i should have come and whispered goodbye
 i was young but it doesnt ease the hurting
age is not an excuse its all i have

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

emily

Emily

I am glad to release this new track, composed on the great lyrics written by https://soundcloud.com/lukowig

Thanks to him for providing me (for the 2nd time) with great french lyrics

Translation in english is below french lyrics


On se craint
on se croche
on s'étreint
on s'accroche
et puis plus rien...

Plus rien
plus de rire
plus de liens
notre bâtisse de pierres
s'effondre à terre...
Plus rien
dans nos mains
plus aucun
lendemain
et ça va faut l'dire
de pire en pire...

On s'effraie :
bas les mains !
On se fraie
un chemin
vers quoi ? Vers rien...

Plus rien...
Même plus faim.
Plus rien
que la fin
d'un chemin
menant sur rien...

-------------------------------------------


We fear each other
we hook each other
we embrace
we cling to each other
and then nothing...

Nothing more
no more laughter
no more ties
our stone building
collapses to the ground...
Nothing more
in our hands
no more
tomorrow
and it goes on
worse and worse...

We are afraid:
Hands off!
We make our way
a way
towards what ? To nothing...

Nothing anymore...
Not even hungry anymore.
Nothing more
than the end
of a path
leading to nothing...

Plus rien

Plus Rien

Mill Lane is our temporary rehearsal space this year - located in the nth suburbs of Hobart its a huge warehouse that is in the process of being emptied of museum equipment. Each week the space gets bigger and more cathedral like as the crates go out the roller door. Heres a little taste from the other night.. you will need to excuse me on 2 fronts - My zoom seems to be reaching the end of its life so the recordings is pretty scratchy and 2 I reckon i am a bit out of tune... anyway the energy is good and the ears locked in to what the other musician is doing which I guess is the main thing. Happy Riffing

Kirby/Ward riffing at Mill Lane

Phil Chris sent me this song, which was little more than a beat and some chords. I then added some bass, guitar, piano, organ, and synth. Then, I sent it to Tez to work his magic on the board. he came up with two very distinct mixes. The first one, which I already posted, has two beats in it, so it sounds like a heartbeat, and it is very guitar heavy. This mix really focuses on the organ. It almost sounds like a different song, imo. I hope you all enjoy the remix.

The Shining - Llanpsych redrum mix (with Computart [Phil Chris])

Goodnight

Mood Exhibit - Affiniti

PJ Project: Slide, Acoustic & Lead Guitars
Electrometis: Original Composition, Mix/Master

Free download if you like it :)

Thank you for listening 💛

Mosaic W/ Electrometis

Astral Dimension

I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, last summer ('23) I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), and Stephen (Texmex Shaman), although we have also added Mark (mistermark) and The Mysterious Decibel to the mix this fall. A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. In fact, 100% of what I do is collaboration, within the group or with other amazing artists like Chris Maness (@cgmaness).
  I, and we, are also available for hire if you have a song and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Grateful Dead, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, and Sean Lennon, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully some others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recordings, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, I just don't have access to it. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  Recently, over the summer of '23, I formed a collective of my fellow SoundCloud musicians into a loose band called the Eclectic Collective. We have core members, but the lineup changes weekly. I basically found my favorite musicians on here, and asked them if they wanted to collaborate. It keeps growing strong. If you have some music that you think a band could bring to life, please hit me up and we'll see if we can add you, too. 
Here's a link to music I've recorded with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Shining - Llanpsych redrum mix (with Computart [Phil Chris])

Entheogenic Psychonaught (Josh Clary)

Recent comments

Beats By Luke..

EIN MUSIC

Ross Smithe

KillaSoundBoy

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