010123

Instrumental by RiZLiX https://soundcloud.com/rizlix
https://soundcloud.com/rizlix/rizlix-keep-on-rollin
Vocals and Rap: by IPG1 a.k.a Ian Greaves
Mix By: Ian Greaves
Thanks Dan great instrumental and inspiration. ✌🏽💚

Lyrics:
Chorus
The joint it ain’t the joint—-until I smoke it in
And The club it ain’t the joint ——until I roll on in
Now you know it ain’t the joint ——until I smoke it in—-
until I smoke it in—-until I smoke it in

Verse1
The club it ain’t the joint until I roll on in
and she looks at me ——-like where the hell you been 
But I run a tight game—-smiling at her friend 
you take your time ——when you’re ready baby——-roll on in 
Cause she ain’t got no papers —— ain’t got no ring
So if I don’t come around, we’ll it ain’t a thing
For one—-I don’t keep score ——I just roll with it 
If it feels good, I explore —-yeah ——that’s —real-slick 
party here or next door —decisions made real quick 
and I don’t need no dance floor ———-or a sidekick
getting down real hardcore —and——the swagger’s sick 
that’s just—- what I’m built for ——so just— take your pick
keep you  body moving worldwide, don’t sweat it 
and the count is like a landslide —-yo—-I don’t slip 
inside or outside——If it ——rains——just—-let it 
It’s a journey ——not just a ride —and—I’m glad -we met
and the flow ——is like high tide ———-remix an edit

Chorus

Verse2
holding down my block——city —state ——and nation 
leveled up like a worldwide radio station 
Just keep in mind —-this is Just —-how I roll 
give it all ——to the music——body—heart—-and soul
Put my cards on the table and I’ll never fold 
cause I’m holding all the aces —-and I’m in control 
follow now let’s go deeper down this rabbit hole 
Dan put the track together ——and ——it’s winter cold
Now—-I’m dropping these —bars ——-like I’m on parole 
make it rain ——shake that booty —-round the metal pole 
Twerk it—-Twerk it ——ass Poppin    ——It’s on cruise control 
Throw it up ——switch it back ——like a centerfold 
Now-I’m going for a touchdown——like the Super Bowl
come on —-go again —-tell a friend —let me in 
dropping cheddar on the floor—- make it rain again
shake that ass a little more ——-back it up and bend 
over like you did before ————cause ——I’m—off the chain

Verse1

Rolling On Produced By RiZLiX

Phil Chris sent me this song, which was little more than a beat and some chords. I then added some bass, guitar, piano, organ, and synth. Then, I sent it to Tez to work his magic on the board. he came up with two very distinct mixes. The first one, which I already posted, has two beats in it, so it sounds like a heartbeat, and it is very guitar heavy. This mix really focuses on the organ. It almost sounds like a different song, imo. I hope you all enjoy the remix.

The Shining - Llanpsych redrum mix (with Computart [Phil Chris])

Hey Folks…. Hope all is well wherever you are. In that relative sense of the world being as it is right now. A cold Spring here so far. A little snow, freezing temps, but that will change soon with the new heat dome dropping down upon us from the north. So instead of composing songs, I have been outside quite a bit these past few weeks… I tilled and began planting the vegetable garden. Snow and sugar snap peas are germinating. I planted 3 varieties of lettuce plants from seed I grew and saved from the past few years. If you don’t know… Lettuce ‘goes to seed’ when the plant ‘bolts’ by sending up a 3 foot flower stalk, which looks pretty cool. I usually let some lettuce bolt each year. A while back, I used to market about 300 heads of lettuce a year, but now just grow 50 or so heads for salad. That’s a lot of salad…. I also planted leeks from seed plants I grew last year, after letting the leeks overwinter. I was dreaming about potato-leek soup, when I first planted leeks, and well, the dream was better than the soup. The garlic patch is up, from last autumn’s planting. I call the patch ‘The Garlic Monster’, as it has grown in size over the years, the unruly beast that it is. There were some overwintered Swiss chard plants that I dug up and transplanted to a side spot in the garden, hoping to get some seeds this year from those plants. Beets, carrots and rutabagas have not germinated yet. (It’s been cold.) I dug up 3 large rhubarb plants I grew from seed that I collected, and moved them to a new bed as the spot they were in was a spur of the moment decision that wasn’t working. I do harvest and prepare rhubarb each year, but it is definitely an acquired taste, so I tend to compost some of what I pick. (Most of it…haha.) I transplanted 2 aspens and a pie cherry sapling that grew up too close to the house. The main aspen and cherry trees are easily 10 yards away from where the saplings were. I am always amazed at how tree roots grow in search of water, this time for dripping water off the house. That phenomenon is called Hydrotropism. I moved the saplings to an open area of the yard where I hope they will sprout many more trees to create a mini grove. OK… that’s enough gardening stories for now…. Don’t you think? I need some for the next song… hahaha. So with the colder mornings, I have been recording songs every other day or so. I had 3 songs recorded and well and they were all sketchy/wonky in parts. One, a true story, was about this dude threatening me with a handgun. (That song was way too political)… another was a sobby, tear-jerker of a lament, OMG… sure I felt that way, but seriously dude? The third was a loud and dissonant slide song, which happens when I need to burn off some negative energy. I was bummed after listening to all of them, so I did this song, as a last ditch effort to salvage my musical dignity. Ha! So let me know what you think… Thanks. I am heading off SoundCloud for the Summer months. See you when the leaves begin to turn, or maybe when the snow flies. Gonna miss ya’ all… Thank you for the love and support, the insights and ideas, the camaraderie and fellowship. Have a great couple of months wherever you are. Mark

Lammbone's Album

Tiptoeing Across Time... I am heading off SoundCloud for the Summer.

Recorded in Modesto, Ca.   Featuring Sergio Parraga Congas, Bongos. Gibson 335 Electric Guitar solo, Trumpet solo. Fender Rhodes Electric Piano solo. Acoustic Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Vibraphone Rhythm. Horn section Alto, Tenor, Baritone Saxophones, Trumpet. Trap full kit Drum set. Percussion, Congas, Bongos, Timbales, 22" Zildjen Crash Cymbal, Cow bell, Ago go bells.

Hermosa

Power housing

Power Housing

Original composition, guitars, bass, arrangement and mix by Neno J.

The Door Of Perception

Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/the-little-mermaid-music-for
The Little Mermaid – The Shipwreck in the Storm 
September 2023
Duration: 2:00
Painting by Marie-Jose Payannet
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Little Mermaid Ballet January 2024 in Colorado.
On her 15th birthday, the Little Mermaid swam to the ocean surface. A large ship with three masts lay calmed on the water nearby.  The Little Mermaid swam close to the cabin windows and saw a number of well-dressed people within, among them was a young prince, the most beautiful of them all.... Soon, the waves rose high and heavy clouds darkened the sky: a dreadful storm was approaching. The waves rose high as mountains and the ship dived like a swan between them. At length, the ship groaned and creaked, the thick planks gave way under the lashing of the sea, the main mast snapped asunder like a reed and the ship lay over on her side, the water rushing in..... Paraphrased from "The Little Mermaid" by Hans Christian Andersen. 
For piano, trumpet, French horn, trombone, tuba, tubular bells, timpani, virtual instruments, sound effects and percussion.

The Little Mermaid  - The Shipwreck in the Storm

Paddy Whack feat. Shamoozey
Shamoozey Vocals and Lyrics:
https://www.looperman.com/acapellas/detail/10070/paddy-whack-by-shamoozey-140bpm-weird-acapella
https://soundcloud.com/shamis-1
Paploviante: Bass, Music Composing, Arrangement, Mix, Picture and Mastering

Paddy Whack feat Shamoozey - Paploviante Music

With You

Deadlight District is a cold, instrumental descent into a war-ravaged Russian financial zone. It opens with glitched Soviet tones and a slow, distorted kick—like distant shellfire in concrete canyons. Metallic synths rise like broken sirens, layered over industrial rhythms that echo malfunctioning escalators and flickering LED tickers. Midway, detuned piano and ghostly pads evoke the hollow grandeur of abandoned boardrooms and shattered wealth. The climax erupts in glitchy breakbeats and collapsing sonic architecture. It fades into a low-frequency hum and the whistle of wind through broken glass. Stark, cinematic, and unforgiving.

Deadlight District

NOW STREAMING EVERYWHERE! Wheat Weather - All In Your Mind

iTunes

Last Time

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

The Shining - Llanpsych redrum mix (with Computart [Phil Chris])

Entheogenic Psychonaught (Josh Clary)