coming closer to our second album. This is a quirky song we like that started from some drum loop, we refreshed it and polished it, we will continue to work on the mix, here is a draft mix! Let us know what you think

Somebody Waiting (Demo)

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

TheSiege (David Marconi, Elpiverse, and Ron Lewis with Eclectic Collective)

Writing for orchestra seems intimidating at first, so many instruments, so many combinations you that shouldn't work, so many ways to mess up... But the moment you listen to the string section playing the melody that's been stuck in your head for so long, and heaven opens in you ears, then you know there's no escape from this, you got to keep writing. Smi mens jernet er varmt.

†ॐ

"Halling" (Norwegian Dance)
Composed by Edvard Grieg, from "Lyriske stykker" Book IV, Op. 47: No. 4.
Arrangement for orchestra by Thomas O'Higgins Horna.
Produced at Kolima Forest Studios.

Cover art drawn by me! No tracing, I swear!

This track is not to be used to train AI.

Halling, arrangert for orkester

A new track idea I will be refining and experimenting with. I have added an updated mix (11.06.2025) with added lead guitar parts. Please feel free to leave a comment as I really appreciate your feedback.

Mental Escapade (Demo)

Hurt me a lot 25

https://www.youtube.com/watch?v=7m92Fy09FEA

noxpox - intermezzo 2

Send in my Angel #depression #suicide #PTSD

Depre$$ion

STANDING ALONE
Like putting down a lame horse
An act of kindness
No longer do I walk
In betrayal’s blindness
Can’t penetrate your walls
The bridge you burned
Tell me, Brother
When did your heart turn?

CHORUS
You left me standing
Alone
You left me standing
Alone
You left me standing
Alone
No way home

Oooh-oooh-ooh, Oooh-oooh-ooh, Oooh-oooh-ooh

Through the years I cried
Waiting on your call
Through the tears I woke
Like catchin’ my fall
You made the decision
To close the door
Brother, I wish you well
But I’m not waiting anymore

Now, all that’s left to do
Is walking away
As much as it hurts my heart
Got no more to say
‘Cuz when you can’t look in the mirror
You’re bound to crack
Til you pick up the pieces
No comin’ back, ‘cuz

You left me standing
Alone
You left me standing
Alone
You left me standing
Alone
No way home, yeah-ee-yeah

You left me standing
Alone
You left me standing
Alone
You left me standing
Alone
No way home, no way home..


© 2025 Renee La Chapelle – All Rights Reserved



STANDING ALONE

At the End of the Earth

I'll finish E-Ruizzo project with a conceptual LP album: 4 songs about 'Arctica Point'. I imagined it amid rotation axis, geographic north and magnetic pole, and I located it on dry land !! Then I draw the cover art.

This opening track tells the decision of leaving this annoying present by travelling to that magical place. The following ones tell the trip and life there.

Translated lyrics will explain it with more detail:

EXPEDICIÓN (EL MUNDO SE HACE PEQUEÑO)  /  EXPEDITION (THE WORLD GETS SMALL)

Cansado de vivir en un mundo que se hace pequeño,  /  Tired of living in a world which gets small,
como ratas nos movemos en nuestro agujero.  /  like rats we move in our hole.

Cierro los párpados para no verlo,  /  I close my eyelids so as not to see it,
pero hay demasiadas cosas feas detrás de ellos.  /  but there are too many ugly things behind them.

Con los ojos cerrados veo mis recuerdos,  /  With my eyes closed I see my memories,
veo el presente que vivo y no quiero verlo.  /  I see the present I live in and I don’t want to see it.

Con los ojos cerrados no dejo de pensarlo,  /  With my eyes closed I can’t stop thinking about it,
tengo que ir a algún sitio donde olvidarlo.  /  I must go somewhere to forget it.

Partiremos hacia donde los recuerdos se olvidan,  /  We will leave for where memories are forgotten,
donde el frío congela el dolor de la vida,  /  where cold freezes the pain of life,
donde el hielo y la nieve nos protege del hombre,  /  where ice and snow protect us from mankind,
donde el cuerpo y el alma se purifican.  /  where body and soul are purified.

Tenlo todo preparado para nuestra expedición.  /  Get everything ready for our expedition.
Formemos una expedición ártica,  /  Let’s form an Arctic expedition,
Tenlo todo preparado para nuestra expedición.  /  Get everything ready for our expedition.
Formemos una expedición ártica,   /  Let’s form an Arctic expedition,
formemos una expedición ártica  /  let’s form an Arctic expedition

Ártica…  /  Arctica…
entre el polo magnético y el norte geométrico  /  between the magnetic pole and the geometric north
se encuentra el Punto Ártica.  /  is located the Arctica Point.

Partiremos hacia donde el reloj no gira.  /  We’ll leave for where the clock doesn’t go round.
Partiremos hacia donde el tiempo no pasa,  /  We’ll leave for where time doesn’t go by,
al lugar donde seis meses sólo duran un día.  /  for the place where six months only last one day.

Viviendo en un mundo que se hace pequeño,  /  Living in a world which gets small,
como ratas nos movemos en nuestro agujero.  /  like rats we move in our hole.
Con los ojos cerrados no dejo de pensarlo,  /  With my eyes closed I can’t stop thinking about it,
tengo que ir a algún sitio donde olvidarlo.  /  I must go somewhere to forget it.

Ártica…  /  Arctica…
entre el polo magnético y el norte geométrico  /  between the magnetic pole and the geometric north
se encuentra el Punto Ártica.  /  is located the Arctica Point.
entre el polo magnético y el norte geométrico  /  between the magnetic pole and the geometric north
se encuentra el Punto Ártica.  /  is located the Arctica Point.

Esperar no es lo único que haremos allí.  /  To wait is not the only thing we’ll do there.
Sabes que no es fácil sobrevivir,  /  You know it’s not easy to survive,
cuando no hay nada que te empuje a seguir.  /  when there’s nothing pushing you on.

ER25 PA01 RUIZZO ©1995 ®2019

Old raw jazzy piano trailer: https://soundcloud.com/esemanolain-ruizzo/unique-piano-session-2013

Expedición (El mundo se hace pequeño)

The 3rd EP of "past is the verse"

-Spotify
https://open.spotify.com/album/2hgiSVmF1sw6aWdK4Dy9IR

-Apple Music
https://music.apple.com/us/album/memories-single/1703949473

-Amazon Music
https://music.amazon.co.jp/albums/B08DYCK6RX

-bandcamp
https://pastverse.bandcamp.com/track/memories

Memories

Download

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me