Best Playlist 2024

2024 DAH Ursurpers BEST OF FYFA

Imagine A World...

Clouds ☁️

Entheogenic Psychonaught Playlist

ART NEEDS TO SIEGE IN TURNS

Related tracks: FOOL 4 A DAY

Related tracks: The Sound Of My Heart Beat

Related tracks: sheep_cloud(ひつじ雲)

Michael Stipe invites Ringo and The Edge over for tea… they form a band, and call it “ Chicken Little”…

Could It Be…

If it works, it must b good … if it’s “ good “, it must b true?  About cults that exchange the Truth for a pleasurable lie…

Lyrics::
Don’t even, you don’t,you don’t even know
Which way the wind goes, and where it will blow
See the sunrise, watch the sunset
The way you’re going , have we gotten there yet?

Have the ear, and the heart of the King
But all you want is the gold and the bling 
Gave you armor, a double edged sword
Why don’t you use it? 

They scheme and scam, the Lion and Lamb
Take your money, they don’t give a damn
Here to promise, fortune, and fame 
And all you get is pain 

All your pain 
Good and true ￼

It’s good and true
Yeah, owe
Good? It must be true
Good…and true?

Good and true

Good And True

U-A Rhinoceros Horn

Please use headphones for much better listening experience!

The spider who coughed only once

Original Song by J.J. Terrell
Artwork is by friend's wife Margaryta Yermolayeva
Please check out her paintings at margaryta-yermolayeva.pixels.com

Original lyrics:

A lake, an ocean, to be crossed
The light shining through the surface, sometimes lost
Around the bottom of the sea we almost cried
I was never colder than that artic night

Going straight ahead is all that I can do
Up and down, all around; life's whirlpool
Lay my tail upon a rock
And dream

The schools of fish seemed lost in all the noise
A passing whale who lost his voice
A nice warm pool of a fleeting duel
A cloudy red trial, a happy ruse

The light shining through the surface is sometimes bright
The deeper you are, the harder it is, to tell day or night
Travel far and wide

The Lost Merman 🧜‍♂️

I bought a 12-string for the first time in my life - had a little play around. I just love that ringing jangly sound. 
And repetitive mantric devotionals are great to listen to as well!

My Grace Is Enough (Brian Peters)

My grace is enough for you
My grace is enough for you
For all that you do
And all you go though
My grace is enough for you

Look A Little Higher (Brian Peters)

Look a little higher than your dreams
Look a little higher than your times
Look a little higher than your schemes
Look a little higher than your mind
Look a little higher than your will
Keep on looking unto the hills

Look a little higher than your power
Look a little higher than your plans
Look a little higher than your strength
Look a little higher than your hands
Look a little higher than your skill
Keep on looking unto the hills

Look a little higher than your silver
Look a little higher than your gold
Look a little higher than your barns
Look a little higher than your folds
Look a little higher than your fields
Keep on looking unto the hills

My Grace Is Enough • Look A Little Higher

C'était un grand plaisir pour moi de chercher l'histoire pour accompagner cette belle musique passionnée de MingMonk.
Merci beaucoup, mon ami!
https://soundcloud.com/mingmonk
Composition originale: https://soundcloud.com/mingmonk/maria-sans-voix
Such a pleasure finding a story for this beautiful, passionate music from MingMonk. Thanks so much, my friend!

Maria - MingMonk (+ltp)

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

Written 30 years ago, based on 2 Timothy 3…seems more relevant, now!

Lyrics:
Well, there’s an ocean for the draining 
Open empty skies, just waiting to be filled 
So many forests for the fire 
The love in life of many , it’s growing so cold 
Yeah, it’s growing so cold 

And I know a girl with a child she didn’t want 
And an angry young man, who only wants her love 
But I’m not free without the law 
And that defines the problems 
Who needs problems anymore? 
I don’t need them no more, that’s for sure 

Define deviance down 
Down upon the ground
It lifts you up, you get knocked back down
Define deviance down

So I’m wasting talent,my time, and all my money
For my will to be done, until Thy kingdom comes
Used to seem so wrong
Back in those days of black-and-white
But the shades of gray
Have left me blinded by the light
So now I call it right

What do I have to do with you?
Don’t know where we’re going
Are you going too?
Well, can’t you see?
Or are you so blind?
You just make your own rules
And leave the world behind
Don’t you know why?￼

￼￼￼

Defining Deviance Down

Wishing everyone all the best as we embark on this ever-evolving journey down the long and winding path that will lead us through the unknown peaks and valleys of this new year. And as the cosmic timekeeper turns the page on yet another chapter of our lives, may the journey be one that is overflowing in an abundance of love & prosperity. And don’t forget to revel in the scenery along the way. Have a blessed and Happy New Year!! 
- 𝒥𝒶𝓂𝑒𝓈

All tracks purchased from www.beatport.com, www.junodownload.com, www.bandcamp.com, or provided directly by the artist or label.

Mixing decks used to perform this set: Pioneer XDJ-XZ.
https://www.pioneerdj.com/en-us/product/all-in-one-system/xdj-xz/black/overview/

Cover art: The Jester Entity, generated with Midjourney (https://www.midjourney.com/home?callbackUrl=%2Fexplore) by petra-ichor (reddit.com/user/petra-ichor) on Reddit
https://www.reddit.com/r/DMT/comments/107pq56/has_anybody_else_met_this_entity_messed_around/

Setlist:
1. Killerwatts & Alienatic - Freaky Family
2. West Galaxy - String Theory
3. Zephirus Kane - Microdosing
4. Starlab (IN)/Djantrix - Golden Teacher
5. Gigi & NoFace - Control Substance
6. Prohecht & Vaion - Chronostasis
7. Tristan, Burn In Noise - Circles
8. Duke & Gonzo - Liar Liar
9. Earthspace/Klipsun - R.A.V.E.
10. Zeridium & Virtual Light - Shikaka
11. Mad Tribe - They Came From Uranus
12. Rezonant & Daksinamurti - Get By Together
13. Hypnocoustics - Ocean Of Stars
14. GMS, Volcano On Mars - Mind Wandering
15. Rugrats, Ph4se - Braindicator
16. Alienatic - Light Years Away
17. Mental Broadcast & Biological (BR) - Fractal Story
18. Amplify (MX)/West Galaxy - Parallel World
19. Jumpstreet/Art Materials - Fukk That
20. Dickster/Digital Hippie - Which Way To Curlie’s?
21. Avalon/Faders - Afterlife
22. Electric Universe/Faders - Calling For Peace
23. Imaginarium - The Sleeper
24. Oyaji - Hisashiburi
25. Fungus Funk - Super Silver (Endeavour Remix)

New Year's Eve 2024 | Psychedelic Celebration Set | 145-148 BPM

Extended album (or punk dance?) version


I am working on an album for this freaky lot. Why? Because it's a heck of a lot of fun. Trying to recreate some goth club memories from the 1990s. Building a band that should have been. It incorporates all sorts of elements from music I've experienced in various states of inebriation, leaving a lasting impact. And here I am sharing that experience.

This is a hypnotic stoner/grunge track not dissimilar to some tracks we used to play live. With a twist, of course, because we were all guys, and this lot is not.

The Cacklettes: Pretty Pestilence

Gary and James 
Jumped on a train
They wanted to escape
The pouring rain

Ran from school
Ran from mum
The guilt and the anger
Afraid of what they become

The train slowly left the station

Didn’t mean to
Didn’t mean to
They looked at each other 
But no one cares no one bother

The train slowly left the station away from the peril

But deep inside something grew
A bigger plan that no one knew
Maybe tomorrow maybe this afternoon 
Doesn’t matter but soon

Gary and James
Not the brightest flames 
Wanted so bad
To do the right thing
But didn’t know what their actions would bring

The train slowly left the station

For an aggressive violent species we seem to have great unreasonable fear of anything that looks different than us. We seem to lack the self confidence/insight/character to ask questions first and attack later.
We should embrace difference, seek facts, trust ourselves and others

lyrics

Familiar isn't perfect
Different isn't evil
Keep that in mind
Before you pull the trigger
and take the life of someone
you've never looked at in the eye
Just because some leader has filled your head with lies

Radical white christian
Holds a bible and a rock
Cries out he must protect his world
From the invading colored hoardes
He uses the words of Jesus
To explain his fear and hate
But Jesus wasn't white
and Jesus never threw a stone
so what makes you think
you've got it right at all
If you listened to his words
He'd say he came down here
to save each and everyone of us
and not just you my dear

Neonazis raise their fists
Hate all but their own
an Aryan nation pure and perfect
they couldn't be more wrong
the only thing I know for sure
that's pure and perfect in this world
is a bar of ivory soap[
If they were to look inside
in each a little gypsy hides
but they are too afraid to face the fact
that it's not "them" they hate, they hate themselves

Flowers come in different
colors shapes and sizes
but all need sun and water
to flourish and survive
we all get cold and hungry
we all have fears and needs
but black white or red you see
there is no supremacy

we are drowning in an ocean
of lies and fears and myths
it's easy to get lost
and do something you'll regret
so use your common sense
seek out the facts and truth
think for yourself and think of others
not as foes but as brothers

we all climb the same mountain
the slope is steep and slick
It is easier to get there 
if we offer a hand and not a fist

Familiar isn't perfect

Who Am I

Masgry Bost

Picture: Flame (Rae)

To Love Your Guitar🎸♥️

Again here I am singing from a Male point of View. Or maybe from a Female Guitarist. Anyone who identifies and finds Solace and Freedom with this Instrument ....Hope you Enjoy!

 And if you Don't play guitar, hope You enjoy also....

♥️♥️♥️

Vocals and Lyrics by SolarRae🎤

Guitar Work and Mix by Dave Bayes🎸🔥
@dave-bayes
@guitar-alchemy

Lyrics:

My Guitar🎸

You got what I Need 
You got what I Need
When I'm playin my Song
You make me Believe
You don't string me along

My dreams are Alive
I Love my, I Love my Guitar
That's what I'm Sayin'
When I'm Playin
Playing my Guitar

My Fingers go Wild
You make feel like a child..
My Guitar
I Love my Guitar
You never tell me I'm wrong
My Guitar
I Love my, I Love my Guitar
You make me Believe!

You make me feel Alive
You never tell I'm wrong
Playin my Guitar
I Love my, I Love my Guitar
You make me Believe
You don't string me along

I Love my Guitar
I Love my Guitar🎸❤️
Yeah!

My Guitar

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking me and the Eclectic Collective if we'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. I came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and I polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole by Led Zeppelin (Eclectic Collective with John Anthony)

'green nails'
https://www.instagram.com/one.man.verity.show/reel/C9JVNvzuc-u/

lyrics: Scotty & Gems

Baby, paint your nails green today,
naked on the couch as I play with my lady.
As the sun shines through the curtains delicately. 
And the birdsongs that surround us match my melody. 

Greeeeen naaails.
And soooo free.
Come back one day and make me feel this way.
One day.





green nails

Songwriter : Norman Gimbel \ Composer : Charles Fox \ ISWC : T-325.920.349-7
Publishers : Rodali Music - New Thunder Music Co
Warner Chappel Music France -  Universal Music Publishing
Released : 1972
________________________________________________________________

Tribute to Roberta Flack, who passed away on February 24, 2025. RIP!
(March 08, 2025)
________________________________________________________________

Vocal : Anh
Arrangement : Phong
Recorded : April 10th, 2010
________________________________________________________________

Killing Me Softly With His Song - Cover (Roberta Flack)

Ode To Spring

Blomster

Skvattram in the wood
What made that awful sound?
La la la la la 
La la la la la
You ran home with your birds
La la la la la

Summertime, summertime
There is a question in the wind
Bright, white light
pressing your head to the ground
It´s hard to face such clarity
and not fall apart

You are a shapeshifter now
You are a shapeshifter now
Shapechanger now
Aaaaaaaaaaaaaaah

Summertime, summertime
There is a question in the wind
Bright, white light
pressing your head to the ground
It´s hard to face such clarity
and not fall

Skvattram in the wood
What made that awful sound?
You ran home with your birds
And that wasn´t cute

Skvattram in the wood
What made that awful sound?
You ran home with your birds
And that wasn´t cute

La la la la la 
La la la la la
You ran home with your birds
And that wasn´t cute
And that wasn´t cute
And that wasn´t cute

Blomster

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

Additional sound design: Kenny Dyer [ https://soundcloud.com/kenny_dyer ]
Music, lyrics & vocals: Andersson Arte (Marty Andersson) [ https://andersson-arte.com ]

Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]

Marty Andersson: Victim of Love (Ver. 2.1, feat. Kenny Dyer)

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song
TexMex Shaman– @texmex-shaman –Stephen–  Duesneberg Starplayer TV Phonic hollow body electric guitar
Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. As mentioned in the previous sentence, he also plays the amazing harp solo after the second verse. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
  Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last slot, after Frans's harp solo. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 
  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 
  We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.
  We hope you enjoy listening to this as much as we all enjoyed creating it.
Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jaz

Bull Legged Woman by Frans Beelaard with Eclectic Collective

It's a special honor that my dear friend Michele Ansani asked me if I would like to work on a song he wrote years ago called 'Alla Fine della Fine delle Fini' (To the end of the end of the ends) which is a great track. When I listened to it I said to Michele that I thought the song is already finished and asked what I supposedly could do with it. He said, that he wasn't going to publish it and wanted me to work on the root idea of the song to create something new.  Thank you so much Michele for being so generous to leave the basic song idea to my purposes (all flaws are mine).

Listen to his wonderful music here, you all know him anyway: https://soundcloud.com/michele-ansani

Michele Ansani: Seed idea
Me: Instruments, vocals, lyrics, arrangement.

Photograph from the top of Half Dome, Yosemite NP, CA, USA by A. Besinger  2022

One day I walked the shores of time
Wiping away the footprints left behind

Tossing stones into the sea  
Just to watch the ripples making their way back to me  

What if these dancing rings were just memories
Would they come to life once more to set me free?


Abandoned this place that I called home ￼
and took that boat I was hiding for so long 

Facing the storms, past the sirens song
The love of gods in mind may have led me wrong

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

When I stepped through the gates of Plutonion
Caught between Scylla and Charybdis I would be found

Sacrificed the ones to whom I belonged
A wise man would rather be envied than being wronged

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread

Off the Edge of the World (with Michele Ansani)

See the music video (made in VR):  https://youtu.be/Nnxe3I16FMM

We Are Not Robots

I don't know what she just did to me
I thought she was above such childish things
She said to me my truth will never change
But please don't expect me to act my age

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

She said people don't know me, they just see
My mistakes and eccentricity
When you get to know me you will see
I'm trying to escape reality

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Nah nah nah nah nah
Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

ISRC:
usx9p2442045

We Are Not Robots

Songwriter : David Gates \ ISWC : T-070.080.616-1
Publisher : Sony ATV Tunes LLC \ Released : March 21st, 1971
___________________________________________________

Recorded : June 19th 2005
___________________________________________________

Alas, it wasn't me who played the guitar!. I gave it up a very,
very long time ago. Besides,
I can't remember how to pluck the chords... 🙄😊😁
(I used to sing it and play guitar when I was young).

In fact it is a guitar sound from the synthesizer going
through a sound module. But no synthesizer guitar sound can
replace the real sound of a guitar... Maybe now...
With the new technology.
Besides you can hear that it is a bit machine.

There are imperfections, I recorded it in one take.
When I sing, I only have the feeling once,
so inevitably the wrong notes and the pronunciation
mistakes are in the “box” as they say.
-------------------------------------------------------------------------------------

IF - Cover (Bread)

Cast of Characters:

 Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix

TexMex Shaman– @texmex-shaman –Stephen–  electric sitar

Llanpsych-- @llanpsych -- Tez – electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel


 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 

  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 

  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New Strings Theory (Eclectic Collective)

A song that we wrote and recorded around three years ago. It was always a favourite of Nooblys so he has remixed it and gave it  a new lease of life .
The lyrics are based around a friend who got stuck out in Japan in lockdown. He was out there visiting his young son and couldn’t get back to England due to all flights being grounded.
This was a regular journey he had to make to stay in his sons life. 
His ex partner of many years decided to return home to her native country and took their son with her after the split. 

Stop Digging Me Out 

V1
I’ve travelled over 5000 miles
Just to see one of your gorgeous smiles
This is the hardest thing I ever can do
Spend all my time away from you

Bridge
I will ask you once
ask you twice
ask you till the
morning light 

Chorus 
Please……
So stop digging me out
You know why I’m here
Stop digging me out
I’m trying to be sincere 
Stop digging me out
This is harder than before 
Stop digging me out

V2
I have deep routed emotional rscars
These are there visible from  the highest stars
Our young child plays now alone
Cause you took him 5000 miles from home

Bridge 
Chorus 

Middle8 
The time as come for me to leave 
Another sinking feeling time to grieve 
Another carbon footprint left in the sky
Me holding back tears  from my eyes

Lead break 

Bridge 
(Till I catch my flight )

Chorus to finish…..  
I’m hurting through to my core

Stop Digging Me Out ~ Conscience Of Kings

Cast of Characters:
 
Cgmaness – @user-419254289-15129531 – Chris – foundational acoustic guitar and seed idea
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, lyrics, and vocals
Llanpsych-- @llanpsych -- Tez – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
The Eclectic Collective — composition and mix

  This is the second song in a row that The Eclectic Collective is releasing in as many weeks that was written by Chris. We love working on his songs, and all jumped at the chance to play with this one, as well. He wrote it on an acoustic guitar, onto which he also put some heavy reverb, giving it an ethereal, chordal sound. To that bare bones, Josh fist added his four-string fretless bass to a click track, of all things. Luckily, Ken swooped in soon after and gave it a proper beat with his lively percussion performance. 
  Once the rhythm section was complete, Tez added his melodic, golden-tone guiar in there. Then, it was JJ's turn. He added not only the piano and synth, but wrote the lyrics and sang it, as well. 
  This song was actually mixed by the group, as we all added our parts, although Ken did some final adjustments, too.
  JJ's lyrics tell the story of the first people to reach Easter Island, millenia ago. The wonder of the journey and the discovery of a new home, while using the materials available to survive. Here are his original lyrics.

Original Lyrics by J.J. Terrell:
 
Through the eyes of the gentle rain
Monuments raised where the Lapwings stay
All the sand, the hourglass of man sifts here
A traveling band of gypsies in this land appear
Crowd the fire as the night sets in
Listen for tales of enlightenment
Until dawn
The flowered down of a bird so true
Pure as heaven, the chosen few
It's all waiting for the night

Unabashed (Eclectic Collective)

Four walls 

talk to me 
tell me anything 
that you don’t want to see me 
even that, it will fit me

Look at me 
I got you some chocolates 
I know you used to love it 
Today I don’t know, I don’t know anymore 

Where are you? 
We die of your absence 
of this indifference
your mind dances
between these four walls

talk to me 
hear your voice again 
to finally feed hope 
one day we’ll see you again

Remember 
that you guided our steps 
you were our king 
how to do without you 
we don’t know anymore 

Where are you? 
We die of your absence 
for you nothing matters 
you live in silence 
between these four walls

Where are you? 
We die of your absence 
please take the hand 
that I hold out to you
if there is a chance 
then talk to me
even if it hurts
I need to know 
if you know it’s me 
who's standing here in front of you.

Quatre murs (translated)

A composition In homage to Fjordane, beloved meloman cat. She passed away  in October 2024 at the age of 14.

Fjordane

Dear friends, with genuine pleasure I’d like to share with you my new collaborative work with David De Michele —  a highly talented composer and musician. You can listen to his magnificent music here: @user-92820487

David has created an ethereally beautiful addition to my original composition, making it sound so magical. It has been a great honour and joy to collaborate with David once again.

Thank you a lot for listening to this music, and we really hope you will enjoy it!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Fiat (Ft. David De Michele)

■概要(Overview)
窓を開けたら秋の風が入ってきた。見上げるとあの頃と似た空。
遠くから少年野球の声がする。
・・そんな感じの曲です。
---------
リバーブ多めな感じになりました。へへ・・。
ピアノは無謀にもアドリブにチャレンジだ！(少しだけ)
う～ん、もっと練習しなさい！(と自分に言う)

I opened the window and the autumn wind blew in. Looking up, the sky was similar to the old days.
I could hear the sounds of little league baseball from afar.
This song has that kind of feel.
---------
It has a lot of reverb now. Hehe...
I'm going to recklessly try improvising on the piano!(Just a little)
Hmm, practice more! (I tell myself)

■歌詞
「ひつじ雲」

窓を開けて風が通り抜けていく
グラウンドでは子供たちの声がした
太陽はそこにいるだけ

あの頃にもしも戻れるのならば
懐かしい人たちに会いたい
聞けなかったこと　飲み込んだ言葉
伝えられる気がするから

迷いの中　手探りの中
過ぎてゆくだけの日々かもしれない
だけど　いつも　この世界は
輝いていたんだね

ひつじ雲が浮かんでいる
青空が少し見える
遠くまで来てしまったみたい
あの頃と似てる空
二度と戻れない日々
私の思い出

「あの頃」と思う時がくるなんて
手にするばかりの「今」ではなく
こぼれ落ちたもの　旅立った人も
永遠だと思っていた

未来のため　歩き続けて
たどり着く頃は　何が残るのか
こぼれ　欠けて　この世界は
輝いているんだね

ひつじ雲が浮かんでいる
青空が少し見える
遠くまで来てしまったみたい
あの頃と似てる空
かけがえのない今日を
抱きしめていたい

■Lyrics (Google translation)
"Sheep cloud"

When I opened the window, the wind blew through
I heard children's voices on the ground.
the sun is just there

If I could go back to those days
I want to meet nostalgic people
Things I couldn't ask, words I swallowed
I feel like I can convey them

In doubt, in groping
Maybe the days just pass by
But this world is always
It was shining

A sheep cloud is floating
I can see a little bit of the blue sky
It seems like I've come a long way
A sky similar to those days
Days that can never return
my memories

I never thought there would come a time when I would think of ``that time''
Things that have fallen, people who have departed
I thought it was forever

What will remain after continuing to walk toward the future?
This world continues to shine even as it continues to fall and chip away.

A sheep cloud is floating
I can see a little bit of the blue sky
It seems like I've come a long way
A sky similar to those days
I want to embrace this irreplaceable day

sheep_cloud(ひつじ雲)

I am very proud to announce that this track was part of @belial-pelegrim's podcast for Bricolage Records, and I really appreciate it. You can listen to this fantastic mix of musical art from many SoundCloud artists here: https://www.mixcloud.com/BricolageG5/bricolage-podcast-111-belial-pelegrim/

Thank You so much for over 1400 plays! ❤️

Something terrifying is coming to our house for dinner.
Will it eat WITH US or will it eat US? 😱😉

The spooky season has started and I took up the challenge of creating a slightly disturbing atmosphere in my music. It was another quick production. Here is the result. Certified A.I. Free production.

To craft this piece I've used mostly patches from built-in Ableton Live synth: Drift with little help of, also Live's, Instrument Rack's patches and (the premiere in my compositions) free plug-in from Sonuscore (@sonuscore), The Orchestra Elements - STRINGS Full Sustain patch.
https://www.sonuscore.com/shop/the-orchestra-elements/
Samples used:
Impact Layered Reversed, FX Dark Impact, Kick Reverse Bghn, E-Piano Reversed Cmin7, Crash Dry Session Hard 2, Crash Bluesbreak from Ableton Lives's Core Library.
Drum MIDI Loops:
709 Kit groove 11-128bpm
709 Kit groove 10-128bpm
both from Ableton Live's Pack "Singularities"

Thanks go to my friend/test driver/ideas giver: ꝁ𐌰v̷̷v̷̷ꝁ𐌰 @grzegorzkawka and my reviewer @bartosz-podborowski-179897410

I sincerely hope that You may like it at least a little bit. Let me know in the comments 😊 Thank You very much in advance for all Your plays, likes and shares 🙏💛

Picture in thumbnail: darksouls1 @ Pixabay

Something Scary is Coming for Dinner

Here is another track from Michele Ansani that I was invited to. On an old piano base from Michele,
I delivered alto and tenor sax, then he finished the arrangement with some keyboard phrases. ........
He dedicated this piece to the comet of the century.

Piano and keyboard: Michele Ansani - https://soundcloud.com/michele-ansani
Alto and tenor sax: joerxworx
Posted on SoundCloud: 2024, October 25

Tsuchinshan–ATLAS

℗ © Copyright 2024 Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic.
Guitar played: Taylor 714CE in standard tuning
Photography: 
Thanks go to Nigel and Libby Hume at Hume Photography.
SONG NOTES AND LYRICS: 
It's nice to be recording again with a view to completing my 5th Solo album over the next few months. I decided to go with just guitar and vocals for this song, which I think best reflects the lyrics. For those interested in how I record my acoustic guitar, I have used a slightly different technique for this song, using a blend of stereo small diaphragm microphones, together with Direct Input from my Taylor electro-acoustic guitar, played through a mixer into my audio interface. Hope you like it.

LYRICS:
I watch the dawn approaching 
The earth beneath my feet 
Spins in all it’s silence 
To the sound ….. of my heart beat

And over the horizon
These colours fill the skies 
I breathe in this morning air
Thankful for my eyes 

For I am but a fellow traveller
As we circle round the sun
For all this life we ever know 
We travel all as one

I watch the dusk approaching
The earth beneath my feet 
Spins into the moonlight 
To the sound ….of my heart beat

And I gaze up in wonder 
Beyond these starlit skies 
I breathe in this cool night air
Thankful for my eyes 

For I am but a fellow traveller
As we circle round the sun
For all this life we ever know 
We travel all as one

The Sound of My Heart Beat

The Sound Of My Heart Beat

FOOL 4 A DAY

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

TheSiege (David Marconi, Elpiverse, and Ron Lewis with Eclectic Collective)

Ars Existentiae | The Art of Existence: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.


From the Latin ARS EXISTENTIAE, which translates to "The Art of Existence", it points out that at its core, all existence corresponds to the Primordial Manifestation, emanated from a single point.

"The musical composition has in its introduction the first impressions of the primordial manifestation, still contained in the ethereal. In the main theme, one can notice the subtle harmony design for the architecture of worlds. Consequently, already in the dense sphere of the manifested universe, the melody translates into the complexity and multiplicity of forms, to then end with the return to the ethereal, where the end of all things will be identical to the beginning, yet added to the experiences acquired over the period".

Ars Existentiae

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

It's your turn

You Don't Need 'Em

Hard time problems and an invisible bottle of spirits

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

TheSiege (David Marconi, Elpiverse, and Ron Lewis with Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)