07-18-25 // 07-18-25 // STOP THE FEED - Let's Dance Friday - FREEZe THE LOVE / / Catch of the Day, originals and reposts

......3 more days of.. you know...i like you...
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07-18-25 // STOP THE FEED - Let's Dance Friday - FREEZ THE LOVE / Catch of originals and reposts

I SEE A PART-TIME SURRENDER GOING ON

The Rhino's Homework

Nebula. OJ22 & Audiodisciples Collaboration

A contemplative exploration of being, via a downtempo synthscape..
🤍 vocals courtesy Alan Watts

Image: Optics: spectra of various substances. Colour aquatint by R.H. Digeon, ca. 1868.

Lyrics
The feeling of being is a sort of spectrum. Just as light is at one end red, and at the other end violet. And you have to have these extremes in order to have colour at all, in order to know light.
So you see, likewise, we have to have the experience that there is somebody else, something else going on, altogether out of our control, in order to have the experience of being me.

The feeling of being is a sort of spectrum.
Why do you think you have to have something to depend on?
So, we get finally, not quite finally, to the void.
That which is void is precisely the world of form. That which is precisely form is the void.
And.. what then?
When you get to the void, there is an enormous and unbelievable sense of relief. That's Nirvana.

You mustn't cling to the void. You have to void the void. And so, the void of non-void is the great state, as it were.
The feeling of being is a sort of spectrum.

You cannot nail a peg into the sky. And so, to be a man of the sky, a man of the void, is also called a man not depending on anything.
And when you're not hung on anything, you are the only thing which isn't hung on anything, which is the universe.
🤍 Alan Watts

Speaking In Dreams

Nirvana

Download

The First Family: Live At Winchester Cathedral 1967

Saint James Infirmary (Live At Winchester Cathedral 1967)

Another snippet from Califo Paean, this time featuring bass guitar fighting for its life amongst the reverb. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.


image credit: Rosie Hastie

Caligo Paean (Bass solo)

drunk octopus wants to fight you

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Surrender

Recorded in Modesto, Ca.   Featuring Godin Nylon Strings Acoustic Guitar solo. Soprano Saxophone solo. Flute solo.  Steinway Brothers Acoustic Piano Rhythm. Godin Nylon String Acoustic Guitar Rhythm. Acoustic Bass Stand-up. Roland Synthesizer Bass. Acoustic Full Drum Kit Set. Percussion Timbales, Cowbell, Ago Go Bells, Tree Chimes.

Ipanema

Feel Free

Saponaria - Fleursonseaux
All rights reserved - © Copyright

Saponaria

Sober

Cast of characters:

Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition

Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow

J.J. Terrell– @j-j-terrell – synth


This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective.

Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his really cool psych synth part in the two bridges. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.

Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style.

This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.


Original lyrics by mistermark:


There’s something I’m seeking that I’ve never found

but the seed that you planted went deep in the ground

there’s a journey that I’m on and the path is uncertain

the magic fades when you pull back the curtain


Wherever you go I will follow

there’s always another tomorrow


There will never come a time when I do you harm

cause my soul is steady when I’m in your arms

and never have I heard music like your Voice

when you call me to you I have no choice


Wherever you go I will follow

there’s always another tomorrow


Like a puzzle on the table all the pieces fit

like I’m standing in the dark and a match is lit

and what it all means man I just don’t know

but it’s a powerful feeling and it’s starting to grow


Wherever you go I will follow

there’s always another tomorrow

Wherever U Go (Eclectic Collective)

everyone is waiting.

Parallelle & Nicolas Masseyeff - Shake it Out (Airrica Remix)

Cheating lovers in a motel.

Lyrics:
At the Motel down by the Liquor Store
"Do not disturb" sign hangs upon the door
Informing Housekeeping of the status of "Our Armour"
You arch your back in a way that I just can't ignore

You say I'm a simpleton
I just watch my pay per view
Your minds on him
And my heart feels so blue
Because I'm
Full-time bastard
I'm your part-time handsome man
Part-time, handsome man

Does your husband see your sad eyes?
And think their true?
I feel like a small part of you
Housekeeping comes once a day
But you like to cum 
So much more than that
You say

Baby, I'm a simpleton
I watch my pay per view
Then I know your hearts with him
I know my heart is blue
I'm a full time bastard
What are you?

I'm your part time handsome man...

Part -Time Handsome Man

Vocals https://soundcloud.com/couch-king-presents

Production https://soundcloud.com/rizlix


Here's a collab with the soundcloud legend https://soundcloud.com/couch-king-presents


You can hear his original work here;

https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums




Couch King Presents x RiZLiX - This One Goes

We actually recorded this song a while ago, and it sat waiting on our hard drives for over a month. It was ready, just waiting for the right moment. Now Heatwave is finally out!! 🔥
The track is fueled by two powerful sources:
-the scorching heat wave we've been baking in lately around here;
-a deep homage to a classic "Twilight Zone" episode from the original 1961 series called “The Midnight Sun” (https://en.wikipedia.org/wiki/The_Midnight_Sun_%28The_Twilight_Zone%29). In that nightmare world, Earth drifts closer to the sun every day, turning New York into an unbearable inferno. It's a chilling, fever-dream survival story with a mind-blowing twist. 
Blending the physical reality of oppressive heat with the psychological dread of "The Midnight Sun", Heatwave captures that sense of slow meltdown, between flesh, city and mind.
Let us know how it lands. And hey… turn up the volume, but maybe avoid actual heatstroke 🔊🌋
Love you all!🫶

At the moment, this track is exclusively available on SoundCloud.
Released on August 3, 2025.
©2025 Beating Edge

Lyrics:

Burning
Feeling the fire
The sunlight
Bright as a fire
In your eyes

You have to endure the heatwave
You have to endure all of this
You have to resist the fire
You have to endure the heatwave
You have to be strong and bold
You have to face the flames
You have to endure the heatwave
This is the final heatwave

Running
Trying to escape from
The heatwave
Burning your world
With its fire

You have to endure the heatwave
You have to endure all of this
You have to resist the fire
You have to endure the heatwave
You have to be strong and bold
You have to face the flames
You have to endure the heatwave
This is the final heatwave

Struggling
To cope with this fire
Burning
All things turn to dust
In the end

Burning
Inside with desire
Watching
The world catch fire
All around

You have to endure the heatwave
You have to endure all of this
You have to resist the fire
You have to endure the heatwave
You have to be strong and bold
You have to face the flames
You have to endure the heatwave
This is the final heatwave

Fire
Burning the liar
The heatwave
Is turning into a phoenix
My whole world

Heatwave

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me