a song with no structure

"Roll Me Over" is the final single by "Lonely Gimmick" before the release of their first album/E.P "Stay At Home to Sleep In" at the beginning of next year. 

Centred on the same girl as an earlier single (“Grumpy Days”) "Roll Me Over" reflects on the relationship’s aftermath. LG bares their soul right away, describing the beginning of the end with their opening lines. They place the blame completely on themselves whilst trying to soothe by saying "everything will be alright", "the night sky is full of stars".  Despite the hurt inside LG, their sole concern is to not cause further pain to themselves or anyone. 

This is the first track by Lonely Gimmick to start with vocals only: a bold move.
By focusing on lyrics more than music, LG demonstrates how deeply they feel about the song's meaning.  Whether that feeling originates from a sense of guilt or a search for forgiveness is, like most of LG's music, down to the listener to decide. 

The music accompanying the introduction is comparable to the sound of "King Krule". Following a slow, sober start the song hails back to the dancey indie disco days of LG's youth. The song’s structure could be juxtaposed with "When the sun goes down" by "Arctic Monkeys".  A heavy club kick drum and funky guitar drive the sonic motto of LG's production style "if it doesn't get your head boppin’ it ain't worth nothin".

This new release is almost a sibling to "Grumpy Days" but different enough to show there is still much to be explored in that sound.  A fiery jangly guitar riff and a vocal hook guaranteed to have you singing along within seconds. "Roll Me Over" explodes with energy and compassion, proving that LG is not afraid to take risks.

Roll Me Over

Dia 09 - A luz do coração

B. Doom

B. Doom  -----------------------  SamplerRemix

Shadow Turret

High energy EDM track with a catchy Melody

Velocity

Embark on a sonic adventure with 'Percussion Potpourri,' the ingenious creation of maestro Sergio Suárez Benítez. As the storyteller of this instrumental odyssey, I invite you to immerse yourself in a diverse tapestry of sound that transcends genres and captivates the senses.

The ambient tones initiate the journey, gently enveloping you in an ethereal atmosphere that sets the stage for an unpredictable musical ride. The beats of techno soon join the symphony, injecting an infectious rhythm that propels you into the heart of the potpourri. Within this musical blend, house influences seamlessly intertwine, creating a harmonious dance between beats and melodies that beckon you to move and groove.

Trance elements elevate the experience, guiding you through euphoric soundscapes that mirror the emotional highs and lows of the journey. Dubstep intricacies add a layer of complexity, introducing dynamic shifts that keep you on the edge of your seat. Breakbeat rhythms contribute to the ebb and flow, ensuring each track is a unique exploration within the potpourri's vibrant tapestry.

Downtempo interludes offer moments of reflection, allowing you to savor the nuanced beauty of the instrumental arrangements. Benítez's exploration of IDM and chillout genres introduces a delicate balance, showcasing the ability to convey emotions without relying on lyrics. Acid-infused moments and synthwave vibes contribute to a futuristic aesthetic, creating a timeless sonic landscape.

Glitchy textures and drumstep intricacies bring an experimental edge, challenging your perception of rhythmic patterns within the potpourri. Hardcore influences surge through, delivering an adrenaline rush that amplifies the intensity of the composition. Electro and minimal undertones reveal meticulous craftsmanship, where each sonic element plays a vital role in shaping the overall auditory experience.

Psytrance and industrial tones interweave, adding a layer of complexity to the percussive symphony. The bass resonates with a commanding presence, providing a solid foundation for the album's progressive and synthpop elements. Jungle beats and nu-disco aesthetics infuse a lively energy, inviting you to become an active participant in this musical exploration through the percussion potpourri.

This album is a celebration of instrumental diversity, a vibrant mosaic of sounds that invites you to traverse the spectrum of electronic music. I encourage you to let the beats guide you through 'Percussion Potpourri,' share the melodic journey with fellow music enthusiasts on social networks, and let the rhythm of the potpourri resonate far and wide. Sergio Suárez Benítez has crafted an auditory masterpiece, and the potpourri awaits your discovery. Listen, share, and revel in the musical abundance.

Percussion Potpourri

4 - +10

After something’s over
After they’ve gone away
Do you ever stop
And ask the question
Was anything gained
Sometimes you wonder
Sometimes you’re drained
And you have to ask
yourself
What else remains
Why do you feel
So empty
At times it’s hard
To explain
Are the they things
You miss
Is it the hug and kiss
Or something more
But then again
Who’s keeping score
Cause you know
It’s not as if you can 
Just go out and buy love
Down at the store
You can search the world
You can go out and explore
But love is so rare
That once you know it
There might not be any more
And when it’s all said and done
After all
What is life for
©2025 wr heustis

Life For

Shorty Brought Me Her All.wav

A quiet hymn for the city’s heart — where the old meets the new, and something tender still grows between. Beauty in the Ruins II drifts from whispered poetry into a folk-gospel refrain, finding grace in everything that fades.

a song with no structure

koiigen