It's probably more what haven't been written about this argentinian-based neo theatrical, medieval brit rock even-not-been-completely-discovered quintet; than what has actually been said. Besides the challenge that represents the fact of writing, composing and singing in a non native language -even if that means trying to conquer an unfriendly and hostile market- and incarnating the post-Malvinas-War generation, the band began to play in their town, Mar del Plata, the most touristic city in the country, south east from buenos aires. 

Formed in late 2009, the group went over the most clasical brit-pop sounds in their -Oasis & Blur- origin to a darker and instrospective -Dandy Warhols & BRMC- psychodelic side in their two first albums (Bristols EP in 2010 & Train To The Black Circus in 2011).

After their first singer, acoustic guitar player, main composer and frontman Pablo Hesse disbanded, they faced the most democratic and non preasured period of the own-declaired friendship's band. "We play 'cause we're friends, we're not friends 'cause we play" they often say. In the second period, both lead guitar Lino Ezequiel Parodi and keyboardist (better known as a city's night example more than from the music scene) Jopi Hernando began writing more frecuently as they already used to do in the earlier 2004/2005 (with their unknown "Grey Days" project) and give birth to a renewed sound. Boastig the motto "no synthesizers were used on this record", embracing the exaggerated pomp of prog rock and vaudevillian, port-&-drunk-sailors music, more melodical and romantic, creating a huge, mock-operatic-medieval sound with layered guitars and overdubbed vocals they recorded their other two albums ("The Garden Of The Ages" EP in 2012 & "Shhh!" in 2014).

Precisly in the last album, there is almost no english-classic band that haven't influenced them: Oasis, Blur, Stone Roses, Xtc, The Smiths, The Cure, Talking Heads, Genesis, Queen, Led Zeppelin, The Beatles, The Rolling Stones are just a few of the 60-70-80-90's english music's exponents that define this particular album and also this multi creative argentinian-brit group.

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Alex Pearson is the solo project of the front man of the Edinburgh metal band ‘NIAM’. Alex is a born front man, having taken to the guitar from a young age, Alex went to school in Yorkshire, and moved to Edinburgh in 2004 to attend University at Edinburgh where he formed ‘NIAM’. The band received critical acclaim in the Edinburgh area preforming at prestigious venue’s such a “Bongo Rooms”, ’Bannermans’ “Whistle Binkies” and “Sneaky Pete’s”, In this time the band were the main act on a number of bills, and even had Marcus Mumford of “Mumford and Sons’ and ‘Nick Warpole’ from ‘Charlie Simpson’ open for them. When graduation came around, The Band disbanded, and Alex went soft in his old age.
In his first solo project Alex has moved away from his metal roots, creating a breed of acoustic rock labeled as ‘Acoustic Folk Metal’. ‘Alex Pearson is to Metal as Frank Turner is to Punk Rock’ providing moments of acoustic bliss crossed with overpowering distortion and a healthy dose of cynicism. Alex Pearson’s lyrics have a depth of emotion that equal’s or even surpass those of Finnish “Love Metallers” H.I.M, (a long standing influence) .Despite the heavy metal influences and attitude Alex Pearson has created a catalogue of tracks that can be listened to on a beautiful summer’s day or equally whilst as hung over as a dog. Alex has been working for three months on his first solo album, producing tracks such as ‘Most of us will die in bed’, ‘Mr and Mrs Normal’ and ‘Blue Bird’ among others. Alex’s radio debut came this year when he preformed his signature track ‘No more Penny Lane’ on East Coast FM which was received by a significant worldwide audience with praise from Canada and Australia as well as all over the UK

BFA
WILL ROBINSON
KYLE UNWIN
RICK OWEN

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