FREE DOWNLOAD: ka-tya.bandcamp.com/releases

Music and lyrics by Katia Pshenichner 
Produced by Joshua Teicher 
Recorded by Jonny Zoum in Berlin, Germany 
Drums recorded by Nicholas Lam in Melbourne, Australia 
Mixed by Jim Hickey 
Mastered by Stefan Kraatz 
Vocals and piano by Katia Pshenichner
Guitar, bass, synth, drum programming and effects by Joshua Teicher
Drums by Ryan Brewer
Photography by Wilk
Artwork by George McCubbin

© Katia Pshenichner 2016


I Flee

Music and lyrics by Katia Pshenichner 
Produced by Joshua Teicher 
Recorded by Jonny Zoum in Berlin, Germany 
Drums recorded by Nicholas Lam in Melbourne, Australia 
Mixed by Jim Hickey 
Mastered by Stefan Kraatz 
Vocals and piano by Katia Pshenichner
Guitar, bass, synth, drum programming and effects by Joshua Teicher
Drums by Ryan Brewer
Photography by Wilk

© Katia Pshenichner 2016


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Music and lyrics by Katia Pshenichner 
Produced by Joshua Teicher 
Recorded by Jonny Zoum in Berlin, Germany 
Mixed by Jim Hickey 
Mastered by Stefan Kraatz 
Vocals and piano by Katia Pshenichner
Guitar, bass, synth, drum programming and effects by Joshua Teicher
Photography by Wilk

© Katia Pshenichner 2016


Sky Above

Follow @snackswithyeo on everything

MV: http://bit.ly/2eloPGC
iTunes: http://apple.co/2enpOV5
Spotify: http://spoti.fi/2f0L959

All enquiries, please email vivan@smallfryhq.com
Drums by Andrew Congues
Mixed by Haxx at JoyLuck Studio
Mastered by Adam Dempsey

Frost

www.kultkyss.com

recorded, produced + mixed by kult kyss // mastered by Huntley Miller

Free Download

The Presets - This Boy's In Love (Rework)

With The Return paying a respectful silence to July 4 it seemed like a good time to share an interview with Mark Frost recorded earlier this year. While wandering around his place in California, Mark Frost talks about his book The Secret History of Twin Peaks, creating the new season and, being a sentient human living in the United States, his take on its political fortunes.

Music courtesy of @theblackhundred.

Find us on Twitter and Facebook at TPseason3.

An interview with Mark Frost

Beautiful Faces

Live-looping, indie-pop phenomenon Phia presents ‘Oxide’ – the first single from her new EP ‘The Woman Who Counted The Stars’ (out 29 September via Labelship / Independent).

The track is all glitter and grit, and heralds the arrival of a bold new sound for the Melbourne-born singer-songwriter. Pulsing, distorted drums and intergalactic juno synths collide with fuzz guitar and vintage casio keyboards, as Phia’s longtime production collaborator Joshua Teicher realises a sonic vision that manages to be both lush, raw, and emotionally affecting. Phia’s effortlessly charismatic, crystal-clear vocal soars.

The subject matter packs a punch, too. “Late last year Björk released a viral Facebook post about the criticism she and other female artists face when their subject matter departs from boyfriends and love songs, and encompasses atoms, galaxies or activism. I was enraged but also inspired, and the songs just started to come.” Phia says.

With Björk’s words still fresh in her ears, Phia chanced upon a newspaper article announcing that scientists had discovered 60,000-year-old bacteria alive in vast, sub-terranean Mexican caves. ‘Oxide’ is penned from the point-of-view of this ancient micro-organism.

The Woman Who Counted The Stars EP

Oxide

Our second release and the debut single from Melbourne four piece, Mildlife is finally here! 

Narrowing down the group's style into a genre is almost impossible, as they bond over the desire to push musical boundaries. No strangers to the Melbourne band scene, the four old friends have been drawing crowds through an epic journey at intimate venues and festivals for the best part of the past 4 years. Developing a tight live show bolstered by wild improvisation, the group have left punters itching for their first full length studio album that mines jazz, psych and disco for its irresistible groove.

"The Magnificent Moon" a 9 minute psychedelic disco journey is the opening track taken from Mildlife’s debut LP "Phase" due for release early 2018. Capturing the spirit of the band, this kaleidoscope jam is the interplanetary path between jazz, funk and disco with the perfect amalgamation of cosmic electronics and soulful acoustic instrumentation. 

Tom Shanahan explains its entrancing grip, “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.”

Single available here: https://mildlife.bandcamp.com/track/the-magnificent-moon

Mildlife - The Magnificent Moon

Patterns of Perception resident @andreasmaan has been injecting a unique sense of drive and intensity into Patterns of Perception’s dance floors since the club night began almost two years ago.

Alongside his dance-floor oriented material, however, he has long cultivated a wide collection of arrhythmic recordings, ranging across a diverse spectrum of genres, from ambient, minimalist and musique concrete, to medieval chant.

In Patterns of Perception 29, Andreas Maan brings some of these aspects of his sound palate to the fore, weaving a path through the sparse textures and rich atmospherics that these disparate musical elements have to offer.

Links:
@andreasmaan
https://www.facebook.com/andreasmaan.music

Track List:

Mika Vainio, Ryoji Ikeda, Alva Noto - Movements 1
Fennesz, Vainio & Zanési - Coulour
Christian Zanési - Resonnance
Mika Vainio - Unien Holvit
Alva Noto - Xerrox Mesosphere
Neel - The Gravity Of Limtoc
Ghada Shbeir - Alyawn 'Oulliqa
Grzegorz Bojanek - Where Is My Cola?
Loscil - Brohm Ridge
Harold Budd - Dark Star
Terry Riley - Crucifixion Voices
Ben Russell, Yuki Numata Resnick, Caleb Burhans, Brian Snow, Clarice Jensen, Max Richter - Space 21
Harold Budd - Ice Floes In Eden
Harold Budd - Let Us Go Into The House Of The Lord/Butterfly Sunday

Patterns of Perception 29 - Andreas Maan

www.linktr.ee/joshthecatmusic
www.joshthecat.com
www.instagram.com/joshthecatmusic

Electro-pop-shoegaze Melbourne artist Josh The Cat sends off 2018 in style with a dark House meets Nu Disco remix of his latest single ‘I'll Remember You’ by legendary Melbourne producer Josh Abrahams. 

The funky 90s/2000s pop-styled bittersweet earworm has been turned on its head into a pulsing heavy club jam - perfect for the early hours kick ons.

‘I'll Remember You’, "a funk odyssey to lounge to" (Declan Byrne, Triple J), was released on August 17th accompanied by a stunning sensual psychedelic music video and a packed launch show at Melbourne's Gasometer Upstairs with JTC's solo show expanded to feature a super band of members from Meg Mac, The Cat Empire and Husky. 

"I remember Josh Abrahams coming to one of my early solo shows in an underground cafe shortly after I had relocated to Berlin” says Josh The Cat, moniker of Joshua Teicher, after a five-year stint living and producing in Berlin. “When he heard I'll Remember You he was really excited about the track and offered to remix it. Of course I said ‘yes!’"

Josh Abrahams rose to fame with the hit single ‘Addicted To Bass’ back in ‘98,  reaching No. 1 on US Billboard and certified Gold in Australia (ARIA), before continuing to release music on Carl Cox's label and working with Baz Luhrmann.

Original written & produced by Josh The Cat
Remix by Josh Abrahams
Mastered by Lachlan Carrick at Moose Mastering

I'll Remember You (Josh Abrahams Remix)

Joshua Teicher