Elektra/Asylum is of course famously associated with the earth-toned California sound of the ‘70s. Meanwhile, on the New York City underground, something both weird and wonderful was happening. Led by guitarists Tom Verlaine (née Thomas Miller) and Richard Lloyd, Television formed in 1973 from the ashes of the legendary Neon Boys, which featured Verlaine, drummer Billy Ficca, and a gifted poet/bassist by the name of Richard Hell. With Lloyd as second guitarist, Television persuaded CBGB’s owner Hilly Kristal to give the fledgling band a gig at his recently opened Bowery bar, making them the first rock band to officially play at the soon-to-be-celebrated venue.
A demo recorded with producer Brian Eno failed to get the band signed and by 1975, friction between Verlaine and Hell saw the latter leaving Television to co-found The Heartbreakers with Johnny Thunders and later, his own hugely significant Richard Hell & The Voidoids. Now counting original Blondie bassist Fred Smith among their ranks, Television began turning heads with their geometric dual guitar interplay, psych-garage energy, and Verlaine’s cryptic lyricism.

The band soon signed to Elektra, whose long history of releasing brave new artists continued with 1977’s milestone debut, Marquee Moon. Epic and eloquent, the album remains an all-time masterwork of forward-thinking rock‘n’roll. Television’s sophomore effort, entitled Adventure, followed in 1978, bearing a more textured sound than its esteemed predecessor.
Television broke up shortly after their second album’s release, with Lloyd and Verlaine each opting to pursue their own singular creative visions. In Verlaine’s case, that included a brilliant self-titled solo debut, released on Elektra in 1979.

By the 1990s, Television was appreciated as both pre-punk pioneers and one of rock’s all-time most important bands. As such, they reunited in 1992 for an eponymous third album and then continued performing live on a semi-regular basis. In 2007, Lloyd was forced to leave Television following an extended hospital stay that prevented him from performing at the band’s sold-out concert in New York’s Central Park. Though Lloyd was replaced on that evening by guitarist Jimmy Ripp, the gig now officially stands as Television’s last.

Sinnbus was founded in 2003. Over the years Sinnbus developed from representing a local Berlin scene to a well known label in Europe and has earned a high reputation for its high quality releases and great artists. Sinnbus now serves as a label and music publisher. The style of music released on Sinnbus varies from post-rock to indie, pop and electronica.

BOOKING: markus@imagine-agency.eu
MGMT: helene@melting-clocks.com

I’m Biesmans—Belgian-born, Berlin-based. I make “Heart Groove”: house music that’s supposed to do three things: make you move, make you feel something, and connect you with the people around you.

The sound? Warm grooves, analog synths, melodies you’ll remember on the way home. Nothing overly complicated. Just music that works on a dancefloor — the kind that needs a few hours to really take you somewhere.

I’ve played some incredible club spaces: Panoramabar, Fabric, Fuse, Dedge. Festival stages: Tomorrowland, Pukkelpop, EXIT, Fusion. And plenty more rooms in between

My music’s been released on Running Back, Turbo Recordings, Correspondant, and my own label MUEM Records. Made an album called Trains, Planes and Automobiles, and put together the Watergate 28 compilation with people like Mathew Jonson, Zombies in Miami, Kasper Bjørke, and Shubostar.

I’m passionate about synths — spend way too much time in the studio messing with machines and posting (POVs) about it. That’s how the music gets made: trial, error, and finding sounds that hit right.

Currently working on a new album for 2026. Same mission as always: create moments on dancefloors where people lose themselves, feel good, and remember why they love this music in the first place.
That’s it. Physical, emotional, social. Everything else is noise.

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