droland miller

bested (twovrt)

Produced By december 

Mixed By december & JXCE

Flexed Up! (prod. december)

kaveman (cairo marrgielaa)

RARI[Jermaine]

(yeah)
(yeah)
(yeah)
(yeah)
(ya ya)
im tryna hit the cargo lit (lit)
fuck that ni**a yeah we slid (slid)
i got two girls dont know who to pick
gotta green hit up nic
(hit up nic)
throw up 4s take a pic (throw up the 4)
that boy adams hit a lick (hit a lick)
need to scratch got a tick
shawty bad she let me hit 
(she let me hit!)

feelin fresh like a bitch
when we argue dont call me lil jit
why they always doubting the kid
MFs scared cause im legit
(im legit!)
you wear adidas i wear ricks
yeah i got hard fits (fits)
tryna tap just the tip
(rockstar!)
yeah i hit then dip
(needa dip)

told me to hop on the mic
im just chill dont turn me tight
she fit in a small that shit tight (shh shh)
made a band that shit light
(light)
smoke a blunt high like a kite
eat a burger and its night (night!)
hating on out of spite
shawty always tryna fight
(fight!)

in the bed though
always 1st place, on the podium give me that medal
talking shit online, in real life you a nice fellow
yeah we locked in, you the twin, you real mellow
(you the twin!)

im tryna hit the cargo lit (lit)
fuck that ni**a yeah we slid (slid)
i got two girls dont know who to pick
gotta green hit up nic
(hit up nic)
throw up 4s take a pic (throw up the 4)
that boy adams hit a lick (hit a lick)
need to scratch got a tick
shawty bad she let me hit 
(she let me hit!)

feelin fresh like a bitch
when we argue dont call me lil jit
why they always doubting the kid
MFs scared cause im legit
(im legit!)
you wear adidas i wear ricks
yeah i got hard fits (fits)
tryna tap just the tip (rockstar!)
yeah i hit then dip

estrellachips

Last December Jrayko & Yutuh

ima chatgpt dis shit cuz i have a 1.5 gpa ignore ts i made this song cuz the photo was tuff


 This song was made in a moment where everything felt loud but empty at the same time. It’s about that space between staying and leaving, when you already know the answer but you’re still sitting with the question. “Take the Exit” isn’t meant to be perfect or clean — it’s raw on purpose. Every sound, every pause, every breath is part of the feeling.

I wanted this track to feel like driving late at night with nowhere specific to go, windows cracked, thoughts racing faster than the car. There’s tension in the highs, weight in the lows, and a constant sense of motion even when things feel stuck. If you hear distortion, noise, or rough edges, that’s intentional — life doesn’t come polished, and neither does this record.

Lyrically and sonically, this song lives in that gray area where emotions overlap: regret mixed with relief, confidence fighting doubt, wanting to disappear but also wanting to be seen. It’s about choosing yourself even when it feels wrong, about walking away from something familiar because staying would cost you more. Sometimes the exit isn’t freedom — it’s just survival.

The production leans into space and atmosphere, letting the track breathe instead of forcing it to hit. I didn’t want anything to feel rushed. The beat, the vocals, the textures — everything moves when it’s ready. If you listen on headphones, you’ll catch little details that might not stand out at first, but they’re there to build the mood and pull you deeper into the song.

This track is for anyone who feels caught between versions of themselves. For anyone who’s been holding things in too long. For anyone who knows they need to leave but hasn’t yet turned the wheel. If this song resonates with you, then it did its job.

Thank you for listening, sharing, and supporting — it genuinely means more than you know. Let this play loud, let it sit with you, or let it pass through. Either way, I appreciate you being here.

Take The Exit

Jrayko

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