droland miller

This is a demo:
while im walking down tha street (idk why i said ts)
i hait dec u hait me
pain medications take like three
stabbed myself i f***ed my spleen
idk wuts wrong wit me
imma ask God when ill be free
imma be on top oh yuh ull see!

while im walking down tha street (idk why i said ts)
i hait dec u hait me
pain medications take like three
stabbed myself i f***ed my spleen
idk wuts wrong wit me
imma ask God when ill be free
imma be on top oh yuh ull see!

while im walking down tha street (idk why i said ts)
i hait dec u hait me
pain medications take like three
stabbed myself i f***ed my spleen
idk wuts wrong wit me
imma ask God when ill be free
imma be on top oh yuh ull see!

THX  (prod souzi) 4 MAKING THIS LEGENDARY AHH BEAT

i hait december  (prod souzi)

bernie w luxuryss

say it

dead promise

Last December Jrayko & Yutuh

rocks (prod @1realkingslime @damnnhecold556)

ima chatgpt dis shit cuz i have a 1.5 gpa ignore ts i made this song cuz the photo was tuff i mix everything n wtv beat off yt somewhere


 This song was made in a moment where everything felt loud but empty at the same time. It’s about that space between staying and leaving, when you already know the answer but you’re still sitting with the question. “Take the Exit” isn’t meant to be perfect or clean — it’s raw on purpose. Every sound, every pause, every breath is part of the feeling.

I wanted this track to feel like driving late at night with nowhere specific to go, windows cracked, thoughts racing faster than the car. There’s tension in the highs, weight in the lows, and a constant sense of motion even when things feel stuck. If you hear distortion, noise, or rough edges, that’s intentional — life doesn’t come polished, and neither does this record.

Lyrically and sonically, this song lives in that gray area where emotions overlap: regret mixed with relief, confidence fighting doubt, wanting to disappear but also wanting to be seen. It’s about choosing yourself even when it feels wrong, about walking away from something familiar because staying would cost you more. Sometimes the exit isn’t freedom — it’s just survival.

The production leans into space and atmosphere, letting the track breathe instead of forcing it to hit. I didn’t want anything to feel rushed. The beat, the vocals, the textures — everything moves when it’s ready. If you listen on headphones, you’ll catch little details that might not stand out at first, but they’re there to build the mood and pull you deeper into the song.

This track is for anyone who feels caught between versions of themselves. For anyone who’s been holding things in too long. For anyone who knows they need to leave but hasn’t yet turned the wheel. If this song resonates with you, then it did its job.

Thank you for listening, sharing, and supporting — it genuinely means more than you know. Let this play loud, let it sit with you, or let it pass through. Either way, I appreciate you being here.

Take The Exit

Jrayko