This is an old OHB entry of mine, written on July 21, 2012 between 8:15 PM and 9:15 PM. It's pretty short, but I really dig the chord progression I managed to come up with. The sound design is surprisingly satisfying, considering I only used default instruments from the VRC7 set.

The restriction for this battle was "overuse suspended chords".

As always, this is a hardware recording using the TNS-HFC3 device and a Lagrange Point cartridge for VRC7 audio.

Graveyard

Just an amateur musical hobbyist. I listen to mostly trance, metal, classical, and chiptunes. I mess around with music just for fun.

I'm working on a game called Magical Milo and i'm looking for songs to use, any Song i use i will put ur name in the credits of my game!

YAMADA RYO IS MY IDOL 🎸🎸🎸🎸🎸🎸🎸
If you desire to use my music anywhere, don't bother asking me the permission but don't be afraid to tell me about it! As long as it helped you being creative, it will make me happy — even if it's the most shamelessly honest stuff that graced the earth in known history, I don't care! I'll find it cool!

alternate account: https://soundcloud.com/uramega
MY BANDCAMP: http://suimega.bandcamp.com
my main influences are : Shinji Hosoe, Go Ichinose, Norio Hanzawa, Tsukasa Masuko, Michiru Yamane, Hyakutaro Tsukumo, Akari Kaida, Toshiharu Yamanishi/Takeshi Yoshida's work on Thunder Force IV, m1dy, Yousuke Yasui, Masafumi Takada, Kenji Ito, Nobuo Uematsu and Casiopea!

Avatar is @Dreamsbell OC, Goma!

Former chiptune artist from Quebec, Canada. I specialised in making music for the NES/Famicom. I was also hardcore One-Hour Battle enthusiast.

hitech psytrance
jaycore / J-CORE
Sampling

Graveyard

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