Soundcloud objects trouvés

Sisyphus Redux - Brian Ferneyhough

This multi-track piece for piccolos (all acoustic) is from my album, Rarefactions (Neuma 2015.) Jane Rigler, piccolos

Multiverse

W S Graham reads the title poem of his 1955 collection 'The Nightfishing' in its entirety. Recorded and broadcast circa 1954.

W S Graham: The Nightfishing

Rework of @Snowpoet’s track.

Hear the original on their debut EP: https://soundcloud.com/snowpoet/sets/butterfly-ep

This rework was mastered in compliance with Turn Me Up! — read more at http://turnmeup.org

download

Snowpoet – Alive With Closed Eyes (Jeevan Rai rework)

Bitten By A Monkey performing a graphic score by Roland, live at St John on Bethnal Green on April 9th 2015

Dylan Bates: saw, violin, xaphoon
Roland Bates: piano
Steve Myers: recorders

Uni-Verse (Bitten By A Monkey, live at St John on Bethnal Green)

Helplessly Young

From the freshly completed third album. This release is the culmination of two years of gigging around Europe and the UK, whilst living in the Baltics. 
Contact: lostharbours@gmail.com


Lake

Reading at the Poetry Project, New York, 21/10/15. 

Sinking Feeling section 1; excerpt from The Proxy Inhumanity of Forklifts; Stress Position III: The Answer; excerpt from 'Ode to TL61P 5'

Sinking Feeling section 1; plus a suite of excerpts

This is a live performance with Michel Doneda on soprano sax and Jane Rigler on flute. In this track, we are exploring our instruments as "tubes of resonators". I am using two microphones, one is very close to the embouchure (mouth) and the other is very close to the end of the flute, using the flute as a resonator for the key clicks, mouth noise, breath, and various percussively generated sounds of the flute.

Doneda - Rigler (soon to be released) Track 10

Sand Circles - Endless Nights (Yen Towers Remix)

Green Death

Remain

Performed/composed by Jane Rigler, on piccolo and pump organ (simultaneously) on August 26th, 2016, at the Civitella Ranieri chapel. Made in one track, no over-dubbing or other edits, besides minor mastering/mixing.
Gratitude to Composers Now and Civitella Ranieri for making this piece possible.

St. Christopher's shoulders (for piccoloist playing the pump organ), 2016

How Forests think (2015-16), sheng & ensemble
[Sheng, flute/bass fl, ob/cor ang, cl/bass cl, alto sax, trumpet, trombone, percussion, ‘cello, double bass]
Excerpt of live recording of premiere 3 Sept 2016, Bendigo International Festival of Exploratory Music, Australia, Performers: ELISION and Wu Wei (sheng) conducted by Carl Rosman. On this excerpt from the opening of the work, Josh Hyde is playing the alto saxophone; Wu Wei, sheng; Peter Neville, percussion; Ben Marks, trombone
more info: https://limprogrammenotes.wordpress.com/2016/02/06/howforeststhink/

Liza Lim: How Forests Think (2016), short excerpt

Whispers

Ulysses Ensemble + Orchestre Philharmonique de Radio France
for FKA twigs, kite splash and devotional footwork
2018

SLOW.BURN.FOOTWORK (L'Orchestre Philharmonique de Radio France)

Demo song. 
Voice - Melanie Pappenheim.
Text - Sam Guglani
Performed at Medicine Unboxed 2018.

Heart

Studies of Light in the Darkest Places

Monochromatic Variations

Track taken from Seabuckthorn's upcoming album 'Other Other'...

Audio: Seabuckthorn
Mastering: James Plotkin
Design: Daniel Crossley

www.fluidaudio.bigcartel.com
www.seabuckthorn-music.com

Other Other

Meridian

Seabuckthorn - Meridian

Jon Seagroatt plays variously bass, flute, soprano & tenor saxes, bass clarinet, percussion, keyboards, electronics and the occasional bit of wobbly trombone with a variety of ensembles and groups that have included Comus, Current 93, Red Square, B So glObal & Circuit.
He also works as a session player, recording engineer and producer. In one or another of the above guises, Jon has toured, recorded and performed in Britain, Europe and the Far East.