Love all the different textures in this! great job.

this whole piece causes such a great feeling - the mix of the strings and this cutted-sounding electronic synth is great!

Great track. I am doing some homework and stuff just listening. You've got a lot of different sections that keep it really interesting. We should chat sometime about ambient textures because I think if you added some ambient atmospheres at certain parts it could add some depth to an already impressive track!

It sounds More from background music of Tron Legacy with a little difference

Can I use this sound to a video with credits to you?

http://www.sonokinetic.net/products/classical/minimal

With Minimal, Sonokinetic BV delivers the fourth installment in our current range of orchestral instruments. We have listened to our users, and built an entirely new system from the ground up, defining what we think is a revolutionary novel direction in orchestral pattern-based sampling. 

Minimal would suggest a particular music style, and many of the patterns available in this instrument are very well suited for that style. However, we’d like to stress that this is indeed a very flexible instrument, capable of enhancing a broad range of musical arrangements and compositions in a wide variety of styles. Where Minimal differs from libraries like Tutti and Vivace is in its section-based approach. All phrases are recorded per orchestral section and can be used separately or together and in any combination, allowing for a great deal of variations at your fingertips.

The first thing that would strike you is the non-apologetic interface style without any gloss.  Apart from this being a respectful nod to our Dutch art heritage on the outside, it also very much references the “form follows function” approach that Dutch design is famous for. There are no superfluous elements and we’ve arranged everything in an intuitive way. You have every control in one screen within an uncrowded workspace. You might not suspect it from just looking at it, but there are a lot of complex functionalities at your disposal from this one screen. Discover more about those in the detailed descriptions right here in the user manual and on the tutorial videos available on our website: www.sonokinetic.net.

Recordings for Minimal took place in Zlin, Czech Republic, in the same hall and with the same team responsible for recording Tutti and Vivace. The performances have been edited with the same meticulous attention to detail and quality.

Many innovative functions grace this instrument, mostly under the hood, as we believe that technology is at its best when you don’t notice it. One of the functions that might need a bit more introduction is the harmonic shift function. This element of Minimal can lead to great sounding results and also serve as a very rewarding inspirational tool.  So please read and digest the part of this manual dedicated to that function. 

More visibly, and in lieu of popular request, we have found a way to greatly improve the score view. Despite the pixel restrictions of the Kontakt window we’ve managed to squeeze in a clear and accurate score view, although you can still order a digital full-scale copy of the score, if you so desire.

We, at Sonokinetic BV, are very proud to introduce Minimal to you, and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

We wish you the best inspiration and creativity. 

With warm regards, The Sonokinetic Minimal Production Team

Minimal demo "Glimmer of Hope" by Ivan Torrent

This set contains sound example sounds from: "Free Angels" - a community driven sample project spearheaded by www.8dio.com

Follow us on Facebook: www.facebook.com/8dio.productions
Follow us on Twitter: twitter.com/8dio
Follow us on YouTube: www.youtube.com/user/8dioproductions

Free Angels: "Hazel" by Troels Folmann

Here's a piece I did back in October for a client down in New Zealand for a six and a half minute time lapse sequence. The imagery itself is unbelievably beautiful! Anyway, so I had a blast writing the music for it where I used some programs I hadn't used in a long time, namely the Heavyocity AEON collection. In addition to that I also used Heavyocity's DAMAGE and Evolve Mutation 1 & 2 and EVOLVE as well. 

The project took some time because when writing to a time lapse sequence as long as that, you gotta figure out where you wanna place hits and you gotta have music that's captivating enough to hold the listeners through the entire video. It reminded me of when I wrote Time Lapse for a client out in Atlanta for their 8 minute video that took me a weekend to write up...it was tough, but so worth it. Same applies to this project! It took me a while to figure out what genre I wanted to go with and then within 3 days I wrote out the entire thing. Anyway, enjoy!

EDIT - also wanted to give credit to my brother, Greg, with the photo that I used for the cover.

H Y P E R D R I V E

Ambient synthesizer recorded in 2019.
Performed by Paul Landry, Oxford, 2019
🎦 Youtube: www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A/
🌍​ Website: www.paullandrymusic.com
⬇️​ Downloads: www.paullandrymusic.bandcamp.com/
👱‍♂️​​ Facebook: www.facebook.com/paullandrymusic/
​​🟢​ Spotify: open.spotify.com/artist/5tbvGDZA2vYsMHitQ7GNKv
☁️​ SoundCloud: @paullandrymusic
🍏​ Apple Music: music.apple.com/gb/artist/paul-landry/287800079
📻​ Radio: newagemusicplanet.com/radio
🐦​ Twitter: twitter.com/paullandrymusic/

Seven

Relaxing Music - Seven

License on Musicbed: https://www.musicbed.com/songs/becoming-human/18181

Follow Ryan Taubert: 

Instagram: https://www.instagram.com/ryantaubert/?hl=en
Twitter: https://twitter.com/taubertryan
Facebook: https://www.facebook.com/ryangtaubert
Spotify: https://open.spotify.com/artist/79jExF7jUg31BFtXAmru1k
Soundcloud: https://soundcloud.com/ryantaubert
Website: www.ryantaubert.com

Becoming Human

© Michael Ottosson 2017 -

License this track at: http://www.sync-music.com/hybrid_trailers

Momentum (demo)

Evolved 2016 - Video Game

"THEME FOR HUMANITY" - Inon Zur & Aeralie Brighton

Video

Wonder Woman - Behind the Score Suite (Ft. Marianne Croft)

Revival

'Remember the nation you purchased long ago, the people of your inheritance, whom you redeemed— Mount Zion, where you dwelt.' (Psalm 74,2)

Here's my new single, I hope you enjoy! And as always, comments and shares are highly appreciated :)

'Remember Your People' - Epic Cinematic (Psalm 74)

Image from here
https://pixabay.com/photos/aurora-borealis-northern-lights-731456/#_=_

I composed a 10 minutes tribute to my unrivaled favorite composer and greatest inspiration Thomas Bergersen. 
It's by far my longest and most ambitious track to date, a piece dedicated to the master shall not be anything else! It was a piece written for his birthday, 4rth of July. So, the Happy Birthday part at the end won't be appropriate for most days of the year haha.

I hope it feels somewhat connected and cohesive. There are so many ideas and musical shades in there and making the changes/sections feel entirely connected is not quite in my capabilities yet.  
The title is of course a pun on American Dream but the piece is 100% serious. In fact I completed it just now in the evening after a sleepless night and being kept awake by energy drink and coffee. 🥴

The piece is loosely based on notes of the Norwegian Hymn and Happy Birthday (later in the track both become more explicit).  
Which means it gets kinda awkward when it goes full on HAPPY BIRTHDAY in the last part but just imagine it's the 4rth. 😉 Just can't post it by then. 

By the way, the "happy birthday" weird signing is me recording myself several times in my staircase 😛. + A virtual choir that I forced to sing along. 
I'm really happy I pursued the idea writing this now somewhat awkward birthday tribute and - well it got a bit out of hand and blew up into a 10 minutes monstrosity. A wonder where  heard that terminology before...? 😉 (inside nerd joke)

Parts of the track are meant to be derivative - I consciously referenced pieces or musical elements/devices of pieces by Thomas. I usually don't write in such a derivative manner at all, but in this case it's the intent of the piece.

Norwegian Dream (A Tribute To Thomas Bergersen)

Composer for Hogwarts Legacy

For inquiries of licensing or projects, please contact at jscottrakozy@gmail.com


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