Edits

Rakozy

Classic

cinematic

classick

lirika

any instruments

une autre fois

passionné

Comme attendu

Titanium Piano Instrument by Rai Bagus

This piece was written in a single night. I was listening to some Jonsi and decided to just sit down and write something out. I haven't been able to do that with school and work eating up my schedule so I went and created this piece. I wanted to keep it simple, upbeat, and short. So there are a few instruments that I incorporated into this piece I haven't done in the past. First instrument is the kick drum from my new EZ Drummer Indie Folk kit from ToonTracks. It's a Ludwig kick drum so it has an incredibly tight feel to it along with the tom that accompanies it. On top of that I also brought in a Dulcimer to bring another tone of a plucked instrument even though a dulcimer uses mallets. The piano is from 8dio called the 1928 Legacy Steinway Scoring Piano. Seriously, if you want a beautiful scoring sound from a piano, definitely grab the 1928 Legacy. Anyway, as for the influence, Jonsi's "Go Do" soundtrack just features an incredible collection of some of the most powerful music out there, namely his orchestration with woodwind instruments, hence the flutes in my piece. Enough talk, go and enjoy!

H O M E

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.
 
Download at Bandcamp: http://dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
www.facebook.com/thedexterbritain
www.twitter.com/dexterbritain

To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Waning Patience

Great for putting with visual stuff, perhaps. This album is a work in progress. All more electronic and somewhat experimental compared to my usual cinematic, orchestral types.

In Communication

Download

Until The Day

Paranoia

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.

Download at Bandcamp: dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
www.facebook.com/thedexterbritain
www.twitter.com/dexterbritain

To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Unremarkable

Alrighty so I decided to just take this piece alone out of the Variations on a Spyish theme and make it its own seperate track. Now the that entire process of doing those covers was pretty crazy, especially this one....I paid extreme attention to detail and sounds and how instruments collaborated with one another. To be quite honest with you, this is by far one of the best covers I've done, if any for that matter. And also from an equipment-point-of-view, using just EWQL Symphonic Orchestra Gold, and Storm Drum 2 to create this entire piece, that's quite a feat I must say. Anyway, enjoy it!

V I D E O G A M E S || Metal Gear Solid

So, it's been quite some time since the last piece I've done (The Farmstead), however on my vacation in NY, doing my nightly searches of orchestrated covers of popular songs I stumbled upon a few pieces that were ok......an orchestrated cover of Owl City's "Fireflies" and some others.....the only orchestrated cover I actually was super impressed with was The City of Prague Philharmonic's performance of Coldplay's "Yellow". So I decided to take it upon myself to do a cover of one of my favourite Coldplay songs - Fix You. So after returning back from my vacation, that night I began my project......almost a week later, here it is. So as I always say, this is by far my favourite piece I've done. Everything from the strings to the woodwinds to the brass, everything just kind of meshed well.....Earlier this week, I was in a sticky situation deciding if I wanted to bring in the drumkit and the bass since I had the electric guitar featured, however whenever I tried doing the orchestration on top of it, it just didn't fit well....it wasn't like Metal Gear Solid well....so I had to figure out a different way to make it upbeat and triumphant without the aid of a drum kit......Luckily an inspiration came along and it was all figured out! However the next problem was that progressive triumphant segment.......this is where Coldplay is singing "Tears stream down your face" blah blah blah.....so I had to figure out how to keep the orchestration captivating and yet still endure 32 some odd measures at the same time.....But it was interesting to note that within two days I was able to knock off those 32+ measures....And the of course the ending was another issue to figure out......did I want it to end like coldplay's original? and then I though "Pshh, I'm the arranger, heck no!" So all in all, in a matter of 5 days this piece came to life........I was getting tired of listening to terrible orchestrated covers on youtube and what not so I had to do a cover to prove that you can do a proper orchestra cover on a rock song using a DAW (Digital Audio Workstation) like Logic Pro or Cubase or whatever and some proper sample libraries like EWQL or MOTU. So yes, this entire performance is all done on a computer, precisely my 13 inch MacBook Pro with 8 GB of RAM with a 2.53 GHz Intel Core 2 Duo, using Logic Pro and everything was used with EWQL with a few instruments from the Logic library (the piano and the guitars with some cymbals). Anyway, so some influences......John Williams work on Saving Private Ryan, the piece "Hymn to the Fallen", and also Jurassic Park haha! But otherwise there was no other outside influence for this piece, aside from Coldplay and their melody.....oooh I will mention that Lex de Azevado was an influence for the piano segment when you first hear it trickling down. Other than that, yeah I'm just super impressed that I managed to complete it within 5 days.....anyway, enjoy it, comment on it, suggest stuff, whatever......and also I'll have a youtube video up whenever later this week displaying the massive file in action....ENJOY!

A R T I S T S || Coldplay - Fix You

Far away from the massive and unresting sounds of electric guitars and pounding noises of drums, Singer/Songwriter Julia Kotowski creates a small, intimate and especially silent musical sphere. Get her album "Hydrophobia" as a free download and support her music here: http://www.aaahh-records.net/entertainment-for-the-braindead-hydrophobia/

Entertainment For The Braindead - Fences

Alrighty, so this piece was written for a client out in Atlanta, Georgia...hopefully their client likes it as well haha! But I wanted to shared this piece because it was truly a fun piece to write!!! Sure I had less than a weekend to write 8 minutes of music. I wrote up a quick 1:30 demo to them and the director liked it but hadn't heard back from their client as for a green light yet but said I should go on anyway. So Friday, Saturday Night (because of work eating up my entire day) and all day Sunday up until about 3 am and even this morning I was writing this piece....The toughest part about this piece was trying to keep the momentum going for 8 minutes long and still retain that feel and style

When I was first approached about the project, I saw the video and instantly thought of two composers - Hans Zimmer's "Time" and "One Simple Idea" from the Inception soundtrack and also Philip Glass' Metamorphosis album. So I went to town with a simple piano segment which then was introduced to the guitars with their repetitive patterns. The strings were going to be a major factor in this piece as well. I also wanted to add in some electronica elements as well but at a minimum so that the listeners could be sucked into with the strings and piano.

Some obstacles along the way aside from trying to keep the momentum going for 8 minutes was the many modulations and key changes to get to a certain key I wanted. There is a 30 second bit found at 6:03 that frustrated me for a good hour on how to land it in a certain key....the key where the guitar and drums come in. That whole modulating segment took a great deal of time because there were many variations to go but none of them went as smooth as the one you hear.

Some other tidbit information to listen for: at 5:12, the guitar segment there.....I didn't realized it at first because I thought it sounded cool, but those three notes that play there are actually similar to the three notes you hear on the Spiderman cartoon theme haha!!! Also at 6:26, that key change from a G major to a B major was an idea that I had hard on a few Danny Elfman soundtracks.

The drumming found at 6:35 was a lot of fun to do! In the film, it's just clips of a time lapse sequence of downtown Atlanta at night....really cool looking, so to give a feeling of excitement and thrill of downtown I decided to try out this Coldplay kind of feel. It wasn't easy as I'm not a drummer by any means, so I had to figure out what a real drummer could do while I performed the recording on the keyboard haha!!! That last segment is also my favourite due to that sense of accomplishment you feel...I dunno if it's the drumming or the strings or what, but somehow it just feels like this motivation to keep doing the best you can.

Anyway, so there you go! Unfortunately due to this project, it will not be a downloadable piece. But feel free to comment or ask or anything!!! Since this is still being under review, there might be changes needed....if anything I'm assuming the last segment where the drums come in at 6:36. So until then, enjoy the piece!!!

Also check out my youtube channel: http://www.youtube.com/user/jscottrakozy

Also check out my blog as well: http://theinsightfulcomposer.blogspot.com/

Also check out my website (in production): http://jscottrakozy.com/

If you want to ask me about my compositions in how I write them or anything, feel free to send me a message via soundcloud, and for any director or producer wanting to contact me to discuss projects, feel free to contact me as well via soundcloud!

Thanks again and hope you enjoy the piece!!!

~ J Scott Rakozy

T I M E | L A P S E

After watching The Dark Knight Rises a second time at the IMAX I had an idea...to do an entire cover of The Dark Knight Trilogy. The simple idea was to implement Batman's theme, Joker's theme, and Bane's theme all into one large piece of work. I started it Friday night and have been working on until today, Tuesday. 

So to break it down, the song is divided as such: The Joker's theme is introduced with the dissonant vibe that was pretty much the entire soundtrack of The Dark Knight. It then switches into the main Batman theme with that triumphant sound. It then later comes to Bane's lovely theme....the theme itself wasn't so much complex because it literally is two notes alternating, but it's the rhythmic pattern that defines the theme.....more so, it's suppose to be the same pattern as the chant from The Dark Knight Rises when Bruce Wayne goes to climb the wall. After that theme, then brings back the familiar tunes of Batman's theme and ends exactly like Batman Begins. 

So writing the music, you'd be surprise that I only used EWQL Symphonic Gold and EWQL Storm Drum 2 for this entire project! The only none EWQL instruments I used were from Logic Pro's library.....the synth bass, the GLAM bass, some rhythmic percussion sounds/electronica sounds and the tremolo strings (with a multipressor). And that's it. I saw a lot of batman covers on youtube featuring Symphonic Gold and other programs but the people doing the sequencing and such didn't really put a lot of effort into shaping the sounds to be realistic sounding....so that's when I go and do this and show off what one can really do with Symphonic Gold and Storm Drum 2 if they just dig a lil' bit and not go and splurge their money on numerous other libraries can do the same effect.

ps...also to note. All written on a 13" MacBook Pro with a 2.53 GHz Intel Core 2 Duo with 8 GB of RAM. Sequenced and Edited in Logic Pro 9 (I upgrade haha!) using EWQL Symphonic Gold and Storm Drum 2 and Logic Pro's own library. Performed on an M-Audio 88es Keystation MIDI controller. All sound was run through an Apogee ONE to a pair of SRH840 studio headphones. All sound libraries are carried on a 500 GB OWC Mercury Elite Pro external hard drive.

So enjoy and share!

Credit goes to Hans Zimmer for original themes
Arranged by J Scott Rakozy

F I L M S || The Dark Knight

Ana 3araby - انا عربى

Samples from every track on the new album, For Now I Am Winter out Feb/March 2013:

iTunes: http://smarturl.it/OAiTunes
Amazon: http://smarturl.it/OAamazon

Visit and contribute to the fan-art site: http://olafurarnaldsart.tumblr.com/
Join the mailing list: http://smarturl.it/OAlist


Twitter: http://twitter.com/OlafurArnalds
Facebook: http://www.facebook.com/olafurarnalds
Website: http://www.olafurarnalds.com/

For Now I Am Winter

Arnalds: This Place Was A Shelter

'Reflection' has been used as the score to Luka Kellou's short film 'Je suis Là', which made it through to the finals of the 2014 Nikon Film Festival (http://vimeo.com/90820159)

Track taken from our debut release 'In Passing EP', available now via Bandcamp and iTunes.

http://stevegibbs.bandcamp.com/album/in-passing-ep
https://itunes.apple.com/gb/album/in-passing-ep/id669727687

Piano - Steve Gibbs
String arrangement & electronics - Cyrus Reynolds
Violin - Alanna Tonetti-Tieppo 
Viola - Oakki Lau 
Cello - Laura Hammonds

Buy This Track

Steve Gibbs & Cyrus Reynolds - Reflection

'Scenes from the four seasons' is a collection of unreleased tracks and b-sides from 2012, running through the four seasons and stopping at some intimate moments in Winter, a tranquil evening in Autumn, two seaside scenes between Spring and Summer. 

I decided to have all these tracks together in this collection not only because of the common theme, but above all because, when I started working on my first modern classical album, that will be released later this year, I didn't want to left all these works incomplete, even if they were mostly expression of ideas and style still imperfect and evolving.

However I'm sure you'll find a moment of peace and tranquillity in these notes, and even some passages that represents your life during the seasons, an intimate moment, as when you're at home and the snow starts falling in winter, or when you first see the seaside in spring.

Thank you for taking time to listen to these songs.
All your support is appreciated, especially in view of a strings recording session for the production of my new modern classical album.

Cover artwork is "Restleness" by Agnès Caixas, photographer from Barcelona - Spain. Find her online at:

http://www.flickr.com/people/agnolia/

Follow the latest news about Halo at:

haloproject.co.uk
soundcloud.com/haloproject
facebook.com/halosphere
twitter.com/halotwtr

I take this chance to remind you that my previous EP, "Late Winter Tales", is still available at http://dewtonerecordings.com/album/halo-late-winter-tales-dtr013 and on the major internet music stores.

Thanks heartily for all your support.

released 03 March 2013 
All tracks Composed, Recorded and Mastered by Pasquale Riviezzo. 
© 2013, All Rights Reserved.

Halo - Scenes from the four seasons - 13.Harvest

<a title="Request license for this Track." href="http://www.tracksandfields.com/track/request_license?track_name=Imagine+%28Finalized%29&amp;user_name=jscottrakozy&amp;from_sc=1">Request license for this Track.</a>So this piece is a song for a promo video for a backpack designed by students at BYU called the Tessel Jet Pack. The idea for this piece was to keep the idea of when you were a kid you used your imagination for everything. So the marimba is to give way of the idea of still being a child at heart and by keeping it as simple as possible didn't distract the viewers watching the film, but more so being engaged with what this backpack could do. 

The original idea for this piece was a lil' more rock-driven with a shuffling brush kit rhythm but I decided to scratch that all together and re-thought the entire process, wrote it all out in a single night, and presented it to my client who then presented it to his team and they loved it. So there you have it, all written in Logic Pro with all the guitars from Logic Pro's library with instruments from EWQL Symphonic Gold (strings at the end and the marimbas). Anyway, download it for free and enjoy!

Imagine (Finalized)

From the album Stories From Elsewhere. Out on LOOP/Darla/Preco

BANDCAMP: rhiansheehan.bandcamp.com/album/storie…om-elsewhere
FACEBOOK: www.facebook.com/pages/Rhian-Sheehan/15584763065

Buy from Darla: darla.com/index.php?fuseaction…mp;item_cat_id=41705



www.rhiansheehan.com


Rhian Sheehan - Imber

Jig for Basses

Ray McGinnis (http://soundcloud.com/ray-mcginnis) did it again!! :) He took one of my piano improvisations and turned it into something fabulous :)

This was my original piano impro:
http://soundcloud.com/milanazilnik/milana-morning-coffee-instrumental

Off to drink some coffee :)

Morning Coffee - Ray McGinnis (orchestration), Milana (composition)

CM-341 String Orchestra + Harp mock-up (garage band) - Berklee College of Music

SWAYIN' WITH THE WIND

Composer for Hogwarts Legacy

For inquiries of licensing or projects, please contact at jscottrakozy@gmail.com


F O L L O W || L I K E || E N J O Y