Dan Ghenacia returns alongside his closest allies Dyed Soundorom and Shonky to launch their new imprint - Apollonia    
 
Sharing the same musical roots, tastes and creative vision, Apollonia was a natural, if not inevitable progression for Dan Ghenacia, Dyed Soundorom and Shonky. The label will serve as a platform for the trio's productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in Paris and beyond. "We'll mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy," says Dyed..

@antiverseworld
lavibe Label manager
@underscopefrance A&R
Former Concrete / Dehors Brut / Weather festival A&R

26 years of gestation, a slow but precise maturation, lead us to the urge, almost the necessity of doing a label, one that will bring further the music and the culture Rex Club always fought for.
And here we go ! After 26 years of existence, of countless beautiful nights given to generations of clubbers, it’s with the same high standards Rex Club is now starting a new adventure : REX CLUB MUSIC. A new entity is born, a label that reflects the club : eclectic and on the edge, where residents, newcomers and internationally acclaimed artists take turns. An effervescence, just like the club and its bookings, open but also faithful.
Original tracks, Eps, Remixes, the platform is open, only one rule : quality and the same intransigence that made Rex Club what it it is today : a temple for electronic music.

RCM 001 coming out in MAY 2015
SECOND HAND SMOKE ep by D'JULZ & PHILS WEEKS , TRUS'ME remix

Since 1997 Rush Hour has cultivated itself into a haven for music lovers worldwide. The reputation Rush Hour has built mainly comes from the fact that first and foremost Rush Hour focuses on music they totally believe in and have a love for. The Rush Hour family has a strong sense of pride in always working with and feeding off that impulse and faith, rather than working for the mighty dollar or bottom line. Rush Hour has always been this way.

BOOKING | Sound Familiar 
www.soundsfamiliar.it
LABELS | Soul People Music, Perpetual Sound, PRIVATE SOCIETY
Send Promo/Demo TO: fredp197@yahoo.com 
FILES ONLY!!! NO SOUNDCLOUD LINKS 
YOU WON'T GET A REPLY!!!

Havana Cultura is a global initiative for the promotion of contemporary Cuban culture.

It is made possible by Cuban rum maker Havana Club International S.A. 

Artwork by Melbourne's Sam Donaldson
Distributed with love by Prime Direct

Not accepting demos

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Ju Srfn is following