Rain All Night

Needless (2008) – Dealing with self-pity and doubts
Driven by an electric piano, Needless is an indie pop ballad that explores a silent heartbreak. Self-doubt can destroy the best relationship, especially when you feel inferior to your partner. Dreamy synthesizers meet picked acoustic guitars, an anthem for anyone who ever felt too small to be loved and chose to disappear.

Nadine de Macedo: composition, arrangement, lyrics, piano, synthesizer, production
Robot Recordings: vocals, guitars

You can find this song on all streaming portals and Bandcamp:
https://too.fm/ndm-needless
https://nadinedemacedo.bandcamp.com/album/needless

This song is part of my b-side album "Electro Static"
https://too.fm/ndm-electro-static
https://nadinedemacedo.bandcamp.com/album/electro-static

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://nadinedemacedo.bandcamp.com

Needless

Needless (feat. Robot Recordings)

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/vivencias-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/vivencias

VIVENCIAS

Hoy volví a escuchar un cuento
y un montón de recuerdos
a mi mente vinieron;
hoy volví a través del tiempo
a esos primeros años
donde no hay desengaños.

Hoy volví en sueños a vivir
mis primeros años de escuela
aprendiendo a leer y a escribir
y jugando a la bandera. 

Estribillo

¡Qué bonito es soñar despierto!
viviendo todo un ayer
que siempre está en el pensamiento
pues son los años de la niñez.

-------------- 

Hoy volví en sueños a vivir
y jugaba al bueno y al malo
con pistola, cuchillo y fusil
y una caña para caballo.

Estribillo

Hoy volví en sueños a vivir:
me bañaba en los pozos del río
y comía moras y regaliz
que abundaban en el estío.
 
Estribillo

Hoy volví a escuchar un cuento
y un montón de recuerdos
a mi mente vinieron;
hoy volví a través del tiempo
a esos primeros años
donde no hay desengaños.

Hoy volví en sueños a vivir
esos años de monaguillo:
mosén Pedro y las “picias” sin fin
pues éramos a cual más pillo.

Y los días que sentí en mi pecho
la fuerza del primer amor
cuando dije el primer te quiero
y di el primer beso de corazón.

Estribillo


EXPERIENCES

Today I listened to a story again
and a lot of memories
came to mind;
today I went back through time
to those early years
where there are no disappointments.

Today I relived in my dreams
my first years of school
learning to read and write
and playing flag.

Chorus

How beautiful it is to dream awake!
living a yesterday
that is always in our thoughts
because they are the years of childhood.

--------------

Today I relived in my dreams
and played good and bad
with a pistol, a knife, and a rifle
and a horse's pole.

Chorus

Today I relived in my dreams:
I bathed in the river pools
and ate blackberries and licorice
that were abundant in the summer.

Chorus

Today I listened to a story again
and a lot of memories
came to mind;
Today I went back in time
to those early years
where there were no disappointments.

Today I relived in my dreams
those years as an altar boy:
Mosén Pedro and the endless "picias"
because we were each more mischievous than the other.

And the days when I felt in my chest
the strength of first love
when I said the first I love you
and gave the first heartfelt kiss.

Chorus

VIVENCIAS

Bolera

BOLERA

Tried not to think about this one too much.

The Sad Path

Back on the pop scene, fam 🔥❤️‍🔥🔥

Hi Lo

Para escuchar la versión con MV https://soundcloud.com/juan-fco-bueno/b23848eb-fa1b-436d-8205-eae79673576b
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-version-instrumental
Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira

Y ME PARECE MENTIRA

Te veo y no lo puedo creer:

detengo mis ojos en tu cara

intentando encontrar la mirada

que ayer tanto me hizo padecer

y descubro al instante el presente

que penetra con fuerza en mi mente

destrozando tu imagen de ayer.


Te observo y no consigo entender:

creía reciente aquel verano

salpicado de amores tempranos

teniendo la luna como juez

y la llama de mis ilusiones

que forjó mis primeras canciones

en los más profundo de mi ser.


Comparo, y me parece mentira, 

la frescura que en estos recuerdos

aún perdura y la inadvertida

pero brutal distancia que el tiempo,
 
con su vuelo, ha puesto en nuestras vidas:

todavía conservo el perfume

de aquellas mañanas de estío

y el sabor amargo del desprecio

socavando el alma de un crío.


Recuerdo y soy tu esclavo otra vez:

navego en los mares de tus ojos

inundando la noche de gozo

sembrando esperanza por mi piel

pero arribo a tu puerto y zozobro

y mi gozo se torna en sollozos 

al oír que no hay nada que hacer.


Comparo, y me parece mentira,
 
la frescura que en estos recuerdos

aún perdura y la inadvertida

pero brutal distancia que el tiempo,
 
con su vuelo, ha puesto en nuestras vidas:

¿quién no guarda la risa o el llanto

de aquel primer beso de ensueño?

risa para el que apuró buen vino

llanto el que brindó con veneno.

AND IT SEEMS LIKE A LIE

I see you and I can't believe it:

I fix my eyes on your face

trying to find the gaze

that made me suffer so much yesterday

and I instantly discover the present

which penetrates my mind with force

shattering your image of yesterday.

I watch you and I can't understand:

I thought that summer was recent

spattered with early loves

having the moon as my judge

and the flame of my dreams

that forged my first songs

in the depths of my being.

I compare, and it seems like a lie,

the freshness that still lingers in these memories

and the unnoticed

but brutal distance that time,

with its flight, has placed in our lives:

I still retain the scent

of those summer mornings

and the bitter taste of contempt

undermining the soul of a child.

I remember and I am your slave again:

I sail the seas of your eyes

flooding the night with joy

sowing hope through my skin

but I arrive at your port and capsize

and my joy turns to sobs

when I hear there's nothing to be done.

I compare, and it seems untrue,

the freshness that still lingers in these memories

and the unnoticed

but brutal distance that time,

with its flight, has placed in our lives:

Who doesn't remember the laughter or the tears

of that first dreamy kiss?

Laughter for the one who drank good wine

Crying for the one who toasted with poison.

Y me parece mentira AC

Guitars, Bass And Keys By Robert Grigg.
Drums By Yamaha Keyboard.
https://youtu.be/YSVuA7X4n0k?si=rMhc8MzPxUzu7QN4

The Ghost Walk

This song came from a place of emotional conflict, where love and ambition kind of collide. I was in this space where everything around me felt blurry... all these people, all this noise, all this movement, but then there's that one person who still has this quiet hold on you. And yet, even in that connection, we keep spinning in circles, never really landing anywhere.

I wanted to capture what it feels like to choose your passion, your stage, your voice, your art, over a relationship that’s lost its clarity. That line, ‘I’d rather work a microphone than work on us,’ is really personal. Because when I’m on that stage, or in the studio, I feel seen. I feel loved in a way I don’t always get in real life. There’s a kind of euphoria in being heard by strangers that sometimes feels more real than intimacy with someone who’s grown distant.

The second verse dives deeper, waking up to noise, to expectations, to people calling your name, but the one name you want to hold onto is already slipping. And you’re left asking yourself: why are we still running if we’ve both already let go?

It's bittersweet, it’s raw, and it’s real. This isn’t a breakup song in the traditional sense, it’s more like... a confession. Of choosing yourself, even if it hurts.

Tasha- Microphone [ Demo]

Updated, remastered, better version (IMO)of an earlier work of mine.

Seasoned Irony

"Qué Bonita Eres" is a romantic flamenco ballad that celebrates the beauty and charm of a woman. The song is a musical poem filled with passion and admiration, using imagery from Andalusian culture to describe the grace and magnetism of the protagonist. With its blend of traditional rhythms and orchestral touches, the song feels like a vibrant and emotional serenade.

The song's production is a work of art in itself, with instrumentation that creates an intimate and safe atmosphere. The song opens with a flamenco guitar and a warm male voice that transports us to a personal and trusting space. The lead vocals are soft and sincere, weaving a story that feels personal and vulnerable. The instrumentation grows organically, with the introduction of strings and drums that add a touch of melancholy and hope, without breaking the intimacy of the moment. The chorus is the heart of the song, with a refrain that feels like a stifled cry in the immensity, with distorted guitars and ethereal backing vocals that elevate the song to an emotional climax.

This song is for everyone who has loved in silence and longed for their broken heart to be heard. It's a reminder that sometimes the bravest way to love is to ask for nothing in return.

Qué bonita eres

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

VIVENCIAS

Juan Fco. Bueno

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