Needless (2008) – Dealing with self-pity and doubts
Driven by an electric piano, Needless is an indie pop ballad that explores a silent heartbreak. Self-doubt can destroy the best relationship, especially when you feel inferior to your partner. Dreamy synthesizers meet picked acoustic guitars, an anthem for anyone who ever felt too small to be loved and chose to disappear.

Nadine de Macedo: composition, arrangement, lyrics, piano, synthesizer, production
Robot Recordings: vocals, guitars

You can find this song on all streaming portals and Bandcamp:
https://too.fm/ndm-needless
https://nadinedemacedo.bandcamp.com/album/needless

This song is part of my b-side album "Electro Static"
https://too.fm/ndm-electro-static
https://nadinedemacedo.bandcamp.com/album/electro-static

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://nadinedemacedo.bandcamp.com

Needless

Needless (feat. Robot Recordings)

Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/no-quiero-verte
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/no-quiero-verte-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/no-quiero-verte-version-instrumental
Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/no-quiero-verte-ac

NO QUIERO VERTE

Somos como dos pajarillos
viviendo en un plácido nido...
sin apenas conocerse;
somos unos desconocidos
jugando a cambiar de camino…
con el riesgo de perderse.

Y es que somos a la vez
carne y uña, risa y llanto:
dos que no se pueden ver...
¡pero que se quieren tanto!

Estribillo

No quiero verte porque sé que te adoro
no quiero verte porque sé que luego lloro
y no puedo estar sin ti;
te diría que te quiero como un loco...
pero sé que en tu vida yo no soy
ese amor que sabe a poco
y prefiero estar sin ti.

-----------------

Somos como dos enemigos
luchando en eterno conflicto…
pero que no han de matarse;
somos todavía dos niños
buscando el juguete perdido…
y es hora de despertarse.

Y es que somos a la vez
mar y arena, nieve y menta:
algo que no puede ser...
¡si primero no se intenta!

Estribillo

I DO NOT WANT TO SEE YOU

We are like two little birds
living in a placid nest ...
without hardly knowing each other;
we are strangers
playing to change the way ...
at the risk of getting lost.

And it is that we are at the same time
flesh and nail, laughter and crying:
two that cannot be seen ...
But they love each other so much!

Chorus

I don't want to see you because I know that I adore you
I don't want to see you because I know that I cry later
And I can't be without you
I would tell you that I love you like crazy ...
but I know that in your life I am not
that love that knows little
And I'd rather be without you

------

We are like two enemies
fighting in eternal conflict ...
but they are not to be killed;
we are still two children
looking for the lost toy ...
And it's time to wake up

And it is that we are at the same time
sea and sand, snow and mint:
something that can't be ...
If you don't try first!

Chorus

No quiero verte (Feat. Martin T.)

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/vivencias-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/vivencias

VIVENCIAS

Hoy volví a escuchar un cuento
y un montón de recuerdos
a mi mente vinieron;
hoy volví a través del tiempo
a esos primeros años
donde no hay desengaños.

Hoy volví en sueños a vivir
mis primeros años de escuela
aprendiendo a leer y a escribir
y jugando a la bandera. 

Estribillo

¡Qué bonito es soñar despierto!
viviendo todo un ayer
que siempre está en el pensamiento
pues son los años de la niñez.

-------------- 

Hoy volví en sueños a vivir
y jugaba al bueno y al malo
con pistola, cuchillo y fusil
y una caña para caballo.

Estribillo

Hoy volví en sueños a vivir:
me bañaba en los pozos del río
y comía moras y regaliz
que abundaban en el estío.
 
Estribillo

Hoy volví a escuchar un cuento
y un montón de recuerdos
a mi mente vinieron;
hoy volví a través del tiempo
a esos primeros años
donde no hay desengaños.

Hoy volví en sueños a vivir
esos años de monaguillo:
mosén Pedro y las “picias” sin fin
pues éramos a cual más pillo.

Y los días que sentí en mi pecho
la fuerza del primer amor
cuando dije el primer te quiero
y di el primer beso de corazón.

Estribillo


EXPERIENCES

Today I listened to a story again
and a lot of memories
came to mind;
today I went back through time
to those early years
where there are no disappointments.

Today I relived in my dreams
my first years of school
learning to read and write
and playing flag.

Chorus

How beautiful it is to dream awake!
living a yesterday
that is always in our thoughts
because they are the years of childhood.

--------------

Today I relived in my dreams
and played good and bad
with a pistol, a knife, and a rifle
and a horse's pole.

Chorus

Today I relived in my dreams:
I bathed in the river pools
and ate blackberries and licorice
that were abundant in the summer.

Chorus

Today I listened to a story again
and a lot of memories
came to mind;
Today I went back in time
to those early years
where there were no disappointments.

Today I relived in my dreams
those years as an altar boy:
Mosén Pedro and the endless "picias"
because we were each more mischievous than the other.

And the days when I felt in my chest
the strength of first love
when I said the first I love you
and gave the first heartfelt kiss.

Chorus

VIVENCIAS

Two Cats and a Bird

Tried not to think about this one too much.

The Sad Path

The latest in our Moon series ... the Herb Moon is one of the names for the July moon. 

All the words are by me, and the music and cover is by Andreas Pirner, @APi_ZZ

Herb Moon

“Keep It Spinnin’” is a hypnotic late-night ride through luxury, loneliness, and emotional detachment. Blending melodic trap with atmospheric production, the track follows a drifting narrator caught between fast living and fading feelings. Over wavy synths and slow-thumping drums, he floats through midnight cityscapes, toxic love cycles, and vices masked as comfort. The hook loops like a mantra—“keep it spinnin’ then”—symbolizing motion without direction, success without peace. Perfect for fans of Don Toliver, Travis Scott, and Bryson Tiller, this track is both a vibe and a confession.



KEEP IT SPINNIN

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/incidente-a-medianoche-version-original-ver-texto

INCIDENTE A MEDIANOCHE

Voy a contaros amigos una historia
que sucedió un domingo de febrero
en medio de una noche oscura y fría
que poco a poco calaba hasta los huesos.

El incidente comienza en el pueblo
cuando después de haber pasado el domingo
al lado de la mujer de tus sueños
regresábamos al “tajo” cuatro amigos.

Íbamos felices y contentos
pues nuestro carro corría muy veloz
“te estás portando como un señor”
le decía Octavio que era el conductor.

Pero de pronto en medio del camino
y tras un extraño ruido en el motor
fue perdiendo fuerza nuestro utilitario
y, sin pensarlo, el frenazo de rigor
pues sin duda alguna había sucedido
algo importante y no tenía solución.

Cuando el coche estuvo ya parado
se abrió el capó para ver lo acaecido
vimos que el radiador se había rajado 
y todo el agua habíamos perdido.

Lo que entonces pasó no os lo canto...
perdí el control y también mis compañeros:
recuerdo cuatro lenguas a destajo 
despotricando como unos carreteros.

Cuando todo esto fue menguando
y a nuestro temple volvía el color
“no preocuparse, se hará autostop”  
 afirmó Domingo con determinación.

Pero con las “pintas que nos cantaban”
uno con las barbas y otro de militar
los otros dos hasta el moño manchados de grasa
¡así quién diablos nos iba a parar!
pero allá a las cuatro de la madrugada
un rezagado paró al ver al militar.

Pero cuando vio la “compañía” 
con toda prisa se quiso echar atrás
“no le dé miedo, son de fiar”
exclamó Pepucho con gran serenidad.

Con insistencia logró convencerlo
de que nos dejara a los cuatro subir
pues aunque le resultara difícil creerlo
no éramos quinquis o gente de mal vivir.
Y si todo el lío quería saberlo
le prometía que no le iba a mentir.

Todo está visto muy por encima
porque la historia no es fácil de contar
pues estas cosas “pa” verlas ¡hay que vivirlas!
y entonces es cuando se puede opinar
por más que parezca un relato de risa
aquella noche jamás se nos olvidará.

MIDNIGHT INCIDENT

I'm going to tell you, friends, a story
that happened one Sunday in February
in the middle of a dark and cold night
that slowly chilled to the bone.

The incident begins in the village
when, after spending Sunday
with the woman of your dreams,
four friends were returning to work.

We were happy and content
because our car was going very fast
"You're behaving like a gentleman,"
Octavio, the driver, told her.

But suddenly, in the middle of the road
and after a strange noise from the engine
our car began to lose power
and, without thinking, we slammed on the brakes
because without a doubt something important had happened
and there was no solution.

When the car was finally stopped,
we opened the hood to see what had happened
we saw that the radiator had cracked
and we had lost all the water.

I won't tell you what happened then...
I lost control, and so did my companions:
I remember four tongues blaring out loud
ranting like cart drivers.

When all this was fading
and our temper was returning
"Don't worry, he'll hitchhike,"
said Domingo determinedly.

But with the "looks they were giving us,"
one with a beard and the other a soldier
the other two covered in grease up to their necks
who the hell was going to stop us!
But around four in the morning
a straggler stopped when he saw the soldier.

But when he saw the "company,"
he hurriedly wanted to back out
"Don't be afraid, they're trustworthy,"
exclaimed Pepucho with great serenity.

With persistence, he managed to convince him
to let the four of us get on,
because, although it was hard for him to believe,
we weren't quinquis or lowlifes. And if he wanted to know the whole mess,
I promised him I wouldn't lie.

Everything is very superficial
because the story isn't easy to tell
because these things "have to be" seen, you have to experience them!
and that's when you can have an opinio

Incidente a medianoche (Feat. Hugo Iglesias Olmos)

This was originally an instrumental track and featured on my album 'Cosmic Waves'. I decided to produce a vocal version and put the original audio into Suno. I made poor Suno produce about twenty versions, all based 100% on the original audio. The only words I put in initially were 'Free Free Free'. Eventually I chose three versions, from which I could take sections to add to the original audio and then wrote some lyrics. I went through a similar process as before and found two or three sections I felt I could use effectively. I then recorded my vocals, mixed the Suno sections with the original audio in LogicPro and this is the version you have before you! I'm pretty pleased with the result so I hope you like it too! The lyrics are below.

Free 

As free as the air
light as breath
surrounds us
unshackled 

As free as the wind,
slipping through valleys
blowing over fields
untamed and unruly

As free as the ocean,
horizon-bound,
restless and infinite
its tides knowing no master

As free as the sun on a summer’s day,
glorious and golden,
spilling warmth with abandon,
answering only to its own rising

As free as a leaf in the wind
tumbling swirling,
destination unknown
answering to nothing but motion

As free as a mountain bird
wings stretched wide
soaring past ridgelines
never knowing a cage
never knowing a cage

Freedom spoken
freedom won
freedom 

Freedom spoken
freedom won
freedom 

Freedom spoken
freedom sung
freedom

Lyrics by Phil Hawker

Free

Un temps ou il ne faisait pas bon être différent, ou manquer de foi. 
paroles:
On dit qu'il est né, dans le sombre d'un puits,
Qu'il aimait le feu, comme on aime la vie.
On dit qu'il vivait de vols et de larcins,
D'autres modérés, le devinaient malin.
Jusqu'au jour ou vint, l'envie de voir en lui,
Sorcier confirmé, bien plus qu'un apprenti.
Qui courait la lande aux herbes mystérieuses,
Chantant à tue tête, d'une voix pleureuse.

Moi je sais pas lire, moi je sais pas écrire,
Mais je sais les routes qui tracent votre avenir.
Moi je sais pas lire, mais je suis bienheureux,
Car je sais le fluide qui enlève le feu,
Et j 'ai vu l'hiver descendre à la rivière,
Il ressemble à vos terres.

Est ce par vengeance, ou pour se protéger,
Qu'ils ont décidé de brûler le sorcier.
Sur la place sombre bucher lui fut dressé,
Puis il apparut sous les regards inquiets.
Lui n'aura de cesse de chanter son bonheur,
Même quand les flammes ont grignoté son coeur.
Ce temps là n'est plus, mais laisse une question,
Exclusion n'est elle, forme d'inquisition?

Moi je sais pas lire, moi je sais pas écrire,
Mais je sais les routes qui tracent votre avenir.
Moi je sais pas lire, mais je suis bienheureux,
Car je sais le fluide qui enlève le feu,
Et j 'ai vu l'hiver descendre à la rivière,
Il ressemble à vos terres.

On ne sait pourquoi,
Depuis ce jour là,
Une voix s'élève,
Venue d'autrefois.

Le feu est ma maison,
Il détruira vos terres.
Le feu est ma raison,
Vous connaitrez l'enfer.
Ah, ah , ah.

Christian PERUTI
auteur, compositeur, interprète

A time when it was not good to be different, or to lack faith.

Words:

 They say he was born in the darkness of a well,
 That he loved fire, as one loves life. 
They say he lived off thefts and petty crimes,
 Others, more moderate, guessed him to be clever.
 Until the day came, the desire to see within him,
 Confirmed sorcerer, much more than an apprentice.
 Who ran through the moor with mysterious herbs,
 Singing at the top of his lungs, with a weeping voice.

I can't read, I can't write,
 But I know the roads that trace your future.
 I can't read, but I am happy,
 Because I know the fluid that extinguishes the fire,
 And I have seen winter descend to the river,
 It looks like your lands.

Is it out of vengeance, or to protect themselves,
 that they decided to burn the sorcerer? 
In the dark square, a pyre was set up for him,
 then he appeared under anxious eyes.
 He will never cease to sing his happiness,
 even when the flames have gnawed at his heart. 
That time is no more, but it leaves a question: 
is exclusion not a form of inquisition?

I can't read, I can't write,
 But I know the roads that trace your future.
 I can't read, but I am happy,
 Because I know the fluid that extinguishes the fire,
 And I have seen winter descend to the river,
 It looks like your lands.

We do not know why,
Since that day,
A voice rises,
From times long past.
Fire is my home,
It will destroy your lands.
Fire is my reason,
You will know hell.
Ah, ah, ah.

Christian PERUTI
author, composer, performer

L'inquisition

Album - Movimiento (2025)

Play in Youtube:
https://www.youtube.com/watch?v=VVoMUAqJwX4
Apple Music: https://music.apple.com/ar/artist/tomas-peiretti/1829015919
Instagram: www.instagram.com/tgpeiretti/

La Constancia

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

VIVENCIAS

Juan Fco. Bueno