Here's the final version for Feeling, hard to keep up with The Cyanist's talents, but I am happy with the changes made! :)

Feeling

Gavin Luke: https://soundcloud.com/gavin-luke
João Pedro - https://soundcloud.com/jprecordsreposting

When Sun Meets Moon

Alive

Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/riete
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/riete-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/riete-version-original-ver-texto

RÍETE

Te crees situada en el cenit de tu vida
y estás sin darte cuenta que el suelo es de papel
que de un momento a otro te puedes ver vendida
por el sutil pavimento que hay bajo tus pies.

El orgullo no te cabe dentro de tu cuerpo 
al ver que enamoras a los hombres por doquier
y te ríes sin piedad de todo aquel ingenuo
que aspira a tu amor sin ser ni siquiera marqués.

Estribillo

¡Ríete, ríete, ríete!
ahora que está tu suerte
mirando con buena cara
pues quién sabe si mañana
puede ensañarse contigo
y alterar tu fiel destino.

¡Ríete, ríete, ríete!
se nota que te diviertes
tu rostro es como una fiesta
que, aunque crees que es eterna, 
llega el momento en que acaba
y después sólo hay resaca.

----------------------

Te crees rodeada de gente que te admira
y no es más que el producto de tu imaginación
en tu pedantería te sientes Afrodita
sobre un sillón que has tallado en pompa y presunción.

Tu ceguera no te deja ver la luz del día
y estás en un mundo de ilusiones irreal
del que puedes despertar con solo una caricia
que te enseñe a conjugar el real verbo amar.

Estribillo

LAUGH

You think you're at the zenith of your life
and you don't realize that the ground is made of paper
that at any moment you could find yourself sold
by the thin pavement beneath your feet.

Your pride overwhelms you
when you see that you charm men everywhere
and you laugh mercilessly at every naive person
who aspires to your love without even being a marquis.

Chorus

Laugh, laugh, laugh!
now that your luck is
looking bright
because who knows if tomorrow
it might turn on you
and alter your faithful destiny.

Laugh, laugh, laugh!
it's obvious you're having fun
your face is like a party
that, although you think it lasts forever,
the moment comes when it ends
and afterward there's only a hangover.

----------------------

You think you're surrounded by people who admire you,
but it's nothing more than a figment of your imagination.
In your pedantry, you feel like Aphrodite
on an armchair you've carved with pomp and presumption.

Your blindness prevents you from seeing the light of day,
and you're in an unreal world of illusions
from which you can awaken with just a caress
that teaches you how to conjugate the real verb "to love."

Chorus

RÍETE

the act that never ends

end of day

Dies Irae — "The Day of Wrath" — draws its name and inspiration from the iconic medieval Latin hymn that envisions the Last Judgment: a cataclysmic reckoning where the trumpet sounds, the dead rise, and every soul stands trial before an all-powerful Judge. Traditionally sung at Catholic Requiem Masses, this ancient text has haunted Western music and imagination for centuries, inspiring giants like Mozart and Verdi to transform it into timeless works of art.

This reinterpretation takes a more critical and personal path. Rather than presenting the full, fire-and-brimstone narrative, the track distills the original into select verses — fragments that echo through the music like distant voices from a troubled past. The piece challenges the deeply rooted notion of God as a merciless arbiter, replacing fear with reflection. In doing so, it questions how such doctrines have shaped our inner world — replacing love with dread, grace with guilt.

The composition opens and closes with solemn church organ passages, framing the piece like the arches of a ruined cathedral. The final organ reprise, however, carries a subtle shift — a glimmer of hope, as if the weight of centuries-old judgment might finally give way to something more compassionate.

-------------------------------------------------------------------

DIES IRAE 

Dies irae, dies illa
Solvet sæclum in favilla.

Quantus tremor est futurus
Quando iudex est venturus.

Liber scriptus proferetur,
in quo totum continetur.

Iudex ergo cum sedebit,
quidquid latet apparebit.

(The day of wrath, that day,
will dissolve the world in ashes.

How great will be the quaking,
when the Judge is about to come!

The written book will be brought forth,
in which all is contained.

When therefore the Judge will sit,
whatever lies hidden, will appear.)

Horror Sacri

Dies Irae

heartbreak season

Come along on a journey through the American South, following a lone wanderer with his guitar as his only friend.

Ghost of a Good Woman

“Tome of Stars” is a 100 sonnet journey, equal parts art, therapy journal, and exorcism, both a celebration and an elegy, a single narrative arc tracing the birth and death of a relationship. All poetry by Stargazer. The verse and accompanying synthetic art and music are public domain, CC0, with no restrictions on use. Nothing is monetized. See below for links on how to access the print, PDF, audio, ePub, video, and music files. Website: tomeofstars.net

The opening section of “Tome of Stars”, titled “Item 1: Anthesis”, comprises 21 poems that chronicle the emergence and flowering of a romantic relationship, structured around the botanical metaphor of anthesis, the period during which a flower blooms. 

“Kiss” closely mirrors "Synesthesia", more directly interrogating in verse the inadequacy of verse, considering the failure of poetic and lyrical traditions to adequately capture the transformative and overwhelming experience of the beloved. This time it is not her "twilight tapestry of hair", but the transformative experience of her kiss. The poem critiques conventional artistic attempts such as sonnets, ballads, and drama for being hollow or misguided when compared to the profound, lived experience of a single moment of physical intimacy. As with "Synesthesia", this sonnet layers multiple sensory registers, but it does so with a more pointed frustration at artistic insufficiency. The central kiss is presented as both a carnal and a metaphysical event that reorders perception and collapses distinctions between body, cosmos, and spirit. In the end, the poet is left speechless, gesturing only at an unnamed heaven born from this act.

***********
Lyrics

Dry husks of sonnets stutter vapid rhyme,
While honeyed ballads drone discord undue.
Blind actors fumble gestures meant sublime,
Insult a touch that makes one soul of two.

I’ve swilled renewal in spring’s blossomed breeze,
Smelled the sauce of summer on my tongue,
Caressed steamed symphonies of winter’s seas,
Heard achings of prismatic pelts fall flung.

But brush your lips? Remake creation’s face.
To breathe your breath transforms my faculties:
Your spice, the cosmic essence soused with taste,
My mouth bewitched with flavor, passion teased.

Our bond transcends the starsong gods enflamed—
A heaven birthed for which I know no name. 

***********

Internet Archive
Book of sonnets:
https://archive.org/details/tome-of-stars/

Music:
Item 1, Anthesis: https://archive.org/details/Anthesis/
Item 2, Senescence: https://archive.org/details/senescence_tomeofstars
Item 3, Sporogenesis: https://archive.org/details/Sporogenesis_TomeOfStars/
Item 4, Anemochory: https://archive.org/details/Anemochory_TomeOfStars
Item 5, Quixotosis: https://archive.org/details/Quixotosis_TomeOfStars
Item 6, Scripture: https://archive.org/details/Scripture_TomeOfStars

Bandcamp:

Item 1, Anthesis: https://stargazer-elentirmo.bandcamp.com/album/anthesis-item-1-of-tome-of-stars
Item 2, Senescence: https://stargazer-elentirmo.bandcamp.com/album/senescence-item-2-of-tome-of-stars
Item 3, Sporogenesis: https://stargazer-elentirmo.bandcamp.com/album/sporogenesis-item-3-of-tome-of-stars
Item 4, Anemochory: https://stargazer-elentirmo.bandcamp.com/album/anemochory-item-4-of-tome-of-stars
Item 5, Quixotosis: https://stargazer-elentirmo.bandcamp.com/album/quixotosis-item-5-of-tome-of-stars
Item 6, Scripture: https://stargazer-elentirmo.bandcamp.com/album/scripture-item-6-of-tome-of-stars

Kiss

Theme: Political corruption and greed.
Angular, rhythmically complex prog piece — guitars stabbing like accusations.
Lyrically addresses leaders who build empires of lies while the planet burns beneath their feet.
Emotion: Rage and betrayal.


The Architects of Nothing

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

RÍETE

Juan Fco. Bueno