Yeah, like that. A good sound , kind of jazzy too. I need to look up a translation. You are obviously on the edge between discordant and tuneful at times but you seem to be doing that deliberately. Interesting.

Dig this relaxed vibe you got going on here

The hook makes this track really memorable

Into the Abyss (2025) – Calling out fake friends
At some point in life, we all come across fake friends, who pretend to care and drag you into the abyss. The lyrics channel the raw frustration of being used, betrayed and misled. "Into The Abyss" is a cathartic scream for justice, a metalcore song that pulls no punches, when it comes to calling out toxic people.

Nadine de Macedo: composition, arrangement, lyrics, screams, synthesizer, programming, production
Thomas Utzel: composition, synthesizer
Daniel Hiatt: vocals, guitars, lead guitar

Where to find us:
https://soundcloud.com/nadinedemacedo
https://soundcloud.com/dshiatt

Into the Abyss

Into the Abyss (feat. Daniel Hiatt)

This is the fourth track off There to here (Part 3)
"Rivers flow by” is a reflective journey through time, memory, and resilience—told through the gentle pull of water and the rhythm of change. With lyrics that echo like ripples on a quiet stream, Phil Bowen blends soulful storytelling with natural imagery to explore how life moves forward, even when we’re standing still.
Music and lyrics: Phil Bowen 
Vocals, guitars and keyboards: Phil Bowen

There to here  Pt. 3

Rivers flow by

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/guitarra-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/guitarra-dedicada-al-maestro-jesus-flores-ver-texto

GUITARRA

No sé bien cuándo fue
ni cómo ni dónde
nos vimos por primera vez
pero sí que recuerdo, 
siendo niño en el pueblo,
te miraba fijamente
y después de poseerte
mis dedos bajaban y subían
por tus cuerdas que, al tañirlas,
volaban los sonidos
que para mis oídos
eran como música celestial.

Guitarra, fuiste para mí
como un guardián que me resguardó
del miedo que me impedía dormir
en la penumbra de mi habitación.

Guitarra, fuiste para mí
como la hermana que me faltó:
tu compañía me hizo sentir
la sensación de que siempre existió.

Hoy un hombre ya soy
y nada ha cambiado
porque eres mi don y razón:
el azar quiso un día
que entraras en mi vida
para ser, hoy como ayer, mi pasión.

Guitarra, tú eres para mí
como el mejor cuerpo de mujer:
con tu presencia me haces feliz
con tus canciones me das el placer.

Guitarra, tú eres para mi
lo que de niño mi madre fue
lo que hoy en día me anima a vivir
y me prepara para mi vejez.

GUITAR

I don't know exactly when,
or how, or where
we first met,
but I do remember,
as a child in the village,
I gazed at you fixedly,
and after possessing you,
my fingers would go up and down
your strings, which, when I strummed them,
blew forth sounds
that, to my ears,
were like heavenly music.

Guitar, you were to me
like a guardian who protected me
from the fear that kept me from sleeping
in the darkness of my room.

Guitar, you were to me
like the sister I was missing:
your company made me feel
the sensation that you always existed.

Today I am a man,
and nothing has changed,
because you are my gift and reason:
chance willed one day
that you came into my life
to be, today as yesterday, my passion.

Guitar, you are to me
like the best body of a woman:
with your presence you make me happy,
with your songs you give me pleasure.

Guitar, you are to me
what my mother was as a child,
what today encourages me to live
and prepares me for my old age.

Guitarra (dedicada al maestro Jesús Flores Guitarrista)

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/por-un-beso-tuyo-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/por-un-beso-tuyo-version-original-ver-texto
Para escuchar la versión con Dazz Deva   https://soundcloud.com/juan-fco-bueno/por-un-beso-tuyo

POR UN BESO TUYO

Me siento como una fiera
al verte huyendo de mí
no me permites siquiera
sentarme cerca de ti.

Me tachas de pegajoso
porque te quiero besar
y que es el mío un acoso
que no puedes soportar.

Simplemente te diré
que el amor es otra cosa
que el fantasma del ayer
pesa en ti como una losa.

Estribillo

Por un beso tuyo
por tenerte cerca
por abrir la puerta
de tu corazón
detendría el mundo
mataría el miedo
besaría el cielo
por su comprensión.

Por un beso tuyo,
ese que aún no has dado
porque lo has guardado
muy dentro de ti,
abriría un surco
en mi pensamiento,
sembraría aliento
para proseguir.

----------------

Me acusas de teatrero
de  despreciar la moral
de anidar en mi cerebro
el gran pecado mortal

Simplemente te diré
que no soy un perturbado:
mi único pecado es...
es quererte demasiado.

Estribillo

FOR A KISS FROM YOU

I feel like a beast
seeing you running away from me
you won't even let me
sit near you.

You call me clingy
because I want to kiss you
and that mine is a harassment
you can't bear.

I'll simply tell you
that love is something else
but the ghost of yesterday
weighs on you like a stone.

Chorus

For a kiss from you
to have you near
to open the door
to your heart
I would stop the world
I would kill fear
I would kiss the sky
for its understanding.

For a kiss from you,
the one you haven't given yet
because you've kept it
deep inside you,
it would open a furrow
in my thoughts,
it would sow encouragement
to continue.

----------------

You accuse me of being theatrical
of scorning morality
of harboring in my brain
the great mortal sin

I'll simply tell you
that I'm not a lunatic:
my only sin is...
is loving you too much.

Chorus

Por un beso tuyo

the piece  is almost polyrhythmic 
uses as a riff a 7-note rhythmic pattern x-x-xx-x-x-x taken from african drums
this gives 3 bars of 4 which seems assymetric when repeated
deep in the mix there is also the pulse of 4 bars of 3

seven on twelve

Sigma

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/te-olvide-version-original-ver-texto

Te olvidé 

Yo pensaba que me amabas,
nunca vi que me engañabas.
Quizás porque te quería,
como hoy ya no podría.

Por un tiempo fui sin rumbo,
sin sosiego ni un segundo.
La herida ya no sangraba
pero el daño no amainaba.

Estribillo

Todo aquello terminó,
te marchaste y me olvidé.
Fue muy duro lo sé bien
pero el sol ya apareció.
-----------------

Hoy mi vida sigue andando,
ya no vivo en el pasado.
Lo que duele se disuelve
y el amor ya no me muerde.

Estribillo

I forgot you

I thought you loved me,
I never saw that you were cheating on me.
Maybe because I loved you,
like I couldn't today.

For a while I was aimless,
without a second's rest.

The wound no longer bled,
but the damage didn't subside.

Chorus

All that ended,
you left, and I forgot.

It was very hard, I know,
but the sun has risen.
-----------------

Today my life goes on,
I no longer live in the past.
What hurts dissolves,
and love no longer bites me.

Chorus

Te olvidé

What They Deserve .wav

En la catedral

Voy entrando por la Puerta del Perdón
y mis ojos buscan el gran rosetón
pues sé que me asombrará.

Piedra y silencio con un haz de luz
pausa que invita a reflexionar
y el tiempo se la quiere tomar.

Estribillo

Dejo afuera el bullicio
que se convierte en suplicio
cuando no se puede controlar.

Dentro encuentro la calma
que acaricia mi alma
y que me da infinita paz.

-----------------------

El sol poco a poco deja de alumbrar
dando un destello como celestial
no viene de un dios... es algo igual.

Estribillo

In the cathedral

I enter through the Gate of Forgiveness
and my eyes search for the great rose window
because I know it will amaze me.

Stone and silence with a beam of light
a pause that invites reflection
and time wants to take it.

Chorus

I leave outside the bustle
that becomes torture
when it can't be controlled.

Inside I find the calm
that caresses my soul
and gives me infinite peace.

-----------------------

The sun slowly stops shining
giving off a celestial flash
it doesn't come from a god... it's something similar.

Chorus

En la catedral

Rapture is a new collaboration between the Beating Edge and Joe Stroffolino, following the awesome 'Asteroids (The Original Was Better) (https://soundcloud.com/beatingedge/asteroids-the-original-was). Joe wrote both the lyrics and the original music, while the Beating Edge rearranged and recorded it in a punchy rock style, adding driving guitars, strong rhythm, and dynamic choruses. Vocals feature Tom on lead, with Joe and Mary contributing both backing vocals and lead parts on certain verses and the bridge, creating a layered and energetic vocal texture.
The song explores the absurdity and irony of doomsday prophecies, the obsession with the rapture, and the endless cycle of believers and false prophets. It blends satirical storytelling with a critical eye on human behavior, delivering a mix of humor, intensity, and thought-provoking commentary through energetic rock arrangements.
Rapture is a track that engages both the mind and the ears, combining narrative, power, and fun in equal measure.
Copyright 2025 Joe Stroffolino & The Beating Edge

Lyrics:

These prophets who say the world's gonna end and they set a specific date
And then when it doesn't happen, their followers still think they're great
The sun rises the next morning and people stumble out of bed
Disappointed that the rapture didn't happen and they're still alive instead of dead

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

They claim they have a direct line to God but there was a glitch in the connection
But now they're certain of the expiration date so they issue a correction
The shepherd guides the flock and tries to keep them safe from harm
But how many times can you cry wolf before people ignore your alarm

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

Who cares about the environment if you think the world is gonna end
And you're convinced the second coming is right around the bend
So drill baby drill and chop down all the plants and trees
No need to spend money on curing terrible disease

In every generation throughout history, people were certain that the rapture would come
And they had followers willing to believe them as they fed them each a tiny crumb
In baseball you only get three strikes and then the umpire says you're out
But when it comes to doomsday prophecies, the true believers have no doubt

All these people going through the motions, trying to deal with the daily grind
Hoping the rapture comes soon and they're not the ones who are left behind

Rapture

Composed, performed, arranged, recorded, and produced by nNIMAa.

Mirage

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Por un beso tuyo

Juan Fco. Bueno

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