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¡Qué historia más bonita y qué bien resuelta!

¡Pobrecito: cuánto tuvo que sufrir! ¿Basado en hechos reales?

hermosa letra....... gran trabajo en la acapela,en la harmonia de la voz 💯💯💯👍👍👍

buen trabajo Juan,a veces la vida nos pone una dura prueba, pero cuándo salimos dé ella nos fortalecemos, aunque hay veces que no soportamos ésa prueba,y más cuándo es la partida dé nuestra madre...bien hecho Juan excelente trabajó, dé una excelente letra y muy bien cantada e interpretada, felicidades 💯💯💯

You'd walk past it
Most do
Paint chipped like bad decisions
One leg shorter than it used to be
Still, it waits
Under that half-dead tree

Enters girl, maybe seventeen?
Big sunglasses, bigger bubble tea
and a mop of joy named Pickle
Yes, she named the dog Pickle

She sits, cross-legged, like a question mark
tells Pickle he's a star
Snaps twenty-five angles
of one floppy ear and one historic bench

Caption?
"Look who found the philosopher's throne
😊😊😂❤️
#deepbarkthoughts"

Pickle pees on the tree
Bench approves
Tree does not comment

Then: a man and a woman
The date
They bring mulled wine in a thermos
Sit sideways, legs tangled like headphones in a drawer
He says something about stars
She says something about Lady Gaga
They kiss somewhere in the middle

A busker walks by singing Wonderwall
They tip him a sandwich and a smile
Bench approves
God of music sighs

Third act: Old man
Corduroy jacket in summer
Hands folded like quiet apologies

He doesn't speak
Doesn't blink much either
Just feeds pigeons one crumb at a time
like each one is a password to another day

He might be waiting
Or forgetting
Or remembering wrong on purpose

Bench knows his name
And age
And weight
And history
Doesn't say it out loud
Not polite

Pickle runs past again
He is twice as large now
The couple, now maybe married, maybe not, walk by
With a stroller

The old man doesn't come anymore
The bench doesn't judge
It just
Is there

The Bench

The Alchemist

Start Her Up

A 90s new man called Stan - In a 60s phone booth

Tout m'est merveille - Remix

Suppressed historical facts about the Neckar region:
In addition to southern Hessen and the Franconian region, Baden and northern Württemberg are also among the regions in which there were documented attacks on humans by frogs, salamanders and toads between the end of the 15th century and the 1530s. In the villages of Neckarzimmern, Haßmersheim and Neckarmühlbach alone, there were 21 attacks in 1524, resulting in a total of thirteen deaths among the inhabitants, seven of whom were children of kindergarten or primary school age.
In 1531, the town chronicle of Eberbach reports of regular hunts by frogs and amphibians with sticks and stones on the inhabitants of Eberbach and Hirschhorn in meadows and marshes in “considerable” numbers, in which there were “again many victims to mourn”.

Remarkably, these facts remained completely unknown for a long time. The reason for this can be cited as the efforts of the local associations, which were tightly run by the National Socialists from 1933 to 1956, to falsify history through book burnings, denial campaigns and deliberate misdirection in order to establish, reinforce and nourish the legend of the Aryan and thus invincible superhuman.

Tadpoles To The Arms
(Derived and reinterpreted from an old forest-pond kindergarten song for tadpoles and little frog and toad children)

Born in a pond
near nowhere
The heir to the throne,
Can you feel his power?

Built up strong.
Just arms and legs must grow.
Crown and scepter will be mine
Gonna bring you harm and pain!

Grow you legs and throw your back
Out the swamp and kiss the sand
Go you pride and go attack
Conquer might and conquer land...

Tadpoles dive deep
Don’t try to compete!
Tadpoles rise steep
Expect no mercy to receive!

Out the swamp and kiss the sand
Grow your legs and throw your back
Conquer might and conquer land
Grow your pride and go attack

Neither as lamb nor wulf
As frog I’ll be your god
King of the puddle
Emperior of the pond

The lurch is at my feet
Even waterlillies pay homage
Crown and scepter are the tools
To rule the universe!

Grow you legs and throw your back
Out the swamp and kiss the sand
Grow you pride and go attack
Conquer might and conquer land...

Tadpoles achieve
tremendous force!
Tadpoles rise steep
Expect no mercy to receive!

Tadpoles, to the arms...

Tadpoles To The Arms

A dreamy reflection on loss and memory, where grief becomes light in the echoes of home.

Echoes of Home

Slow to mid tempo track, written, arranged & produced by John Hardman, performed live by Beats Working who are: John Hardman -lead vocals & lead guitar, Chris Glover - drums & percussion, Lynn John Sheppard - Bass & backing vocals, Dave Rea - rhythm guitar and backing vocals.
A Swamp Music production
(c)(p) Swamp Music (UK) & Swamp Records (UK) for all territories.
Original studio recording on Putting It About album with artwork by Tristan Greatrex.


Putting It About

Achin' Heart live

Achin' Heart live - Beats Working

Submarine

I thought I’d build a submarine to travel deep under the sea
My computer drew some custom blueprints just – for - me
It will have a viewing port below and a periscopic view above
And a captain’s chair in calfskin leather that will fit me like - a – glove

My submarine is sleek and gold a fantastic sight to behold
Passersby who saw it couldn’t help - but – gawk
I put it on my old trailer and hitched it to my new volvo
And headed out for its maiden launch from the public City dock

I’m gonna see this world like I have never seen before
I’m gonna see this world like I have never seen before

I don’t have any deep sea knowledge as I head into the blue
But I have a clever chatbot that can tell me what – to – do
My friends seem somewhat skeptical; they’re clearly jealous I can tell
that none of them has thought of such a great idea too

When I return, if you’re lucky I will tell you all the things I saw
Cuz surely I’ll have stories that will fascinate and awe
Before I go let me tell you one thing you can know
You’ll never see what’s outside if you don’t open up the door

I’m gonna see this world like I have never seen before
I’m gonna be in this world like I have never been before


Submarine

https://soundcloud.com/king-polo-lagen
“King Chaos 1 of 1” is a raw, untouchable anthem produced by CYFR 360, blending heavy-hitting 808s with a futuristic trap energy. This record captures the essence of being one-of-one—unmatched, unreplicated, and unapologetic. The production brings a cybernetic, neon grit that amplifies the commanding flow and chaotic energy, making it clear this track stands in a lane of its own. A statement piece for anyone stepping into their crown, “King Chaos 1 of 1” embodies dominance, individuality, and unstoppable momentum.

I AM WHO I AM

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-original-ver-texto
Para escuchar la versión con MV https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama
Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-voz-dazz-deva-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-instrumental

 AL PREGUNTAR POR MI MAMÁ

Acostado en su cama
no aparta la mirada
del “señor” que está en la cruz
¿quién es él? Solo sabe
que se llevó a su madre
y que se llama Jesús.

Su expresión, que es muy dura,
le roba la dulzura
a su carita infantil
que, a pesar de sus años,
el odio ha dibujado
con un semblante muy hostil.

Señor, al preguntar por mi mamá,
me han dicho que usted se la ha llevado:
que ahora estará en el cielo a su lado
pero que nunca a casa volverá.

Mi mamá era su amiga
pues siempre me decía
que tenía que rezar
y antes de acostarme
y también al levantarme
le tenía que besar.

Pero si ahora no vuelve
yo no sé cómo quiere
que yo le vuelva a rezar
pues no sé cómo hacerlo
¿no ve que soy muy pequeño
y me tienen que ayudar?

Señor, yo creo que puede aceptar
el trato formal que ahora le propongo:
deje volver a mamá, que estoy solo,
y yo le quito los clavos y se va.

Esperó una respuesta
que nunca le fue hecha
y rendido se durmió
después que unas lágrimas
regaran sus mejillas
por la enorme decepción.

WHEN ASKING FOR MY MOTHER

Lying in his bed,
he can't take his gaze
off the "Lord" on the cross.
Who is he? He only knows
that he took his mother
and that his name is Jesus.

His expression, which is very hard,
robs the sweetness
from his childlike face,
which, despite his years,
hate has shaped
with a very hostile countenance.

Sir, when I asked for my mother,
they told me that you have taken her:
that she will now be in heaven by your side
but that she will never return home.

My mother was your friend
because she always told me
that I had to pray
and before going to bed
and also when I got up
I had to kiss you.

But if you don't come back now,
I don't know how you expect
me to pray to you again,
because I don't know how to do it.
Don't you see that I am very small
and you have to help me?

Sir, I think you can accept
the formal deal I'm now proposing:
Let Mom come back, I'm alone,
and I'll take out the nails and you can leave.

He waited for an answer
that was never given
and, exhausted, he fell asleep
after a few tears
flowed down his cheeks
out of sheer disappointment.

Al preguntar por mi mamá AC

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Al preguntar por mi mamá AC

Juan Fco. Bueno

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