This track creates a great atmosphere and vibe

This piece opens with a gentle warmth, its harmonies flowing like a serene stream under soft light. Rooted in A-flat major, it delicately balances serenity and quiet strength, with each phrase thoughtfully shaped to evoke introspection.

The tender yet purposeful melody weaves seamlessly through a subtle accompaniment, creating moments of poignant stillness and heartfelt resolution. Embracing simplicity, the composition allows the emotional depth of each note to shine, while gentle modulations trace a narrative of reflection and quiet hope.

Co-producer: Blaž Pavšič
Mixed and mastered by @a7-recording-studio (www.a7recordingstudio.com/)

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Prelude in A-flat major

Save Me from Myself

raise a glass to the roar of the city
pouring concrete into your fists
the wind in its tunnels can lift the
vain & the hungry, the gentle, the gritty
who fall for its kiss

escape the humdrum
come play & be someone
your portrait in hectic
dreams sizzle electrically
word is out on the street
prayer's crowding the basements
sea of prodigal faces
rocked by shuffling feet

raise your mast for the squall of the city
swelling circuits of angular mist
the trains in its bowels can fit the
homeless & hopeful, the heartless, the needy
who pay for its kiss
(pay down the rent on its kiss)

complete the long-drawn
defeat of your hometown
the traffic caresses
all six of your senses
you breathe
the mass of the steeply
stacked office spaces
they brace for renaissance
lives will bend to their beat!

think fast on the clock of the city
crack some skulls for the room to exist
don't wait for its edges to nip the
grapes that you came for
only grow in the city
and drink from its kiss

Support Gom

Roar of the City

Confidential

Every Long Night (Maxter)

Neon Graffiti

Emotional hard rock ballad with increasing intensity

Shatterproof

Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-ac
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-original-ver-texto
Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-voz-dazz-deva-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-instrumental

AL PREGUNTAR POR MI MAMÁ

Acostado en su cama
no aparta la mirada
del “señor” que está en la cruz
¿quién es él? Solo sabe
que se llevó a su madre
y que se llama Jesús.

Su expresión, que es muy dura,
le roba la dulzura
a su carita infantil
que, a pesar de sus años,
el odio ha dibujado
con un semblante muy hostil.

Señor, al preguntar por mi mamá,
me han dicho que usted se la ha llevado:
que ahora estará en el cielo a su lado
pero que nunca a casa volverá.

Mi mamá era su amiga
pues siempre me decía
que tenía que rezar
y antes de acostarme
y también al levantarme
le tenía que besar.

Pero si ahora no vuelve
yo no sé cómo quiere
que yo le vuelva a rezar
pues no sé cómo hacerlo
¿no ve que soy muy pequeño
y me tienen que ayudar?

Señor, yo creo que puede aceptar
el trato formal que ahora le propongo:
deje volver a mamá, que estoy solo,
y yo le quito los clavos y se va.

Esperó una respuesta
que nunca le fue hecha
y rendido se  durmió
después que unas lágrimas
regaran sus mejillas 
por la enorme decepción.

WHEN ASKING FOR MY MOTHER

Lying in his bed,
he can't take his gaze
off the "Lord" on the cross.
Who is he? He only knows
that he took his mother
and that his name is Jesus.

His expression, which is very hard,
robs the sweetness
from his childlike face,
which, despite his years,
hate has shaped
with a very hostile countenance.

Sir, when I asked for my mother,
they told me that you have taken her:
that she will now be in heaven by your side
but that she will never return home.

My mother was your friend
because she always told me
that I had to pray
and before going to bed
and also when I got up
I had to kiss you.

But if you don't come back now,
I don't know how you expect
me to pray to you again,
because I don't know how to do it.
Don't you see that I am very small
and you have to help me?

Sir, I think you can accept
the formal deal I'm now proposing:
Let Mom come back, I'm alone,
and I'll take out the nails and you can leave.

He waited for an answer
that was never given
and, exhausted, he fell asleep
after a few tears
flowed down his cheeks
out of sheer disappointment.

Al preguntar por mi mamá

Thanks to my friend Chris for shredding on this track

Track construction - Combstead
lead guitar - Chris
mix - Combstead / Chris
mastered - Chris
artwork - Chris

Voice of reason - feat. Chris

"A little bit of alright" was a phrase that I wrote in my notebook a long time ago. I had no idea what to do with it but I kinda liked the phrase and thought there might be a song in there somewhere.  That was a few years back.  More recently the phrase "nothing's truly black, nothing's black as all that" occurred to me in an unrelated context.  Once they two phrases found their way to the same piece of paper this song popped out.   No deep meaning, just a, hopefully, catchy tune.

Lyrics:
Nothing’s truly black, nothing black as all that.  You can aways find a touch of gray.  
It’s really not so much, just he tiniest touch. Hard to see but it’s always that way,
No matter how dark, and it can get very dark, the stars still find their way through
No matter how old and dreary the story, if you listen you might find something new

There’s a little bit of Alright
Nothing’s ever really that bad
After  midnight on a dark night
There's still a little bit of light to be had       

When you feel low and you swear that you don’t know why you should be feeling like this
It’s probably just the blues but you keep looking for clues you’re sure there must be something you missed
Why don’t you take a moment maybe more than a moment - give yourself a chance to think it all through
No doubt you can cope  you got good reason to hope - that somehow you’ll figure out  what to  do.

There’s a little bit of Alright
Nothing’s ever really that bad
When you’re freezing on a cold night
There's still a little bit of heat to be had       


If you wake into sadness in the middle of your darkest night
Remember that even in the sadness you can find a little bit of alright


If you you’re feeling shy just trying to get by, you’re feeling kinda lonesome and alone 
Feeling pretty flat don’t know what to do ‘bout that. There’s no point of even leaving your home
Maybe think again take a moment count to ten how long since you have been anywhere?
You could get out and meet someone, try your hand at having fun - you’ll find that there's alright everywhere

There’s a little bit of Alright
Nothing’s ever really that bad
When you’re freezing on a cold night
There's still a little bit of heat to be had       

There’s a little bit of Alright
Seems to me it’s always around
Feeling lonely on a hard night
There’s still a little bit of love  to be found       

There’s a little bit of Alright
Seems to me it’s always around
Feeling lonely on a hard night
There’s still a little bit of love  to be found       

A Little Bit of Alright

Tout m'est merveille - Remix

Twenty-two firefighters graduate from Massachusetts Firefighting Academy's 50-day program, ready to protect communities across the state. 


(Verse 1)
From the hills of the Berkshires to the Cape's wide sand,
They came with a promise and a steady hand.
Fifty days of learning, through smoke and flame,
Now they stand together, with honor to their name.

(Chorus)
Raise your helmets high, the sirens call again,
Fifty days of fire and rain.
For every town and street, they'll face the pain,
These sons and daughters of flame.

(Verse 2)
Early in the morning, when the sky turns red,
They remember each lesson, every word that was said.
From ladders and hoses to courage untold,
They're the ones we'll turn to when the night grows cold.

(Chorus)
Raise your helmets high, the sirens call again,
Fifty days of fire and rain.
For every town and street, they'll face the pain,
These sons and daughters of flame.

(Bridge)
From Springfield's brick to Boston's bay,
They'll guard the homes where children play.
Not for fortune, not for fame,
But for duty's everlasting flame.

(Verse 3)
Now the bell is ringing, the doors swing wide,
Twenty-two hearts stand side by side.
The smoke may rise, but the light remains,
Born of fire, and bound by chains.

(Chorus)
Raise your helmets high, the sirens call again,
Fifty days of fire and rain.
For every town and street, they'll face the pain,
These sons and daughters of flame.

(Outro)
So here's to the ones who answer the call,
Who'll stand for us when the embers fall.
Massachusetts brave and true,
Tonight we sing for you.

Fifty Days of Fire and Rain

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Al preguntar por mi mamá

Juan Fco. Bueno

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