Ideoto

"Venom in My Halo" is a melodic dark mumble rap trap anthem that dives deep into the duality of human nature — the constant war between light and shadow. With hypnotic melodies, eerie 808s, and introspective lyrics, the track captures the feeling of being snake-like and misunderstood, moving through life with venom in your soul but still carrying good intentions.

The artist paints a picture of internal conflict: soft-hearted but scarred, cold on the surface but battling for peace within. Haunting yet smooth, the track blends ambient production with raw, poetic bars that explore themes of isolation, redemption, and the blurred line between angel and demon. Perfect for late-night drives, emotional spirals, or smoke-filled sessions where the truth hits harder than the beat.



VENOM IN MY HALO

🎵 Title: Pentajazz Vocal Romance (Lounge Bass Piano Jazz Remix)
🎼 Composer: Michael Herter

🕒 Duration: 01:54
🐢 Tempo: Medium
🎻 Genre: Jazz / A cappella / Remix
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video:
📀 Original: https://michaelherter.bandcamp.com/track/lounge-bass-piano-jazz-modern-sophisticated-elegant-intense-soft-acoustic-noir

📝 Description

Fall in love with harmony.

"Pentajazz Vocal Romance" transforms my original lounge-jazz piece "Lounge Bass Piano Jazz" into a sumptuous a cappella experience. 

Listen here:

https://michaelherter.bandcamp.com/track/lounge-bass-piano-jazz-modern-sophisticated-elegant-intense-soft-acoustic-noir

Every instrument gives way to the human voice — rich basslines, percussive beatboxing, and velvety multi-part harmonies merge into an intimate, elegant tapestry of sound.

Whether you’re unwinding at twilight or sharing a quiet moment, this track envelops you in a warm, vocal embrace.

🎼 Key: c-moll | Time Signature: 4/4 | Tempo: Varies bpm

Contains synthetic content, digitally generated.

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

JAZZ and BLUES

Pentajazz Vocal Romance

Hard-hitting riffs and emotive melodies. Separation from Soul is a cathartic, reflective exploration of loss.

Separation from Soul

"Summer Soul" by SENSR is your new go-to for those lazy, hazy days. This track just dropped and it's pure, laid-back instrumental magic. Think golden hour sunshine in audio form, blending smooth, chill-out soul with sunlit synths and head-nodding grooves.
You'll catch mellow, textured melodies riding over easygoing drums, all wrapped up in a sound that feels both nostalgic and fresh.

Summer Soul

Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-ac
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-original-ver-texto
Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-voz-dazz-deva-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-instrumental

AL PREGUNTAR POR MI MAMÁ

Acostado en su cama
no aparta la mirada
del “señor” que está en la cruz
¿quién es él? Solo sabe
que se llevó a su madre
y que se llama Jesús.

Su expresión, que es muy dura,
le roba la dulzura
a su carita infantil
que, a pesar de sus años,
el odio ha dibujado
con un semblante muy hostil.

Señor, al preguntar por mi mamá,
me han dicho que usted se la ha llevado:
que ahora estará en el cielo a su lado
pero que nunca a casa volverá.

Mi mamá era su amiga
pues siempre me decía
que tenía que rezar
y antes de acostarme
y también al levantarme
le tenía que besar.

Pero si ahora no vuelve
yo no sé cómo quiere
que yo le vuelva a rezar
pues no sé cómo hacerlo
¿no ve que soy muy pequeño
y me tienen que ayudar?

Señor, yo creo que puede aceptar
el trato formal que ahora le propongo:
deje volver a mamá, que estoy solo,
y yo le quito los clavos y se va.

Esperó una respuesta
que nunca le fue hecha
y rendido se  durmió
después que unas lágrimas
regaran sus mejillas 
por la enorme decepción.

WHEN ASKING FOR MY MOTHER

Lying in his bed,
he can't take his gaze
off the "Lord" on the cross.
Who is he? He only knows
that he took his mother
and that his name is Jesus.

His expression, which is very hard,
robs the sweetness
from his childlike face,
which, despite his years,
hate has shaped
with a very hostile countenance.

Sir, when I asked for my mother,
they told me that you have taken her:
that she will now be in heaven by your side
but that she will never return home.

My mother was your friend
because she always told me
that I had to pray
and before going to bed
and also when I got up
I had to kiss you.

But if you don't come back now,
I don't know how you expect
me to pray to you again,
because I don't know how to do it.
Don't you see that I am very small
and you have to help me?

Sir, I think you can accept
the formal deal I'm now proposing:
Let Mom come back, I'm alone,
and I'll take out the nails and you can leave.

He waited for an answer
that was never given
and, exhausted, he fell asleep
after a few tears
flowed down his cheeks
out of sheer disappointment.

Al preguntar por mi mamá

Cover art: Letícia Torii

=========================================

A flor que nasceu na calçada
A flor que nasceu na calçada

Hoje eu deitei do outro lado da minha cama
Eu vi a minha vida de outra direção
Todo aquele espaço vazio

O problema não é não se encontrar
O problema é deixar de procurar

Te amar não faz sentido
Assim como o som do vento
O cheiro da chuva
E todo aquele espaço vazio
Todo aquele espaço vazio

Te amar não faz sentido
Assim como as cores do céu
Ao pôr do sol
E a flor que nasceu na calçada
A flor que nasceu na calçada

=========================================

The flower that bloomed on the sidewalk
Today I lay on the other side of my bed
I saw my life from a different angle
All that empty space
The problem isn’t not finding yourself
The problem is giving up the search
Loving you makes no sense
Just like the sound of the wind
The scent of rain
And all that empty space
All that empty space
Loving you makes no sense
Just like the colors of the sky
At sunset
And the flower that bloomed on the sidewalk
The flower that bloomed on the sidewalk
=========================================

A flor que nasceu na calçada


"The only thing that warms up in this kingdom of eternal ice is the celebrations held by the royal court... Not a bad way to warm up."

Brushing the Hoarfrost

Dies Irae — "The Day of Wrath" — draws its name and inspiration from the iconic medieval Latin hymn that envisions the Last Judgment: a cataclysmic reckoning where the trumpet sounds, the dead rise, and every soul stands trial before an all-powerful Judge. Traditionally sung at Catholic Requiem Masses, this ancient text has haunted Western music and imagination for centuries, inspiring giants like Mozart and Verdi to transform it into timeless works of art.

This reinterpretation takes a more critical and personal path. Rather than presenting the full, fire-and-brimstone narrative, the track distills the original into select verses — fragments that echo through the music like distant voices from a troubled past. The piece challenges the deeply rooted notion of God as a merciless arbiter, replacing fear with reflection. In doing so, it questions how such doctrines have shaped our inner world — replacing love with dread, grace with guilt.

The composition opens and closes with solemn church organ passages, framing the piece like the arches of a ruined cathedral. The final organ reprise, however, carries a subtle shift — a glimmer of hope, as if the weight of centuries-old judgment might finally give way to something more compassionate.

-------------------------------------------------------------------

DIES IRAE 

Dies irae, dies illa
Solvet sæclum in favilla.

Quantus tremor est futurus
Quando iudex est venturus.

Liber scriptus proferetur,
in quo totum continetur.

Iudex ergo cum sedebit,
quidquid latet apparebit.

(The day of wrath, that day,
will dissolve the world in ashes.

How great will be the quaking,
when the Judge is about to come!

The written book will be brought forth,
in which all is contained.

When therefore the Judge will sit,
whatever lies hidden, will appear.)

Horror Sacri

Dies Irae

This Wasn’t Music — It Was a Ghost Saying Hello - American Folk Rock

Composed, performed, arranged, recorded, and produced by nNIMAa.

Mirage

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Al preguntar por mi mamá

Juan Fco. Bueno