As I can not understand your songs, I have always to say they have a i positive way all together a special vibe - I like this!

Celebrating the beautifully uncategorizable with 'Special Stuff I Like'! These are the tracks that might not fit neatly into boxes, but they definitely fit here because I love them. A mix of unique finds from different artists and some of my own original pieces that march to their own beat. #NoGenreNoProblem #UniqueTracks #MusicThatSpeaks #EclecticTaste #MySpecialMix

Special Stuff I Like

Non tu n’es pas la fille d’ipanema
Tu n’es pas
Cette Garotta là tu n’es pas 
La fille d’Ipanema
Car comme tu vois
Y a qu’elle qui m'a mis en émoi…  https://open.spotify.com/track/6AX9i0PpQ0Rt3vid3RmiXr?si=586a102cb5d74527

Crime Scene Do Not

Bossa Ipanema

It Might Be Affection

Pour ce troisième titre de Noël du duo MCDC, j’ai voulu explorer encore une fois le genre latin. Cette pièce, un cubaton, se veut un hommage à mes amis cubains Rene Avich Wanton (Renesito), Javier FC Villa  et Lorenzo Sanchez avec qui j’ai appris pendant plus de dix années (en plus de mes élèves en musique) les bases de la musique cubaine. Marie-Christine Tremblay est au vocal comme d’habitude.  J’ai utilisé pour l’interpréter une ‘guitarra tres cubano’ (guitare à trois cordes doublés). François Moisan est à la basse. Les M’s : Marlène Claveau au sax alto, Michel Otis au sax ténor, André Lessard à la trompette et Martin Tremblay au trombone complètent les musiciens. Mixé et masterisé au Studio Septentrio de Jonquière par Martin Larose.  Bonne écoute!

For this third Christmas title by the MCDC duo, I wanted to explore the Latin genre once again. This piece, a cubaton, is intended as a tribute to my Cuban friends Rene Avich Wanton (Renesito), Javier FC Villa and Lorenzo Sanchez with whom I learned the basics of Cuban music for more than ten years (in addition to my music students). Marie-Christine Tremblay is singer as usual.  I used a 'guitarra tres cubano' (three string guitar with double strings) to play it. François Moisan is on bass. Les M’s: Marlène Claveau on alto sax, Michel Otis on tenor sax, André Lessard on trumpet and Martin Tremblay on trombone complete the line-up. Mixed and mastered at Studio Septentrio in Jonquière by Martin Larose.  Good listening!


Feliz Navidad

Feliz Navidad (Ft. MCDC)

This is my lightning rod...
#EpicMusic 
#cinematic

The storm

Paroles et chant de Jean-Paul Gaido-Daniel
Musique de Myckaël Marcovic
Photomontage d'après le tableau Coin de table, d'Henri Fantin-Latour. 1872
Hommage à Léo Ferré qui a rendu lui-même hommage à Paul Verlaine et Arthur Rimbaud.

Ne pleure pas, Léo,
Mon Léo, mon ami
Léo de la passion
Naufragé de la vie,
Tu changes de couleur
Avec Paris Canaille 
Quand tu souffles la vie
Et la folie des hommes

Refrain :
Au musée des tourments
Les copains de la Neuille
Sont toujours de la fête
Quand tu viens nous chanter
Verlaine et puis Rimbaud
Dans un vieux bordel tango
Quand tu viens nous chanter
Rimbaud et puis Verlaine

Ne pleure pas, Léo, 
Va, porté par le vent,
Rejoindre le chagrin
D’amour et de pitiés
Dans tes rêves cachés
Pour ce moment royal
Les poètes maudits
Te saluent tout là-haut
(refrain)

Ne pleure pas, Léo,
Que le temps passe vite
Mais nous, on t’oublie pas
Toi, le messie de l’âme
Arrivé de la nuit
Ami du temps présent
Tu reviendras un jour
Danser sous les étoiles

Refrain :
Au musée des tourments
Les copains de la Neuille
Seront tous de la fête
Quand on verra chanter
Verlaine et puis Rimbaud
Dans un vieux bordel tango
Quand tu viendras chanter
Rimbaud et puis Verlaine
La la la la la la (4X)
Quand on verra chanter
Dans un vieux bordel tango
Quand tu feras danser
Verlaine avec Rimbaud

Tribute to Léo Ferré, the famous French singer who himself paid tribute to Paul Verlaine and Arthur Rimbaud, two great French poets.

Don't cry, Léo,
My Léo, my friend,
Léo of passion,
Shipwrecked by life,
You change color
With Paris Canaille 
When you breathe life
And the madness of men

Chorus:
At the museum of torment,
The friends of La Neuille
Are always partying
When you come to sing us
Verlaine and then Rimbaud
In an old tango brothel
When you come to sing us
Rimbaud and then Verlaine

Don't cry, Léo, 
Go, carried by the wind,
To join the sorrow
Of love and pity
In your hidden dreams
For this royal moment
The cursed poets
Salute you from above
(chorus)

Don't cry, Léo,
Time passes quickly
But we won't forget you
You, the messiah of the soul
Arriving from the night
Friend of the present moment
You will return one day
To dance under the stars

Chorus:
At the museum of torments
The friends of La Neuille
Will all be at the party
When we see singing
Verlaine and then Rimbaud
In an old tango brothel
When you come to sing
Rimbaud and then Verlaine
La la la la la la (4X)
When we see singing
In an old tango brothel
When you make dancing
Verlaine with Rimbaud

Translated with DeepL.com (free version)

Ne pleure pas, Léo

The song "Letim" (“I’m Flying”) is an original composition by members of the Prlek Aeroclub, dedicated to the memory of club members Jože Gajser and Aljaž Caf, who tragically lost their lives 20 years ago in an aviation accident caused by a technical failure of the motorized hang glider on which Jože, as a flight instructor, and Aljaž, as a student, were learning to fly.

The song "Letim" describes the grandeur of flying and the feelings we pilots experience when we are up there, high above everything that burdens and weighs us down on the ground — when we are close to the sun and close to our departed colleagues…

Members of Aerobend:
Davorin Kurbos – guitar and lead vocals
Roman Caf – piano, Hammond organ, backing vocals
Mladen Kosi – accordion
Stanko Pesrl – bass guitar
Anton Kurbos – drums, backing vocals

As a special guest of Aerobend, Eva Pesrl also performed – violin and backing vocals.

Music and lyrics: Davorin Kurbos
Arrangement: Davorin Kurbos and Aerobend
Audio recording, mixing and mastering: A7 Recording Studio, Blaž Pavšič, Slamnjak
Video recording: Provideo – photo, audio and video production, Vinko Lukač, Bakovci

Aerobend - Letim

Original composition……Alejandro Gonzalez M.

Continuus Prelude

Hey beautiful people!🤗
We cooked up a funky instrumental track featuring Valerio absolutely killing it on drums (not that bass and guitar are holding back). It’s called "Sticks of Funk" and we’re dropping it today to celebrate the birthday🎉 of the man who sets the beat, or keeps the groove alive, however you wanna put it.
It’s a bit different from what we usually do, and just a heads-up, the track kicks off with an old vocal sample from a funky song we never finished or released, and yeah... it might make you jump out of your seat the first time you hear it. Totally unintentional, promise.
Hope you dig it, and happy birthday Val!🎂
In the meantime, we’re working on a song inspired by an ’80s classic we recently heard at a live gig, complete with a video! We’ll share it with you in a few days.
If you feel like it, hit us up in the comments! Thanks in advance for the feedback!
At the moment, this track is exclusively available on SoundCloud.
Released on July 13, 2025.
©2025 Beating Edge

Sticks of Funk

Sticks of Funk (Instrumental)

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/incidente-a-medianoche-version-original-ver-texto

INCIDENTE A MEDIANOCHE

Voy a contaros amigos una historia
que sucedió un domingo de febrero
en medio de una noche oscura y fría
que poco a poco calaba hasta los huesos.

El incidente comienza en el pueblo
cuando después de haber pasado el domingo
al lado de la mujer de tus sueños
regresábamos al “tajo” cuatro amigos.

Íbamos felices y contentos
pues nuestro carro corría muy veloz
“te estás portando como un señor”
le decía Octavio que era el conductor.

Pero de pronto en medio del camino
y tras un extraño ruido en el motor
fue perdiendo fuerza nuestro utilitario
y, sin pensarlo, el frenazo de rigor
pues sin duda alguna había sucedido
algo importante y no tenía solución.

Cuando el coche estuvo ya parado
se abrió el capó para ver lo acaecido
vimos que el radiador se había rajado 
y todo el agua habíamos perdido.

Lo que entonces pasó no os lo canto...
perdí el control y también mis compañeros:
recuerdo cuatro lenguas a destajo 
despotricando como unos carreteros.

Cuando todo esto fue menguando
y a nuestro temple volvía el color
“no preocuparse, se hará autostop”  
 afirmó Domingo con determinación.

Pero con las “pintas que nos cantaban”
uno con las barbas y otro de militar
los otros dos hasta el moño manchados de grasa
¡así quién diablos nos iba a parar!
pero allá a las cuatro de la madrugada
un rezagado paró al ver al militar.

Pero cuando vio la “compañía” 
con toda prisa se quiso echar atrás
“no le dé miedo, son de fiar”
exclamó Pepucho con gran serenidad.

Con insistencia logró convencerlo
de que nos dejara a los cuatro subir
pues aunque le resultara difícil creerlo
no éramos quinquis o gente de mal vivir.
Y si todo el lío quería saberlo
le prometía que no le iba a mentir.

Todo está visto muy por encima
porque la historia no es fácil de contar
pues estas cosas “pa” verlas ¡hay que vivirlas!
y entonces es cuando se puede opinar
por más que parezca un relato de risa
aquella noche jamás se nos olvidará.

MIDNIGHT INCIDENT

I'm going to tell you, friends, a story
that happened one Sunday in February
in the middle of a dark and cold night
that slowly chilled to the bone.

The incident begins in the village
when, after spending Sunday
with the woman of your dreams,
four friends were returning to work.

We were happy and content
because our car was going very fast
"You're behaving like a gentleman,"
Octavio, the driver, told her.

But suddenly, in the middle of the road
and after a strange noise from the engine
our car began to lose power
and, without thinking, we slammed on the brakes
because without a doubt something important had happened
and there was no solution.

When the car was finally stopped,
we opened the hood to see what had happened
we saw that the radiator had cracked
and we had lost all the water.

I won't tell you what happened then...
I lost control, and so did my companions:
I remember four tongues blaring out loud
ranting like cart drivers.

When all this was fading
and our temper was returning
"Don't worry, he'll hitchhike,"
said Domingo determinedly.

But with the "looks they were giving us,"
one with a beard and the other a soldier
the other two covered in grease up to their necks
who the hell was going to stop us!
But around four in the morning
a straggler stopped when he saw the soldier.

But when he saw the "company,"
he hurriedly wanted to back out
"Don't be afraid, they're trustworthy,"
exclaimed Pepucho with great serenity.

With persistence, he managed to convince him
to let the four of us get on,
because, although it was hard for him to believe,
we weren't quinquis or lowlifes. And if he wanted to know the whole mess,
I promised him I wouldn't lie.

Everything is very superficial
because the story isn't easy to tell
because these things "have to be" seen, you have to experience them!
and that's when you can have an opinio

Incidente a medianoche (Feat. Hugo Iglesias Olmos)

This track allowed me to express a more Eastern, Buddhist philosophy of Justice.

11. Justice

PEOPLE WANT TO SEE YOU FAIL AT YOUR DREAMS!

BAD WISHES ON ME

Industrial

I feel Love

i feel love (short version)

Le Lavoir

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/guitarra-version-original-ver-texto
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/guitarra-dedicada-al-maestro-jesus-flores-ver-texto

GUITARRA

No sé bien cuándo fue
ni cómo ni dónde
nos vimos por primera vez
pero sí que recuerdo, 
siendo niño en el pueblo,
te miraba fijamente
y después de poseerte
mis dedos bajaban y subían
por tus cuerdas que, al tañirlas,
volaban los sonidos
que para mis oídos
eran como música celestial.

Guitarra, fuiste para mí
como un guardián que me resguardó
del miedo que me impedía dormir
en la penumbra de mi habitación.

Guitarra, fuiste para mí
como la hermana que me faltó:
tu compañía me hizo sentir
la sensación de que siempre existió.

Hoy un hombre ya soy
y nada ha cambiado
porque eres mi don y razón:
el azar quiso un día
que entraras en mi vida
para ser, hoy como ayer, mi pasión.

Guitarra, tú eres para mí
como el mejor cuerpo de mujer:
con tu presencia me haces feliz
con tus canciones me das el placer.

Guitarra, tú eres para mi
lo que de niño mi madre fue
lo que hoy en día me anima a vivir
y me prepara para mi vejez.

GUITAR

I don't know exactly when,
or how, or where
we first met,
but I do remember,
as a child in the village,
I gazed at you fixedly,
and after possessing you,
my fingers would go up and down
your strings, which, when I strummed them,
blew forth sounds
that, to my ears,
were like heavenly music.

Guitar, you were to me
like a guardian who protected me
from the fear that kept me from sleeping
in the darkness of my room.

Guitar, you were to me
like the sister I was missing:
your company made me feel
the sensation that you always existed.

Today I am a man,
and nothing has changed,
because you are my gift and reason:
chance willed one day
that you came into my life
to be, today as yesterday, my passion.

Guitar, you are to me
like the best body of a woman:
with your presence you make me happy,
with your songs you give me pleasure.

Guitar, you are to me
what my mother was as a child,
what today encourages me to live
and prepares me for my old age.

Guitarra (dedicada al maestro Jesús Flores Guitarrista)

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Incidente a medianoche (Feat. Hugo Iglesias Olmos)

Juan Fco. Bueno

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