"A collection of algorithms traversing crunchy texture, accelerated vocal refrains and shimmering melodic tension. Blending rhythmical undercurrents with euphoria and dysphoria.

A five-track sonic exploration of memories forming and their disintegration, the liminal spaces between awake and asleep.

Patterns of code compiled, recompiled, degraded, deleted. Transitory data, snapshots of meaning, even computers are ephemeral."

Music by Lizzie Wilson aka Digital Selves @digitalselves.
Artwork + Mastering by Victor Gybels.
Drawings by Lawrence Mc Guire

v42 // consent

Inside + T R I S T A N

My cover of Gigi D'Agostino's 1999 smashing hit L'amour toujours.
love everything always, peace

l'amour toujours tout (kocham zawsze wszystko)

Marco Colocci (@queimada77) is an Italian producer and sound engineer based in Berlin. Learning how to play the contrabass and music theory has initiated the growth of his interest in the techniques of field recording and sound design, as well as his overall passion for electronic music. After self-releasing music during his teens, and later producing for Taiwanese artist Sabiwa from Chinabot, under the moniker Queimada he now presents a debut record coming out on Gin&Platonic.

Built around a concept proposed by Harvard professor E.O. Wilson, Eremocene depicts a future state of miserable epoch into which human species is slowly but steadily accelerating. Characterized by the existential & material isolation that comes from having calamitously extinguishing other forms of life on Earth while intrepidly fulfilling our immediate needs, the future labeled as The Age of Loneliness sees our identity completely transformed. 
On the record, Queimada explores precisely the conflict between the tempting ease and a pang of unconfessed guilt in an attempt to capture the ironical relationship they epitomize. The album represents an encounter between different techniques of granular synthesis and field recording. The encounter between the unstoppable and destructive, altogether resulting in a disruptive anthem of the intensifying burden of the postmodern times.

Produced by Queimada
Mastered by Wim Dehaen
Artwork by Jiri Macku

Buy via: https://ginandplatonic.bandcamp.com/album/eremocene

https://soundcloud.com/ginandplatonic

Eremocene

Premiere: Queimada - Why U Cry? (ft. Sabiwa)[Gin&Platonic]

Taken from Julek Płoski's album 'śpie', out November 10, 2019 via Gin&Platonic

music video: https://www.youtube.com/watch?v=SHPzfvej-VA

tape & digital: ginandplatonic.bandcamp.com/album/pie

Born in 1998, Warsaw-based Julian Płoski has recently been making noise among the Polish experimental scene. Despite only being 21, he can already boast about taking part in various residencies, performing dozens of gigs including one at last year’s edition of UNSOUND, or founding an ever-fluid label 𝑔𝓁𝒶𝓂𝑜𝓊𝓇. Julek’s critically acclaimed debut album "Tesco" saw him shoplifting field recordings while hunting for discount groceries, then genuinely fusing them with bare elements of contemporary club music or IDM into ominous sound collages. Gin&Platonic is now pleased to present Julek Płoski’s sophomore full lenght - śpie.
On this yet another conceptual record he leads the listener through extensive hypnagogia occurring during onset of sleep, with all of its abrupt deflections one may eventually take while attempting to enjoy a quality rest. Constantly balancing on the edge of vague vigilance and shallow slumber, śpie teases us with stream of hypergrotesque sound scenarios often submitted by hints of deeply internal insecurities, projected through the lens of dreamstate’s very own oddity. The retained fragments of past day's experience crawl in uncontrollably and they immediately provoke wicked imagination of rather obscure situations. As the mood flows unpredictably from nightmarish periods of abrasive kick drums to sweet and serene soundscapes, on "śpie" Julek achieves to connect the wicked with the virtuous, as well as the pleasant with the destructive.

“śpie is an album about can’t wake up and waking up and can’t wake up and non-stop waking up and trying not to wake up and trying to wake up again and again.”

Produced by Julek Płoski
julekploski.bandcamp.com/
@fllat

Mastered by Wim Dehaen
@wimdehaen

Artwork by Jiri Macku
jirimacku.tumblr.com

💤

śpie

Bandcamp

julek ploski - papapapapapapapapppp

@aansgar
Read more: pw-magazine.com/2020/premiere-ansgar-tripping-on-the-dancefloor-felt-like-this

Tripping On The Dancefloor Felt Like This

Premiere: Ånsgar »Tripping On The Dancefloor Felt Like This«

GLITTER ФЕТИШ

Saltrock

Bag of Toys

Wim Dehaen - crs

taken from "Human Sapiens Ep" released by @pointless-geometry:
https://pointless-geometry.bandcamp.com/album/julek-ploski-human-sapiens-ep

when homophobic attacks are a daily thing in your hometown you have to grow a thicker skin, but it’s not enough. derealisation gets stronger while you’re working on your second LP “śpie”, you have to constantly tell yourself “I’m a human” as a form of self-therapy and this sentence just sticks with you every day.
then the feeling of not-existing is induced by the polish political speeches you keep hearing so you make music as ecstatic, as colorful, as fast and as physical as you can, but it’s not enough. you’re still a non-human being so you make this music even faster, samples sharper and kicks louder.
and then you have “Human Sapiens Ep” - the collection of songs that make you feel a bit better and make you feel like a Human Sapiens.

Music by julek ploski
julekploski.pl

Recorded in 2017-2020 Warszawa, Olsztyn

Mastering by Nagy Roland
www.facebook.com/faustomercier

Artwork and design by julek ploski
https://www.instagram.com/julekploski/

Guitar in „My Music” by Natalie Schchepanskye Erotic Pleasure
https://soundcloud.com/szczepcio

Vocal in „My Music” by Skinny Girls
https://enjoylife.bandcamp.com/album/ana-mi-o-w-czasach-postkultury

julek ploski
Born in 1998, Warsaw-based Julian Płoski has recently been making noise among the Polish experimental scene. Despite only being 22, he can already boast about taking part in various residencies, performing dozens of gigs including one at UNSOUND (which described him as being “on the forefront of a new wave of very young electronic music producers in Poland”), or founding an ever-fluid label 𝑔𝓁𝒶𝓂𝑜𝓊𝓇. Julek’s critically acclaimed debut album "Tesco" saw him shoplifting field recordings while hunting for discount groceries, then genuinely fusing them with bare elements of contemporary club music or IDM into ominous, industrial sound collages. The second LP - “śpie” - released in Czech Gin&Platonic led the listener through extensive hypnagogia occurring during the onset of sleep, with all of its abrupt deflections one may eventually take while attempting to enjoy a quality rest. Now, the time has come to reveal “Human Sapiens Ep” - his clubby coming out.

www.facebook.com/ploskipremium
julekploski.bandcamp.com
soundcloud.com/fllat

Intro Pt. "Życie Świata"

still no 5g speeds in sight but there are some other things brightened through the optic cable fibers

Intro Pt. "Życie Świata"

Julek ploski