That steel pan really adds to the melody love the sound!!...amazing track!!

so much greatness happening on this track J!  Layer after layer of love

Music that makes my heart sing. Easy shaking with lovely music is what I like best! Great dubby atmosphere and lovely percussion. I love this tune, great collaboration of all musicians included :)

beautiful reggae collab Julien - thinking of Alphio

wonderful musicianship all round ... the bass line is so catchy

Cool vibe & great sound-nicely played y'all!!! peace&zen

DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !

Shattered Remaining

Like Everybody Else

'Walking Into The Wind' is a mixed genre track.....I can't really say what the mix of genres are though. I have replaced the original post and reworked the end section, which I now think is far more suitable. I can only hope that you agree.

Walking Into The Wind

Always loved Peter, Paul and Mary's version of Bob Dylan's great song.

Blowing In The Wind - Cover by Tony

poderosa colaboração com minha grande amiga @ladyofire <3 em seu quente vocal, fiz a base em clima de Halloween... dope beats and flow

Happy Halloween!🎃

Moon (Halloween) ft. Lady of Fire Poetry

Just played the Bass over it... this nice composition is from DD John ;-)

Collaboration with DDJohn... playin Bass over his "Javelin Spear it" song

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

Riddim: Jon K.T Lindley (soundcloud.com/jon-lindley)
Lyrics, vocals : https://soundcloud.com/arnaud-tranquil
Clarinets : DDJohn (Steph) : https://soundcloud.com/ddjohn

Et Après

Et Après nous, man, que restera-t-il ?
quand nous ne serons plus que des poussières inutiles
bien malgré nous, man, souvenirs futiles
d'une vie souvent rasoir et vécue sur le fil

Deviendrons nous, man, de vieux fossiles ?
quelques mots dans l'histoire oubliée d'une ville
mais ne crois pas , man, que cela est facile, 
quand la vie choisit pour nous des routes si fragiles

Et Après nous, man, que restera-t-il ?

Et Après ....(Arnaud Tranquil) - Riddim from Jon K.T Lindley

Let me present you those awesome musicians who have participated at this Reggae Jam!
Bass: Mirko Borach @soundcloud.com/stringburner
Steel drums: Jamie Rhind @soundcloud.com/jamie-rhind
Clarinet: DD John @soundcloud.com/ddjohn
Djembe: Apha Roots @soundcloud.com/alpha-roots
i played the melodica, the organ solo, rhythm guitar, reggae keyboard bubble and drum programming.

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Composed & performed by https://soundcloud.com/garddwrporffor
Vocals, B3 and some lyric changes by conover
Guitar solo by https://soundcloud.com/afitzsimmons
(Free download)click "more" button above

You wake up in the morning you got nothing to do
You Drink your first coffee of the day
You look at each other you got nothing much to say
But you say something stupid anyway

You look over to the best friend in your life
And wonder if they got something new to say
Sometimes the words we choose ain’t the best we could have used
Everyone has the blues

When your missing your loved ones in the center of your heart………Isolation is nowhere to be
So when this is all over we won’t have to be apart
Till then your here right in my heart

Take each day at a time because all these things must pass
It doesn’t do to look too far ahead
No person is an island we all need someone everyone has the blues

Now I don’t know exactly what road your traveling on and I'm not sure which way is west Girl
Somewhere down the line we gonna have to find more than the blues
We gotta turn this car around

There will be rainy days and we’ll pray for sunny days with our feet back on the ground Girl
Why would we ever want….why would we ever need to stay in this one horse kind of town

Everything is different…everything has changed
All the things you thought you knew were true
We are all so fragile don’t know what we have

Everyone has the Blues

Everyone has the Blues

Everyone has the Blues

Everybody Has The Blues ((Porffor/Conover))

Akasa

Soulmate

Buy mp3 file to tune

Soulmate / Tee Bee Project

It's just jazz and nothing conceptual) With some desire, you can even move your hips to this music)) Music Composed/Produced by Guitarbeard © 2021

Buy https://guitarbeard.bandcamp.com/track/brew-2

Brew

In memory of violinist Jennifer Spiwak (1974-2001)

I dream of your dream
Inside a drop
Of rose water on your cheek

Rise with the sun
Rise with the sun
I dream, I dream

Right now, if only for yourself
I believe you will

Nowhere near the sea
On sacred ground
Spread across the tundra
Marching to the vision in our heads

Didn’t you see the North Star shining brightly?
Can’t stop till the goddess calls

"Did you see behind the raging star? 
I will give to you and you will find your heart
So you can bend your eyes
Did you think about the dreams 
The nightmares you had? 
With the sage old lady dancing looking sad 
What she said to you
     'All the light inside is out and outside  is nil 
      It’s a beautiful appearance now and for all! 
      So now you lift your eyes! 
      There is no other way outside!'"


Cold down to the bone
But we’re pressing on
Something warns inside us
Thirteen hundred miles across the E∂

Stay awake until
The frozen river feels our feet
Just think, son, of the goddess
Think, son, of the goddess
No stop till the goddess calls

The Goddess Calls

Francis Gorgé (Paris, France) - percussion, trumpet, keys
Axel Weiß (Obernbreit, Germany) - guitar, art

Francis chose a piece of my music and expanded parts of it in a creative masterful way. The magic of his processing enchanted me. Merci beaucoup mon ami 🙏


Listen to more of Francis' beautiful music: https://soundcloud.com/francis-gorge

More music and art: 
www.axelweis.bplaced.net/wordpress
https://soundcloud.com/axelweis
https://hearthis.at/axelweiss
https://drooble.com/axw
www.youtube.com/user/azzelweit

more

A Moment (Francis Gorgé & Axel Weiß)

Thank you for stopping by, feel free to check out my new SoundCloud profile: 
https://soundcloud.com/audio-colors
Music is a passion, i'm keyboardist and love to play some guitar, bass and drums as well.
Compositions, recording, mixing and mastering at Audio Colors Studio.

Involved in different local music associations with my clarinet  (in classic and jazzy mode) ,  I also  love to play the guitar, I love to try to create and produce music with Cubase and different other instruments at home. I love all forms of music. 
Thank you reading these lines, for your kind words , listens and all forms of appreciation and support, I'm always happy to explore,  discover new sounds  and collaborate on this unique platform with wonderful musicians  !!

2022 Collabs, Jams and Chansons :
https://on.soundcloud.com/pkz71
Proud to be inducted  in 2022 as an Official Lunatics after this:
https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn?si=aa7c346eca754497a8e4168605590197&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Still so happy to listen to this one with my french SC buddies in the memory of Georges Brassens on this one :
https://soundcloud.com/ddjohn/les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra?si=ec03fb2f0b8b42b1b57522bf07221d14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
...and loving to play with friends in the marvelous style of Django Reinhardt
https://soundcloud.com/ddjohn/sets/collabs-with-lami-bjp

Album/EP featurings @ the clarinet :

https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download?in=ddjohn/sets/2015-1/

https://open.spotify.com/album/2XfVKVx3ZE1qUBwoUojmfW
.... and @ the guitar :
https://chrispendergraft.bandcamp.com/track/aint-seen-the-worst-of-it-yet-tribute-to-jimmy-page

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

Julien Apelian

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