Good Stuff

Red Balloon

All of Me

All Of Me

So stoked to unleash my icons remix this year. As some of you may know, I've been battling cancer for the last few months and it basically turned my life upside down. This song is about stepping up to a challenge and not giving up, which made this remix so inspiring for me!!!

So without yammering on too much, biggest of ups to the Ghetto Funk crew and I hope you enjoy this tune :)

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Icons of Ghetto Funk [FREE DOWNLOAD ALBUM]

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Friends! Romans! Countrymen! Lend us your ears!

It’s that time of year again when we invite some of our favourite producers to have a crack at remixing iconic tracks of their choice. We’ve put a bit of a twist on it this year. Being quite proud of the body of original Ghetto Funk tunes we’ve released to date, we’ve thrown open our own vaults to some of our in-house producers and turntablist monsters to have their wicked way with us. The results are astounding, imagine having JFB stick his fingers in your inner most workings…it certainly takes the breath away!

It’s our way of saying thank you to you for following and supporting what we do, we’d be nothing without you and it makes us proud to have your love, we hope this year’s Icons destroy your dance floors all over the world!

Big love,

Ghetto Funk HQ xx

Find all 8 tracks here...http://ghettofunk.co.uk/?p=16575

Buy the original release here: http://vibedeck.com/ghettofunk/profit-push-back-original-nick-thayer-remixes

FREE DOWNLOAD

PRofit - Push Back Ft. David Boomah & Shortston (Lewd Behavior Remix)

Pusha T teamed up with Odd Future’s Tyler, The Creator to bring you "Trouble On My Mind," produced by The Neptunes. The song is the second single off of Pusha T's EP Fear of God II: Let Us Pray. Buy it on <a href=http://bit.ly/13Go4u1>iTunes</a> now.

Buy Now

Pusha T - Trouble On My Mind feat. Tyler, The Creator

Green Light

Green Light (feat. Andre 3000)

John Legend is an artist mature beyond his years. He is a crooner in the best possible sense of the word — self-assured, gentle and debonair. For Legend’s sophomore album Kanye West resumes his role as executive producer, but Once Again is a mellower affair than Get Lifted. The songs get their gentility from Legend’s low, cocoa-smooth vocals, which never fail to bring a potentially hyper song to a place of calm. Though Once Again features an impressive assembly of producers — including Craig Street, will.i.am and West (all contributed multiple songs) — Legend is wholly in control of the album’s tone and tempo. The hip-hop underpinnings are balanced by the elegant jazz of “Again” and “Maxine.” “Where Did My Baby Go” is so simple that it feels timeless — it could be a piece of an old album by Arthur Alexander or even Joan Baez, made new again by Legend’s warm breath. “Save Room” is a song that glides so sweetly and effortlessly that it challenges every shred of malice that might be lurking within the listener. Even sweeter is “Slow Dance,” a melody as compact and pretty as a jeweled pocketwatch.

Once Again

Each Day Gets Better

Heaven

P.D.A. (We Just Don't Care)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Ordinary People

The Singles Vol. 7: 1970-1972

Soul Power (Pt.1 / Single Version)

Ciara "Body Party" Cover FOLLOW ME ON INSTAGRAM @RYALLENSINGS

Body Party (Follow me on Instagram @RYALLENSINGS)

King of the Burgs

Makin' My Way Back Home (feat. Nigel Hall)

Speak E.Z.

Express Yourself

By Any Shmeeans Necessary

Mr. Yancey (bonus track)

Superfred

The Flu

I Wan it That Way Cover by Boyce Avenue
Listen & Enjoy.....  :3

Boyce Avenue - I Want It That Way (Backstreet Boys)

Good Stuff

Julia Papillon