An extended and modified version of 'Allegro Presto Assai' now For Brass Choir and Orchestra originally uploaded to Soundcloud on December 6 2023 as a for Orchestra alone piece. 
Parts of this piece have been rewritten and I provide a new ending.
This upload has been mastered by John Cafarella.

Allgro Presto Assai

Allegro Presto Assai (Extended Version) 11 January 2024

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Hello Folks, 

Welcome to my humble page! A little about me: Mid 30s  business lady by day, music obsessed creative fiend by night. I do mean OBSESSED….Music lives in my head and can not stop coming out of it! I grew up listening  to  all kinds of music so my  creations have been influenced by live instruments and orchestral melodies marrying the  beat and rhythm of dance music.  Piano - trained and a hobby vocalist of sorts , music is  how I deal with the world.  As of 2024 , embarking on a  journey to learning the guzheng and cello. Some paint some build, some write… This girl tells stories with her music.  Take a pause and listen. I hope you enjoy it as much as I enjoy setting  them loose into the world ! 

Ps.  If you are an artist, message me if you would like to collaborate. I enjoy bringing musical creations to life :) 

Ps. 2: If you are an agent or a business wanting to get in touch with me regarding commissioning or commercial music projects, please note I WILL NOT respond to any messages of this nature, UNLESS they contain the following information: your full name and the name of the business you represent, your LinkedIn profile, description of the project you are needing help with and your PROFESSIONAL contact information. 

Cheers, 

Iryna

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

I'm Burd.  Thanks for visiting my page.   I love tomorrow and thoughts of yesterday for the future of the present moment may be yet to take place and nostalgia is nothing less than a joyful memory.  Remember to always whisper when the wind is silent and when it is loud and mighty, it comes riddled with phantasmagoria euphoria.  Suspended animation of fifth-dimensional brilliance as the core of the Earth slowly fuses with the sun then returns to home on the Grand Star Oasis of Sirius.  Despite the title given to this destination of our destiny, it holds not a brood in its brow, lest a tongue-in-cheek cackle that howls boundlessly through the sea towards the sand we ride into the sky’s dissolving light.  Our Seagull of Wisdom will teach us to be one ourselves, forever gliding past the release back to the nethermost of our being where all is beyond our wildest dreams and the pain is rendered formless and non-existent.  Even the sickos get relief.  Which ones up there chose a life of such illness?  I assume those who greatly needed to feel the treasure house in their hearts’ eyes as they close under a bed of red rose.  Send Brian Jones dead flowers.  Shine on with the craziest Diamond.  Waltz with the Masterman of Tambourine twiddling the edge of the screen in a way I can only hope for the next time I see him again I can imagine how he would be able not only to be in his place but also be in his presence as a witness of the future one step ahead of our mind’s magic, our heart’s ceremony of the never ending quest of cat-and-mouse, and the miracle to be an amazingly observational guest on this ride past the outskirts of the Overseers’ Parthenon ruins, where ethers of saturated iridescence shimmers through our spiraling spirits.  Fractalized ghosts of love crying out the pores of our skin when we laugh as one.  Upful as the tears of Maya fall above and away the sea of consciousness.  It is over-ridden by echoes on the peninsula of Texas by the distant, mighty roar of a primal pachyderm of mammoths and eledolphants that speak the names of those they’ve never known then swim beside them.  The tidal wave at your door.  The sonic Celestine waves of rose-pink neon filling up the fish bowl as we breathe underwater with more ease than ever are from the debts you forgot would be returned.  Keep it classified to the casual consensus and cast your line into the depths of abysmal faults in the ocean’s Mighty Triad in no one else’s lands of water or the depths in which the fish are found.  Every idea caught is going to have the bends when you reel them in.  Some will explode in your face, but only with a soft rattling of a mistake.  A mistake made out of the beautiful idea that gleams with the sincere linguistic luster of sempiternal authenticity portrayed with the most elegant expression of understanding ever lasting, overstanding the timelessness with a testimony of tender resignation.  The Queen and her drones reunite and become the Mother Medusa Mirror Machine located in the lost coordinates of the Chrysanthemum Anthem outside and above the highest mountain and found only by route through the Land of the Uncanny Valley, where nature is always becoming of a brighter pitched hum…. Um… Om… ahem.  One sound with no static and only volumetric doldrums of another perfect curtsy rendered by the the never-noise to reverberate past the ether-rich datura pedal Fibonacci-stepping into a dream-walk through the realm of the Ancestral Stream.  The Perpetuum Performance Portal joins the Earth Coincidence Commission Office in the massive black hole that has them both encapsulating the event horizon’s blaze of mirages that play the dreams of those we have become in the midnight sky-tower of the Universes that all fade in and out with every blink of the Three Morning Moons rotating aroan axis of nine doorways to the fearlessness of the six Setting Suns plus one.  Seven suns of the solar winds blow easy on the sails of silk into the Outworld betwixt.  🫶🖖✊🙏🌅♾️🙁💅

👽  👽  👽
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https://www.mixcloud.com/trancylvania
@trancylvaniaCH

👽 Only music 👽


👽 Only music 👽

Spirit Sound Innovators - is about writing and producing music for the heart and soul and to pursue, learn and understand the journey of universal harmony, in hope that realisation of everything becomes part of everything else.
Spirit Sound Innovators is comprised of one member Azar Breakey - Music Producer, Musician, Composer, Song Writer, Mixing & Mastering Engineer.
If you need a mixing or mastering service, please email me at spiritsoundinnovators@gmail.com - Rates would depend on your circumstances, though generally £395 flat fee for a mix & £120 for a master.

Allegro Presto Assai (Extended Version) 11 January 2024

ui@gmail.com