'Bittersweet' is so called because it explores traditional harmonic structures together with more piquant harmonies combining the former with the latter to form a complex but incisive framework for the essential 'bitter-sweetness' of  and ambiguity of human existence as many experience it living in modern times.

'Bittersweet' 1 December 2020

Bruno Gussoni (born in 1951) is a flute player who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, alto flute, bass flute, piccolo, shakuhachi, nohkan, shinobue, ryūteki), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.
He played/plays with: Don Cherry, Frank Lowe, Wadada Leo Smith, Jeanne Lee, Peter Kowald, Michel Doneda, Tetsu Saitoh, Edoardo Ricci, Matthias Schubert, Ove Volquartz, Joshua Weitzel, Ulrike Lentz, Anja Kreysing, Jane Rigler, Henry Koek, Christophe Meulien, André Darius, Eugenio Sanna, Iao Aea, Claudio Ferrari, Marcello Magliocchi, Angelo Contini, Guy-Frank Pellerin, Jean-Michel Van Schouwburg, Matthias Boss, Lawrence Casserley, Daniel Thompson, Adrian Northover, Willy Van Buggenhout, Tom Jackson, Adam Bohman, Martin Mayes, Maresuke Okamoto, Bernadette Zeillinger, Diego Mune, Jean Demey, Vanessa Pettendorfer, Angelina Ertel, Eric Arn,  Andreas Eichorn, Elisabeth Kelvin, Herbert Lacina, Edward Reardon, Stephan Brodsky,  Phil Gibbs, Benedict Taylor, Joao Pedro Viegas,  Roberto Ottaviano, Yoram Rosilio, J.J.Duerinckx, Dan Roth, Anton Mobin, Roberto Del Piano, Nicola Guazzaloca, Donatello Pisanello, Michele Barontini, Marcio Mattos, Marilza Gouvea, and many others.
He collaborated with the videomakers Jutta Pryor, Ash Benness, Alexandra Bouge.
He partecipated as flute player on compositions of Cezary Ostrowski, and King Imagine.
He played nohkan for coreography of the japanese dancer Yukino Nono.
Actually he collaborate with Vanessa Pettendorfer in the organ/shakuhachi project, and with King Imagine online projects, including Vanessa Pettendorfer, Markus Breuss, Dararat Chemnasiri, Ana Foutel, Dirk Watchtealer and others.

https://brunogussoni.bandcamp.com/releases
https://soundcloud.com/bruno-gussoni-flutech
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://soundcloud.com/disaster-area
https://whitenoisegenerator.bandcamp.com/album/clockstop-2017
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA/playlists?view_as=subscriber
http://www.plustimbre.com/releases/0922019.html?fbclid=IwAR2SvTYJjo9f53_PbQozTgTi_ye9klI0wQbt87FexIbKeri4B6Opc-DBDnY
https://gommusic2.bandcamp.com/album/natural-sources
https://archive.org/details/Petroglyph499Nos_Namajs_and_Bruno_Gussoni-THE_NATIVE_CIRCLE
https://kingimagine2.bandcamp.com/album/between-the-universes
https://kingimagine2.bandcamp.com/album/king-imagine-online-sextet-2
https://peteswinton.bandcamp.com/album/japanese-flute-improvisations
https://lessthanone.bandcamp.com/album/wei-e-rose
https://panicgrass.bandcamp.com/.../panic-grass-and-feverfew
https://dirkwachtelaer.bandcamp.com/track/for-bruno
https://brunogussoni.bandcamp.com/album/improvisations-for-organ-and-shakuhachi
https://brunogussoni.bandcamp.com/album/soundodyssee
https://brunogussoni.bandcamp.com/album/breathe
https://plustimbre.bandcamp.com/album/a-castle-of-ghosts

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

'Bittersweet' 1 December 2020

ui@gmail.com