Name: Two New (Prod By Wun Two)[Better Than Fiction Too] by junclassic
Duration: 2 min 30 s
Description: Produced By Wun Two. Cop The Vinyl: http://www.vinyl-digital.com/en/Hip-Hop-Rap/Better-Than-Fiction-Too-RSD-2016.html?listtype=search&searchparam=junclassic

dope tracks bro, pay me a visit if u got a sec. peace!

Alessandro Bosetti – Didone

LP on Kohlhaas Records [KHS 018] out April 2021, preorder at http://www.kohlhaas.it/project/alessandro-bosetti-didone/

Giulia Zaniboni, voice
Dan Kinzelman, tenor saxophone, flute
Luca Perciballi, electric and acoustic guitar
Glauco Salvo, electric guitar, banjo
Simone Sferruzza, drums
Andrea Grillini, drums

Music and concept by Alessandro Bosetti.

In September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy.
The very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bosetti posed to each musician was to tell him the history of their life.
The materials collected in the interviews subsequently underwent a process of anonymization, selection and cut-up in order to create the imaginary autobiography of Didone, a genderless character on whom Bosetti composed a combinatory poem in 84 aphorisms, six of which have been translated into music.
The ensemble consists of extremely different musical profiles: the contemporary soprano Giulia Zaniboni, minimalist banjo and acoustic guitar player Glauco Salvo, and four musicians with a jazz background such as guitarist Luca Perciballi, drummers Andrea Grillini and Simone Sferruzza, and saxophonist Dan Kinzelman (also part of Hobby Horse trio and long-time collaborator of Enrico Rava). Some of the stylistic features of Bosetti’s project Trophies (along with Kenta Nagai and Tony Buck) can be detected here and there. Persistent repetitions, mesmerizing sonic masses and extended, oblique melodic lines are here led by the clear and precise voice of soprano Giulia Zaniboni.
The voice is at the heart of this work: the textual fragments of the autobiographies are filtered through Zaniboni’s contemporary vocality, while informing the instrumental writing as well. Themes and textures unveil traces of words or sentences; fragments of biographies are embedded in the intricate instrumental dialogue between the two drummers.
A final layer was added by Ettore Tripodi, a unique and out-of-time visual artist who imagined Didone in a series of illustrations accompanying the poem.
Didone is a work about the reconfiguration and recombination of identities, where every specific sense of belonging melts into an indistinct swarming of possibilities.

Didone is released by Kohlhaas as a black vinyl 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi.

Recorded at Centro Musica, Modena between 18th and 22nd September 2019, under the residency program Autobiografie strumentali hosted by Centro Musica – Comune di Modena and funded by Legge 2/18 Regione Emilia-Romagna – Progetto Sonda.

Mixed by Alessandro Bosetti.
Mastered by Giuseppe Ielasi.
Cover and illustrations by Ettore Tripodi.
Layout by Campomarzio.

Thanks to Riccardo La Foresta.

Didone

Didone A13 (Cos'è un suono bello)

Produced By Wun Two. Cop The Vinyl: http://www.vinyl-digital.com/en/Hip-Hop-Rap/Better-Than-Fiction-Too-RSD-2016.html?listtype=search&searchparam=junclassic

Two New (Prod By Wun Two)[Better Than Fiction Too]

Alternate mix using vocal rework by Tasnic.
Music production by Cristina Tasnic P è n i n ș o l a r
Remixed by P è n i n ș o l a r

P è n i n ș o l a r M-11 Ft.Tremmór - In Between Obfuscate Coordinates(Remixed)

I decided, after looking at several of Martin's paintings, that I wanted to focus on that precision repetition, the light/dark alternation, and the subtle gradations of field.

The track is an improvisation inside Live, with one instance of the Buchla Music Easel (providing the upper-register track) and one of ARP 2600 V3 (providing the lower one), with Live's BrainDance and Squishy Beat Repeat effects to put in additional emergent rhythmic effects. I potted down both synths, gradually faded them in, and then slowly tweaked the filter frequency and resonance on the ARP, gradually adding in ore modulation from the ring modulator, then slowly removing it. The Buchla's variations came from tweaking the effects following it, but basically leaving the patch alone to imitate the regular ruled lines.

The Tree, 1964 [disquiet0456]

Jana Irmert - lumiere XVII

Artist: Cryptox
Release Title: Memories of the Horizon Ep
Catalog: EXPBC020
Release: 2020-11-23

Cryptox - Returning After Decades (Preview)

Finding revelation in a stain.

Photo: Marius Knudsen Sollie.

Revelatory Smear

$antas dirty gift

Let It Go

I know you're on the run
I don't care what you've done
Out wandering the whole night through
Beneath the silent moon

Ive been there too y'know
Ya no place left to go 
Out wandering the whole night through
Beneath the silent moon
What they say is true 
You should know
She's watching over you 

What do you really want ya really really want 
Oh yea when the whole nights through
Beneath the silent moon
I want to hold you close
I want you the most 
Ya the whole way through
Beneath the silent moon
What they say is true 
You should know
She's watching over you

Hey hey watching ya the whole night through
Watching in a dream of you
Watching through your eyes so blue
Ya but in the morning
When whats done is done
You can beg forgiveness 
To the smiles of everyone

You want to build a life
Ya now you're man and wife 
He asked and you said I do
Beneath the silent moon

No matter where I go ya I always know
Just how I'll remember you 
Beneath the silent moon
What they say is true 
You should know
She's watching over you

Silent Moon

Paraît qu'la vie c'est comme un rouleau Top,
Si t'aimes prendre des grosses taffes, paraît qu'elle finit vite
Alors jveux crever jeune, au moins j'profite de l'époque 
Donner des grosses baffes, juste avant qu'on m'élimine 

Car rien n'est plus cliché qu'une vie comme on la connaît tous
Petit je rêvais d'être grand et puis j'ai regretté 
La vie c'est pas pareil que dans les films, j'deviendrais jamais rappeur, j'peux oublier la télé 

Oublier le love et les oiseaux car ils n'étaient que de passage
Mais j'veux pas m'contenter de ces poulettes de basse-cour, des jaloux dans l'histoire si t'es pas sage, j'lui pardonnais car elle brillait sans qu'il fasse jour
Puis ça casse car tu faisais que douter, mec, j'aurais du m'écouter là cest baisé ça vaut pas le coup, c'est pas stable
Frere, l'amour c'est comme la vie, j'aurais du le soigner comme ces quatre phrases, jusqu'au paradis 

Paraît qu'la vie c'est comme un rouleau top
Paraît qu'la vie cest comme un téléphone,
Suffit d'un mauvais coup, suffit d'un mauvais pote
Pour te faire fumer comme une clope, sans trop faire d'effort 


On m'avait prévenu mais y'a rien a faire
J'en ai juste marre de rester poli
Alors qu'la bêtise prolifère, soldaire, je recherche des solutions
Dans une mauvaise position, j'en oublie la politesse, 

Je cherche le respect comme les maudits cèpes, 
Je prie le maudit ciel en faisant ces maudits sons
Et jsuis pas croyant mais sait-on jamais
Si dieu se manifeste, j'aurais l'air d'un maudit con, 

La vie n'est pas la même que dans mon rêve d'hier soir, frère jdois aller bosser mais j'ai trop la flemme 
Les gens prennent trop la tête, poto comment veux tu que j'pe-ra sec
On m'a volé mon temps, je laisse le système me la mettre 

Tu fais la fête malgré la pandémie, mangez du pain de mie
Vot' cerveau fait la taille d'un grain de riz
Loin d'ici, un jour j'y arriverai
Un putain d'indécis,
Le prix de choisir ma réalité

la vie

junclassic (one word all small letters) began rhyming in the cafeteria and street corner ciphers in 1994. After learning the power of a good punchline and a forceful, abrasive delivery, jun began recording at a friend’s crib in 1997. After amassing dozens of songs, jun linked up with fellow emcee K-Sise (known as Ntrospekt back then) and formed the group Dynamix in 2000. Prior to the formation of the group, the two emcees along with a friend released a 12 inch called “F*ck Giuliani” on Clockwork Productions in 1999.

After ripping virtually every NYC Hip Hop showcase and performance space between 2000 and 2002 K-Sise and junclassic pressed up volume 1 of their Shock N Awe series. Volume 1 received 3 and a half stars in the popular street publication Music Notes. In 2004 jun and K released volume 2 of their Shock N Awe campaign.

junclassic started his own label Classified Recordings LLC in 2007 and completely produced and released his debut album 2 Much Ain’t Enuff on July 14, 2007 with “no features and no samples”. The album received a small amount of press but not nearly the kind that jun had hoped for. jun changed the game plan, getting his good friend l8sho to completely produce his 2nd album Overqualified. Released on October 21, 2008, Overqualified received press coverage in Entertainment Weekly Magazine, esteemed hood porn magazine Black Tail, Hip Hop Connection in the U.K., HipHopDx.com, Okayplayer.com, and a host of websites worldwide. The album was heralded as “beautifully bizarre” and widely praised for its creativity and uniqueness.

On January 20, 2009, junclassic released his 3rd album Late Nites and Early Mournings (dubbed as an EP at the time) for free digitally. The album was regarded as jun’s best work to date and praised for its candid lyrics and powerful production. jun followed up the release with his first mixtape Southside’s Savior on July 20, 2009. Presented by Dub MD, Southside’s Savior accrued over 13,000 downloads in less than two weeks. The work was praised by various websites as one of the best mixtapes of the year, featuring jacked beats from established and underground artists as well as several original productions.

Imaginary Enemies, junclassic’s 4th album, was released by Classified Recordings on October 8, 2009. Receiving 3 and half X’s by HipHopDx.com and 4 and a half crowns out of 6 by Juice Magazine in Germany, the album was again heralded as jun’s best work to date, exhibiting candid lyrics of pain and turmoil by jun and pounding drums and moving production by sole album producer Husky.

The year 2010 went by quietly with little musical output from junclassic, save the release of his second mixtape Mornings Was HashBrowns presented by DJ Tre Unda, HipHopGame.com, KevinNottingham.com, RockTheDub.com and of course Classified Recordings LLC. Officially leaving the Monsta Island Czars collective in November 2010 with homie K-Sise aka Monsta X, jun has focused his attention on various upcoming projects. jun completed his 5th album Better Than Fiction in late 2009 but has not yet released the project, stating that he “wants the project to be featured on vinyl due to its sound”. jun has also completed an EP with European production duo Jazz Spastiks, called Mode 7 and was released on HiPNOTT Records in July 2011 to critical acclaim, receiving 3 and a 1/2 X's on HipHopDx.com and 87 on Okayplayer.com. The single "Bust Ya Melon" reached #2 on two college radio charts. 

On Memorial Day 2011 jun dropped his 6th LP Better Than Fiction produced entirely by German producer Wunderkind for Free Download. The album received a decent amount of internet coverage and was deemed #2 of 2011 thus far by sardless.com in June right behind the Stones Throw Quakers release.

On September 11, 2012, jun released FIGURES, a mostly concept album produced entirely by Mr. Troy, a precocious MPC wielding producer from Paris, France. The album was released strictly through bandcamp.com, one of the the few junclassic releases that did not receive physical pressing. The album received major fanfare from European websites due to Mr. Troy's soulful yet frenetic futuristic boom bap and jun's large number of concepts (the album featured 9 concept songs out of 13 tracks).

Nearly a year later, jun released BLVD Backdrop On HiPNOTT Records on June 25, 2013.Produced entirely by DJ Bazooka Joe, the album was a tribute to the streets of NY and beyond, reppin' the hood without glorifying the illegalities that often end with mass incarceration of Black Latino youth. Half A year Later, On January 24, 2014, jun released his 9th album "Thinking Out Loud" on French Label http://blackmilkmusic.fr on CD and 12" Vinyl produced entirely by Mr. Troy.

jun is now prepping the release of his 10th album "Words Are Weapons", which will be available on green vinyl courtesy of German Label StereoBoom Records. The album will be produced entirely by Maniac, of the German group Demograffics.

Two New (Prod By Wun Two)[Better Than Fiction Too]

junclassic

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