Othe_03

Deep september

September deep house 2

plsing

My Broken Frame - Black Lake (Vox Low remix)

Maestro is Tigersushi's latest discovery. After a debut 12inch and a 7inch released in 2012, the electrical duo composed of Mark Kerr (the Scottish “butcher” and lead singer) and Fred Soulard (the French “mad scientist”) just finished a full length debut LP, ready to stir a rather dull French Indie/Electro Pop scene with healthy doses of industrial weirdness and obsessive dance patterns. On the flip side, Krikor revives the spirits of Chris & Cosey and TG, the masters of Maestro in a dark S&M mix. 

buy here :
https://maestrotheband.bandcamp.com/album/mechant

https://www.facebook.com/maestrotheband/videos/1043126899072853/?pnref=story
https://www.youtube.com/watch?v=JkRFDSriGwY

www.maestrotheband.com
http://www.facebook.com/maestrotheband
http://www.twitter.com/maestrotheband
http://www.instagram.com/maestrotheband

MAESTRO - Mechant

Supported by Curses, Justin Strauss, Zillas On Acid, Jonathan Kusuma, Vox Low, Iñigo Vontier, Phred La Dame Noir, Damon Jee, Duncan Gray, Amevicious, Gameboyz, Johnson, Sequencers, Did Virgo, Thomass Jackson, Roe Deers, Undo, Sebastian Tex, Fairmont, Why People Dance, Amrcord, Inaktiv, The Two Mamarrachos, Local Suicide, Future bones, Flxxx, Montcosmik, Theus Mago, Javi Redondo, Veneno, Colossio, Avanti, Dawad, Rigopolar, Club Bizarre..

Juno Download

Thomass Jackson 'Social Assassin' (Teniente Castillo Remix)

Another year will be over soon.
We have plenty of surprises and adventures for 2015,
The next Axes release on "Im a Cliche" is named "Shem vol.1" and will be out at the end of Jan 2015.
Mean while we have a gift to share with all of you 
So thank you everyone for the support, for partying with us, and for listening.

Get your "AXES IN THE SKY -  HOLIDAY EDIT".

AXES IN THE SKY EDIT

Taken from Bessemerbirne 12" (Klakson 024) 

Get your copy

Romu (clip) 2016 (Klakson 024)

“The only escape from the miseries of life is music” - Albert Einstein
Soulfooled, lovingly curated since its inception in 2010 by the outstanding German producer & DJ, Alex Niggemann, has steadily established itself as a crucial platform for fresh talent. The label’s focus is always on sonic innovation and search- ing out unfailingly original musical gems, and, in the process, developing its own distinctive brand of music.
Alex Niggemann’s impressive A&R skills were once again highlighted when Dresden’s enigmatic Felkon, released his excellent, mind-bending debut track (“Creixell”) on last sum- mer’s “Soulfooled Cribs Vol.2 EP” (the second instalment of the exciting format that brings the ever-evolving Soulfooled family together). The resulting furore has now led to Felkon returning with a trio of absolutely stunning creations for his “Cry Wolf” EP.
The pulsating, infectiously percussive “Cry Wolf” opens pro- ceedings, layered with super-seductive ebbing and  owing melodic waves, and building towards a plateau of beauti- fully subtle, scarily spooky energy. Meanwhile, the equally engrossing “Eos” has its own distinct identity, pirouetting majestically around another masterclass of subtle, melodic, rhythmic beauty.
“Selene” expands the theme of melody within rhythm even further, with its gorgeous, heart-melting motifs. A wonderful hint of melancholic re ection, serves to create an atmosphere for the track that renders it in one’s subconscious way after its  nal notes have faded from the speakers.
As a teenager Felkon got his  rst experience of being on stage with “Die Pilger”, a fun punk band from his hometown of Dresden, Germany. After the band broke up in 2010, he took his  rst steps into the world of producing electronic music, a process that has evolved to now also playing live sets and DJ sets throughout Europe. Having previously released the “Sunset Stories EP” (Blossom Kollektiv) and the aforementioned “Creixell” (Soulfooled), his new “Cry Wolf” will surely mark Felkon out as major new talent to watch
out for throughout 2016 and beyond, proving what a great discovery he is.
With an ever-growing family of superb artists in their “crib” and stunning releases like this on the agenda, Soulfooled continues to grow into one of the  nest labels around.


Felkon - Cry Wolf

Clear and stompy, that’s how Pauke Schaumburg’s “Hubble“ is starting. The elements not rushing in, a lot of time to discover that refreshing sound, which is getting a big floor anthem. The second track “Exchange“ is much more melodic from the beginning and it is sending some sunbeams through the clouds in April. At least “Violett feat Sebastian Baumert“ is really intense and trippy. A track full of pleasant sounds, with a great break and a rarely but present used vocal on it. “Runnin’ out of time“ - it is possible with this excellent release by Pauke Schaumburg. 

"Hubble" will be out April 25th 2016.

EIN2-007 | Pauke Schaumburg - Hubble EP

Hubble EP

Pauke Schaumburg - Hubble

Zum Interview: http://bit.ly/1XJp7n7

"Origin/Wire“ von Psyk erscheint am 22. April auf Non Series.

Premiere: Psyk "Origin"

More info: https://www.xlr8r.com/news/2016/04/stream-a-new-vinyl-only-release-from-surachai/

More info

Surachai - Teeth and Rivers

Today, Desert Hearts Records holds high our brother in arms, Marbs, as he makes his debut on the label with his Tusks & Tales EP. As the visual artist for the label, musician, and founding member of Desert Hearts, Marbs embodies the beautifully multi-faceted culture that this community has come to represent. 

Tusks & Tales is a journey through the intricately introverted mind of Marbs, a delicate and sonically melding exposé of the highs and lows fans have experienced in his performances for years. From the uplifting lead and spaced out chords of ‘Tusks & Tales’, to ‘Loveish’s emotive strings and intention setting Ray Charles sample, to the ethereal warmth of ‘Pink Skies’ created with atmospheric pulls from Dark Side of The Moon, Marbs turns from light to dark as seamlessly as the desert day turns to night. 

The EP also helps welcome Barcelona native T CHES to the Desert Hearts Family with his late  night rendition of the title track - a head down, hands in the air remix of the inspiring original. 

"For my first EP I wanted to put something out that explored all the various sounds I enjoy. Not just deep, not just tech, but tracks that had a little of everything. I wanted the EP to embody many of the sounds you hear at Desert Hearts and the influences that brought me to who I am today." ~Marbs

By not fearing his influences and instead pushing them forth as the vehicles for expression, Marbs has created a roadmap through which fans and family alike can better understand his innerworkings - Tusks & Tales is the story within Marbs that is not often heard…

Follow Marbs on Soundcloud:
https://soundcloud.com/marbs

Follow Marbs on Facebook:
https://facebook.com/marbs

Follow Desert Hearts Records on Soundcloud:
https://soundcloud.com/desert-hearts-records

Follow Desert Hearts on Facebook:
https://facebook.com/wearedeserthearts

Tusks & Tales EP

Free Download

Marbs - Pink Skies (Original Mix)

Marbs - Loveish (Original Mix)

Marbs - Tusks & Tales (Original Mix)

https://www.beatport.com/release/one-on-one/1827995
http://www.traxsource.com/title/665309/one-on-one-ep
https://www.whatpeopleplay.com/albumdetails/and-ME-One-on-One-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

One on One

&ME - One on One feat. Fink

www.beatport.com/release/one-on-one/1827995
www.traxsource.com/title/665309/one-on-one-ep
www.whatpeopleplay.com/albumdetails/…-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

&ME - One on One feat. Fink (Fink Mix)

Vince Watson has now spent 20 years in the electronic music world. He's produced a pretty inconceivable total of 8 albums, released over 80 remixes and his music has also featured in TV series and adverts. To celebrate this milestone, Vince is releasing a 36-track boxset featuring beatless versions, reworks and remasters on his own label "Everysoul".

"Moments in Time", originally released in 2002 on Vince's second album has now been retouched, remastered and is an ethereal house masterpiece. We've fortunately managed to twist a few arms to let us host the premiere. Here's to another 20 years!

Release Date: 29/08/2016

Check: 
https://soundcloud.com/vincewatson
https://vw20.bandcamp.com/
https://www.facebook.com/vincewatsonmusic


First Play: Vince Watson - Moments in Time (VW20 Mix)[Everysoul]

The Martinez Brothers are absolute kings when it comes to bumping house music that possesses groove in abundance. Whether it's their own productions or their high-octane DJ sets, the siblings from the Bronx never disappoint.

Their imprint, Cuttin Headz, is the perfect outlet for this strain of rugged house that's brimming with attitude and we've already been treated to amazing EPs from Jesse Calosso, Basement Jaxx and of course Chris and Steve themselves.

Now though it's tome to see what Phil Moffa has in store for us as he adopts his Butcha alias for the '1001' EP. This one's had a lot of love across the board from esteemed selectors like Truss, DJ Spider, Leftfield, DJ Deep and Gunnar Haslam, so now we bring you the first spin of '6 Hubert Street'.

1001 EP

Premiere: The Butcha '6 Hubert St.'

Full Premiere: http://www.wearesoundspace.com/premiere-vincent-vedat-sweet-agony/
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost/

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Vincent Vedat
https://soundcloud.com/vincent-vedat
https://www.facebook.com/VincentVedat

S.G.O.L Recordings
https://soundcloud.com/s-g-o-l
https://www.facebook.com/SGOLRecordings

Get the full premiere!

Premiere: Vincent Vedat - Sweet Agony

Last week brought the welcome news Detlef Weinrich had opened up his archive of unreleased Tolouse Low Trax material spanning the past 10 years to Paris label Antinote for a trilogy of records. We noted this was coming at a time the former Kriedler band member was starting to get wider exposure for his own distinct brand of idiosyncratic dancefloor material; his Rushing Into Water 12" for local Düsseldorf label being among this year's best releases. A commission to remix Sano for the Colombian's incoming return to Cómeme is further evidence of this belated and well deserved rise for Tolouse Low Trax. There is of course a shared love of electronic music production at its most basic that ensures a Tolouse Low Trax appearance on Cómeme makes perfect sense, and you could argue that much of Weinrich's work sounds like a track from Matias Aguayo's label played at the wrong speed.

However, Weinrich's source material for his self-styled Tolouse Low Trax Interview Remix, Sano's "La Grúa" is much closer to the tempo he operates at. The first tangible material since his self-titled Sano LP some three years ago, Sebastian Hoyos toys around with a famous break on "La Grúa" at a pace that would perk the ears of Andrew Weatherall. On the Tolouse Low Trax remix, the sense of space is all the more apparent and finely complemented by some creeping vocal samples - stream it in full below.

Los Muchachos

Sano - La Grúa (The Interview Remix by Tolouse Low Trax)

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