Western Noir — Mercy’s View, 1899

In the fading year of 1899, a Scotsman arrives in the frontier town of Mercy’s View searching for his missing brother. What he finds is silence, and what the town hides is a mine that needs bodies more than workers.

Leland Washburn — a private investigator known for spotless boots and spotless instincts — follows the trail into the earth, and into himself. Beneath the dust and manners, beneath the hymns and bookkeeping, he discovers a machine built on vanishing lives.

Washburn is a Western Noir instrumental score — part blues lament, part psychological descent, part forensic hymn. Muted trumpet replaces harmonica, tremolo guitar replaces saloon swing, and the frontier becomes a crime scene.

Composed and performed by Avaline Ingels, the music moves with the patience of a man cleaning a gun he hopes not to use. Every track is a step deeper into the mine—the case, the conscience, the miry mind.

No one leaves Mercy’s View clean.
Washburn least of all.

The Last Shine on the Last Pair of Boots

Road Trip is motion as meditation. Every track opens a different window into the long drive: the pale light of early morning, the strange little towns you’ll never visit again, the wild skies, the empty gas stations, the motel signs buzzing in the dark, and the quiet arrival at the edge of the ocean. Acoustic folk and retro pop blend with cinematic post-rock, ambient jazz, disco, and field-recorded textures. It’s not about the destination. It’s about all the miles that change you on the way there.

Ignition and Open Sky

Volant Records is a story-driven label and shared universe: cinematic concept albums, stutter-house, western sagas, haunted pop, and hymn-like instrumentals. Home to Jupiter Morrow, Avaline Ingels, Shadow Face, Buck Ramble, Choralith and more. All Worlds Reserved®.