'Deepness is a state of mind'

I collect records, music and simply love to record mixes to support producers and labels I admire.    Follow the links below for other projects and places that i am contributing to. 

You should find something for your mum amongst this archive.   





genre303@gmail.com for contact

peas,  AG

mail promo: lucasynapse@hotmail.com
Bandcamp page https://lucavera22.bandcamp.com
Facebook page https://www.facebook.com/lucavera22/
instagram
http://instagram.com/lucavera22/                           

Luca Vera,dj e produttore nasce alla fine degli anni 70 e vive l'inizio di una evoluzione musicale che attraversa gli anni ottanta fino ad arrivare agli anni novanta,in questa fase di crescita acquisisce e si appassiona alla disco attraversando e immergendosi nella italo disco degli anni 80 fino alla maturità musicale che arriva negli anni novanta con l'esplosione della sua passione per la musica house con la quale vive e convive in un amore per essa che lo porta a vivere di persona il provare il brivido della console,passione che vive e persiste da oltre vent'anni e che pervade il suo stato d'animo in un continuo di emozioni che lo portano ad affrontare ogni esperienza come se fosse sempre la prima volta. Dopo anni passati in console inizia a immergersi nel mondo delle produzioni per cui comincia ad appassionarsi e ad avvicinarsi alla musica in modo sempre più profondo,quasi morboso,che lo porta e lo spinge a cercare di sperimentare sempre e cercare quel qualcosa di nuovo,di diverso che lo distingua o che per lo meno provi a distinguerlo.La voglia di fare sempre qualcosa di nuovo e di spaziare nei diversi angoli nascosti della musica fa si che si completi la sua fase di crescita e maturità musicale rendendolo un artista a tutto tondo con conoscenza tale da poter confrontarsi con la realtà di questo mondo con la consapevolezza di un veterano e la voglia di scoprire e conoscere di un bambino. Da poco inizia il percorso da Label Manager della sua etichetta discografica “Spazio Tempo”,nata con l’intento di far esprimere agli artisti attraverso i loro brani il loro punto di vista e l’immagine di una musica senza limiti, barriere o stereotipi.


Luca Vera, Italian DJ and producer comes to life in the late seventies in a small city between Rome and Naples.

He starts tasting music during his childhood in the eighties, quickly acquires a strong passion for the Italian disco then comes to musical maturity during the nineties with the explosion of house music for which he starts living.

That love becomes so strong that it that makes him want to experience the thrill of the decks. This passion lives and persists for over twenty years now and maintains his mood in a continuum of emotions that lead him to face every experience as if it was the first time.

After years on stage he plunges into the world of production in order to approach music in a more profound way which pushes him to always experiment and try something new that differentiates him.

The desire to do something new and different and to search for creation in hidden corners of music completes his growth and musical maturity, making him a complete artist with knowledge that he can face the reality of this world as a veteran while still keeping the desire to discover of a child. He has recently begun his journey as Label Manager of his record label "Spazio Tempo", born with the aim of expressing himself and making artists express their point of view through songs conveying the idea of boundless music, without barriers or stereotypes.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

"Opilec" (1917) is a story by Josef Čapek, a writer and cubist painter, brother of Karel Čapek, the man who is supposed to invent the term "robot" that originally meant "servant". From this important etymology, that truly inspired all Isaac Asimov literature, comes Opilec Music by Gianluca "I-Robots" Pandullo's fervent mind.

Opilec Music is a label project deeply built on all Asimov way of thinking about how technology is not an enemy of human genre but a help and a real and useful extension of our mind. The robot is our friend and the music too. Opilec Music feels contaminated by old school Disco, Chicago House & Detroit Techno, the early 80's Italo & Synth, Electro & Cosmic Disco and by the seminal Krautrock & Electronic musical genres that differently as strongly have conditioned the history and world dance conception.

All Recordings are exactly how they happen on the night in the party....
If you want to be a world DeeJay this is what happens. Perfect mixes only happen in the studio! Feel me? For booking Jus-Ed send me an Email to jus_ed@msn.com 
Nuff Said!

- - - I N - - -

~ Red Circus & Logea - Before Earth Falls EP [Future In Sound Records X] DIGITAL
~ Boo Williams - Moment In Time EP (Logea remix) [Future In Sound Records 015] VINYL 

- - - O U T - - - 

~ Audio Sound w/Dele Sosimi, Medlar & Julie Marghilano @ XOYO 20/04/25 London, UK
~ Logea - Casa Musica EP [FISR X] 
~ Eden Orbital - Lulu EP (Logea radio edit) [FISR X] 
~ Logea - The Hidden EP (Claire.C remixes) [FISR X]
~ Logea - The Love Police EP [FISR X]
~ Medlar - Cub Dubs EP [WOLF MUSIC 075] 
~ Logea & Claire.C - Silly Business EP [Future In Sound Records 014]
~ Eden Orbital - A Sign From Above LP [Future In Sound 013]

Booking: contact@flaneurecordings.com 
Oliver Marquardt
(DJ Jauche / Jack Flash / Robin Masters Orchestra / Machomovers / Rockford Inc. / Charm / The Faction)
Born in East Berlin, Oliver Marquardt was first inspired to become a DJ when the 1984 Break Dance Film "Beat Street" permeated the city's isolated music scene. Equally influential was the dance music he listened to broadcasted from West Berlin radio.
After closely following these new music styles - hip hop, acid house etc - Oliver bought his own pair of turntables in 1989.
This was right after the Berlin wall came down, providing fertile soil for the city's new underground music scene to take roots and by the following year Oliver was organizing his own techno parties.
Although his illegal warehouse parties (complete with 50k watt laser lights) were noteworthy in themselves, Oliver forged ahead as one of the first german DJs to establish a nationwide presence. DJ Jauche, as he is known, began a residency at Berlin's legendary „Walfisch“ Club. Also he played regularly at many other Berlin Underground Clubs. By the mid 90's he had presented his unique style throughout Austria, Switzerland, Poland, Italy, Spain, Greece, Russia, Hungary and Malaysia, on top of countless clubs and events in his homeland.
Also mid 90's (1995 exactly) he had started his party "Jauchomatic" ( where he brought his brother Sven Marquardt into the club scene and gave him his first job as a "selector/doorkeeper" . Today Sven is famous for his work as an Artist and Photographer and of course as the " Iron Man" selector of Ostgut and now Berghain Club. ) and also the „Jet Stream Club“ and later the „Night Dimensions“ Party - Series.
Oliver still does his party „ Jauchomatic“ once a year in Berlin.
He plays music from 1988 until 1995, from house over techno to some Oldschool Trance Tracks, Acid and Breakbeats.
While the rest of the world still has been associating Germany with its stark techno output, DJ Jauche nurtured a parallel space for deep house sounds to evolve.
In 1998 he launched Jetstream, a small-scale record label of his own. For the 1999 edition of the annual summer festival Loveparade, Oliver prepared under the name Jack Flash a re-edit of the disco classic "Love is in the Air" and pressed 500 white label copies. When the track became an underground hit, he approached the production team Milk & Sugar (who were running a label under the same name) for advice on giving it a bigger release. Without Oliver's knowledge and with a bigger budget they appointed the track's original singer John Paul Young to record new vocals for their own version of the track and received a worldwide major label re-release in 2001, accompanied by a music video. Frustratingly,  AND the rest of this vita you can find on facebook... soundcloud sucks
https://www.facebook.com/pages/Dj-Jauche/76777792381?tab=page_info&view

Community radio broadcasting from the former Tempelhof Airport, Berlin

The full archive is available on our website or on Soundcloud+MixCloud.

If you want to play a show or apply to join, please fill out the form linked below. For collaborations or further information, please visit our website.

NEW EP ---> CR.343A
House, Deep House
Promos: carrera43a@gmail.com
Bookings: carrera43a@gmail.com
www.cr43a.com
Medellín, Colombia

DJ JUS-ED is following