Benjamin Damage is an innovative UK techno artist, the first artist signed to Berlin’s legendary 50Weapons label and the last to release an album at its closure. This period produced three critically acclaimed albums and many EPs, drawing from diverse sources to help define the crossover UK / Berlin techno sound.

As well as two, highly charged four-tracks for Len Faki’s Figure label and ‘Deep Space Transit’ on ARTS, Benjamin put out two stinging dance floor cuts as BDB, a secret collab with label mates, Feel My Bicep. A live-recorded cut for Jeff Mill’s Axis Records was released this year. 

Performing on an all-hardware setup, Benjamin’s storming live performances have lit up the best clubs and festivals all around the world. The powerful setup has been fully redeveloped for 2021.

Landside is a music collective based between Berlin, Copenhagen, Milan and Reykjavik.

The sound comes from a deep vibe and melanchonic ambients (The Silence).
It evolves thanks to Kúraʼs Electronic and Dub mood, to an intense rhythm flow (The Storm).
While keeping groove as its main element, coming from Techno and House Roots of Hunter/Game Background.
Fanney Osk Vocals comes as a clear warm breath in a cold mountain breeze, creating vibrating weaves, intruducing sinths and melodies leads that breaks spaces as an intense storm.
Hunter/Game are already acclaimed as talents into the underground Techno – Deep House scene.
They already hit the biggest International stages of historical clubs as Fabric London, Studio 80, Sankeys Ibiza; Hosted by international festivals such, Miami WMC, Amsterdam ADE, Bermuda Berlin Festival; And overseas tours, from Brasil and Mexico till Australia.
Kúra reached a great popularity in Denmark and Northern Europe, with their single Gógó, followed by their Debut Album: Halfway To The Moon.
They have been Touring Northern Europe hitting big stages as Roskilde Festival.
Kúra links www.facebook.com/kuramusic
www.soundcloud.com/kuramusic
Roskilde Live link: http://youtu.be/kYJUyGGOE HUNTER/GAME links www.facebook.com/huntergamemusic
www.soundcloud.com/hunter-game
PRESS INTERVIEWS
http://pulseradio.net/articles/2012/10/pulse-loves-hunter-game https://pulseradio.net/articles/2013/09/hunter-game http://www.soundwall.it/shots-huntergame
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𝘗𝘭𝘦𝘢𝘴𝘦 𝘯𝘰 𝘋𝘔𝘴 𝘰𝘯 𝘩𝘦𝘳𝘦, 𝘵𝘩𝘦𝘺 𝘥𝘰𝘯'𝘵 𝘨𝘦𝘵 𝘳𝘦𝘢𝘥.




Mentioning releases, remixes, or labels on which Steve Rachmad has shown his craftsmanship is pointless and time-consuming. So is boasting about the clubs and festivals on which he has left his mark. It would just make for another list of names, places, and brands…. Let’s not do that. Feel free to visit the usual channels (Discogs, Soundcloud, Beatport) and take your pick from numerous productions and DJ sets. They all come from three decades of dedication, sweat, and polishing a one of a kind talent.

Because as Miles had his horn and Pablo took to canvas, Steve has an unequalled gift for (almost physically) connecting with every thinkable drum machine and synthesizer out there. If the man had kids, boys would listen to Roland or Robert (Moog), and a girl would surely be named Linn, after the machine made famous by Prince and others in the 80’s. Some claim it’s analogue machine telepathy, others say he was born with all the right connectors and inputs hidden somewhere underneath his trademark curly hairdo.

This ability has established Steve as one of those artists that simply last because of quality. New generations of artists from different genres recognizes his signature and therefore play his work.

As a DJ he is constantly reinventing himself. Set firmly in the best that techno and house have to offer at the moment, Rachmad draws inspiration from his love for high quality disco and electro from the past. As words can never truly describe music, we’ll end with advising you to go check him out and hear for yourself what Steve is all about.

https://www.christian-loeffler.com/
Booking Requests: ralf@vdhaardt.com
Management: paul@ki-records.com

Altman is an eclectic musician always experimenting different styles at the same time not losing sight of his roots, deeply established into techno music.
Obscure textures, catching melodies, heavy beats are the key elements of his sound. Listening to his productions, you end up in a parallel world, where rules do not exist anymore. Altman is quiet chaos.
After long years of research into sound and inner investigation, he started the project Altman with Just This, one the most important labels of the deep techno scene: he played alongside artist like Ryan Elliott, Tijana T, Michael Mayer, Maya Jane Coles, Freddy K, Ripperton, Somne, Baikal, Roman Flügel, Ame, Redshape, Somne, Monoloc, Paquita Gordon Lake People...

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Just This is the expression of a social, metropolitan and underground movement we are living and going through all together.

Special guest of our nights is the music: techno, electronic and pop; those kind of music are influencing the culture of an entire generation like we have never seen before.

Our Mission is to give room and importance to Art and Music which are still evolving day by day. JT’s events are aimed to frame these changes, which are going to be the picture of today and the future memory of the cultural movement of this age, throughout a series of messages, images and sensation drawn inside the audience.

Furthermore, thanks to the energy, the happiness and the magic charm of our parties and events, talented and unique artists, from all over the world, use their way to interpret music to communicate people the real core of this change: 

the future is changing...

booking ww : tripolismteam@unitedtalent.com
mgmt : tripolism@threesixzero.com
other requests : thisistripolism@gmail.com


LISTEN TO OUR NEW TRACK WITH WHOMADEWHO HERE:
https://cercle.lnk.to/flyingawaywithyou

LISTEN TO OUR DEBUT ALBUM 🖤
http://lnk.to/absolutedope

Spotify Track IDs playlist : https://open.spotify.com/playlist/37i9dQZF1DWWXvitqypcRR?si=687f358ed2c94f6a

JUST THIS is following