songwriting / production / comedic duo based in Los Angeles via North Carolina & Washington D.C.   

follow us https://instagram.com/foreign_air/
text us - 310-347-4617
Happy Happy Joy Joy Club .2020

Basement Revolver have been crafting both noisy and graceful shoegaze-esque tracks out of their hometown of Hamilton, Ontario since releasing their 2016 breakout hit ‘Johnny’. Their affinity for blending 90s-infused indie rock with fuzzy, dreamy pop and poignant, yearning lyrics has earned them a devoted following throughout their native Canada, the US and UK.
 
Signed to Canada’s Sonic Unyon and Memphis Industries affiliate label Fear Of Missing Out for their 2018 debut album release 'Heavy Eyes', the band have toured throughout North America and the UK with acts including The Go! Team, The Pack A.D. and Amber Arcades.
 
In early 2019 they expanded to a 4-piece, with the founding trio of guitarist-vocalist Chrisy Hurn, bassist Nimal Agalawatte, and drummer Brandon Munro adding second guitarist Jonathan Malström to further augment and intensify their emotionally charged dream-pop.
 
Their new material, set for release in 2019 and recorded at Toronto’s Union Sound Company with producer Ian Gomes, evolves beyond the bedroomy sound of the band’s previous releases while losing none of its intimacy. Guitars oscillate between soaring riffs and shimmering shoegaze ambience while the rhythm section propels like a well-oiled machine, and Hurn’s vocals ring out in crystal clarity.

“A sublime treasure and a simple example of the most splendid indie-rock you could hope to hear” - Punktastic

“The delicacy of the band's approach is matched to the intensity of their execution” - Clash 

“Alvvays goes shoegaze... dreamily drifts between featherlight fizz and gutting, rueful riffing” - Total Guitar

“Emotional and powerful rock and roll, packed with charm” - Beehive Candy

“One of the great feel-good stories of the Canadian music scene” - The Revue

“The Canadian indie rock band radiates a melancholic glory” - The Big Takeover

“Heavy-lidded fuzz pop” - Punk Online 

“Shoegaze at its finest” - I’m Good I’m Gone

Margot Polo is the solo project of Los Angeles-based songwriter/producer, David Provenzano (Fialta, Sherwood).

Licensing: Bleed101 - bleed101music@gmail.com

General Inquiries: margotpolomusic@gmail.com

PR: milieuxpr@gmail.com

Brooklyn's Daisy the Great have released their highly anticipated record The Rubber Teeth Talk via S-Curve Records. Created in collaboration with Grammy-winning producer Catherine Marks (boygenius, St. Vincent, Alanis Morissette, Wolf Alice, and pals Lowertown), the album expands on the band's multidimensional, genre-defying sound.

Written after their first headlining tour, the record draws from dreams anxieties, and strange moments of joy. Songwriters Kelley Dugan and Mina Walker build a whimsical sonic world, crafting diaristic songs full of lush harmonies, wit, and heart. Created with their longtime bandmates in Brooklyn studios and basements, The Rubber Teeth Talk is both expansive and intimate — a playful, deeply felt exploration of self-perception, trust, and finding beauty in uncertainty.

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

Self produced multi-genre music. 

(c). Moon Stone Records

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