Life journeys through instruments.
Thank you very much for listening!

Open for collabs
Contact:
Stamukhamusic@gmail.com

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Harpist, songstress,  tinkler of ivories, sonic artist, often found with a handheld recorder in unusual places. 'Magical and Delicate' Tom Robinson BBC 6, ‘Mellifious harp playing is woven around electronic fizzles.’ Electronic Sound
Magazine    



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I am a cellist who mixes improvisation with electronics and found sounds to create richly layered soundscapes. My work delves into the interplay between freedom and constraint. Born in Poland, I was raised amidst the remnants of communist rule, attending a music school that was still cast in the Soviet mould at the time. My path as a classical musician has been shaped by that rigorous training—and by my pursuit to transcend its limitations.

Free improvisation has been pivotal in avant-garde movements over recent decades. Yet, creating sound sequences that break free from established musical idioms often leads to the dilemma of 'excess freedom.' My approach aims to reinvigorate improvisation, blending idiomatic expressions with freer forms of spontaneous musical creation. Since 2014, I have been collaborating with non-Western musicians, and in 2019, I was among the first cellists to improvise within the stringent confines of the raga in the Carnatic tradition. My collaboration with Jyotsna Srikanth, "Songs for Carnatic Violin and Cello," deconstructs Carnatic music in an innovative way, featuring improvised passages and layered cello sections to create harmonic interplay.

In my latest work, which is deeply personal, I revisit the sounds of my musical beginnings, infusing Polish avant-garde with elements of Roma, Jewish, punk, and other eclectic influences.

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Edinburgh-based female collective performing traditional songs from Poland, Ukraine, Russia and Lithuania

Ni! is a composer and multi-instrumentalist based in Portugal.
Working with bass clarinet, saxophones, trumpet, kalimba, keys, and electronics, he builds immersive, emotionally charged soundscapes.

Combining woodwinds instruments with live looping and effects, Ni! explores themes of beauty, tension, sensuality, and solitude.
His music moves between improvisation and structure, always rooted in deep listening and a cinematic approach to sound.

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More info: www.nilsfrahm.com

Management: 
felix(at)agentur-grimm(dot)com


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