www.myspace.com/binarystar420 for 25 newer songs and about 20 older songs and B-Sides if you look hard enough.
The songs you'll hear on this page is songs recorded in my home studio in college although I've started adding unmixed tracks of other people's music I work on... I was just starting to learn protools on a lot of these songs but I will soon be releasing all new material once I choose a release date. I need to work out some contractual kinks before I choose the date I believe.

Music IS LIFE.

It all started with 90's Metal and Classic Rock influences such as Alice In Chains, A Wilhelm Scream, and The Rolling Stones. Even before that though... Coolio was my first tape I ever bought... yeah the Gangsters Paradise one. Ironically one of my first CD's ever was the Weird Al album with Amish Paradise. I'm fully self taught. Going out of my way to learn no theory and scales the way Lennon was. My music also deals with a good deal of Influence from acoustic artists such as Elliott Smith since I write on all acoustic instruments. At least two acoustic guitars, acoustic bass, electric guitar, and programmed or drums written and played by me Krunk, Kap10 Kush, Dubbsacc. Rappers such as Del, Cage, Noreaga, Immortal Technique, influence my MC style. I made the switch from vocals more akin to System of a Down, or death metal. Ill Bill helped me convert to rhymes without having to conform to standards or not have to worry about if any hip hop heads would get any of my lyrics. I soon found that being cryptic from my previous occupation of hustling in my lyrics afforded me the ability to remain true to myself both lyrically, and aesthetically. I played punk when I first formed a band. I have since carried the Do It Yourself attitude since then. I have jazz influence when it comes to recording style... I pretty much will make a bass line or drum beat or whatever. Then take 1 to 3 takes on every instrument and if the song doesnt turn out good enough I am very quick to trash good beats because of not getting instruments captured in 30 mins or so. I freestyle on all my tracks. Pretty much the exact opposite of how most rappers write. Not that I think that makes me special or better. But more so just fitting to my personality and taste in music!

I started out in punk bands right around 10 years ago, and though I never 'made the switch' to hip hop. Contrary to what most may believe I have only been rapping for about three or four years now... Not that you can tell though son! Anyway as I stopped jamming with set band members and started writing more. This eventually opened the door to Hip Hop for me... A passion of mine, yes. Was it always that way for me? I've been asked a lot and to that I respond that only you can prevent forest fires!!! Seriously though, I never have took hip hop too seriously. It all started as a joke in between songs I'd rap to the metal or whatever music my bands played at the time. So now I've dug myself in a hole since I HAVE to teach everyone I play with live all my music or at least most of it. I try to not teach as much, so as not to just make it more of an experience being made in the moment and Ad Lib music and flow. That's about it.  This song and all the other songs I'm releasing isn't just to clean out my closet so to speak... It is a bit cathartic for me.

🅗🅐🅡🅜🅞🅝🅘🅒🅢 ❤️ ♾️

@hot_chip
@the2bears
@greco-roman

Management: nathan@menschmusicmanagement.com
Agent DJ (Worldwide): ali@warmagency.com & rachel@warmagency.com
Agent Live (UK/EU): JSimmons@wmeagency.com
Agent Live & DJ (N.America): bowen@teamwass.com

Alongside his work with Hot Chip, The 2 Bears, and HARD FEELINGS, Joe Goddard keeps busy as a solo artist, songwriter, producer, DJ, remixer, and co-founder of the Greco-Roman record label. Across all his projects, he is driven by a hunger for experimentation, an innate understanding of dance, pop, and indie music’s inner workings, and a heartfelt love of collaboration.

Joe embraces the role of ‘producer’ on a musical, practical, and spiritual level. His infatuation with dance music began as a teenager in the ’90s, attending clubnights where he progressed from indie and hip hop to drum’n’bass to house and garage.

On top of his solo records, Joe has released eight albums with Hot Chip, two with The 2 Bears, and one with HARD FEELINGS. Other projects include Extra Credit (with Justin Strauss and Marcus Marr) and A Pulse Train (with Caribou’s Dan Snaith, Floating Points, and others). He’s worked with Jarvis Cocker, Peter Gabriel, and Bernard Sumner; remixed Jessie Ware, Kraftwerk, and Disclosure; co-wrote Katy Perry’s “Into Me You See”; and released the 2011 hit “Gabriel” with Valentina.

I:Λ  /  INCEPTION:ΛUDIO 
Inception:Λudio’s is at the forefront of electronic music its goal is to alter the perceptions of what electronic music can be. Gathering the unique talents of underground artists from the darkest corners of the globe, we aim to create experimental, challenging and Λlien soundscapes that are truly not of this planet.
Taking inspiration from dubstep, drum & bass, techno and science Fiction concepts, Inception:Λudio’s family of like-minded sound designers create music that ranges from the strangely uplifting to the downright disturbing.
Vocals, jarring basslines plus natural and industrial elements, all combine to transport your entire being to new frontiers of immersive pleasure.

INCEPTION:ΛUDIO
THE ΛLIENS HAS LANDED \ ! / 

Available for DJ sets / Live Performance
(Displaced Paranormals)

BOOKINGS + DEMO
inceptionaudio@gmail.com

Red Light Juliet is here! 
May 21st, 2013

Josh Eppard (aka Weerd Science) started his career early on landing a major label record deal with Universal at the age of seventeen as the drummer and co-songwriter of the band 3. After a ten year tenure with the band and becoming a casualty in the infamous Universal-Polygram merger, Josh, against the advice of managers and loved ones, left the band in pursuit of a career as a studio musician. In just two years time he played on four records including two major label releases (Hesher - Warner Bros. and R.A. the Rugged Man - Priority/EMI). As his studio chops improved with every project, he would later join a local outfit at the time known as Shabütie (which later became Coheed and Cambria). In time with this group he had found success until his departure in 2006 due to his own personal demons and internal creative struggles.

It should be noted:
no matter what project Josh is committed to, Weerd Science is always at the forefront of his creative mind.

At the heart of “SICK KIDS” is his story of the toll success can have on your psyche and the scars left on his heart from the sacrifices made to become a success. After taking time off to get healthy and figure out where his musical compass pointed, Josh has never been more ready and dedicated to making his next vision come alive!

Juxtaposeurs is following