And just between that small circle of trees, it’s shady and quiet. And there are no mosquitoes and the stereo insects walking from camp across the fields are magnificent. Different crickets and grasshoppers that chirrup very different patterns as you go. I decide I’ll make an improvised performance within those trees tomorrow. At this time. 2pm. Live sampling and processing this spot and the Ripley. We are noisy people. Endless talk and looking and eating and photographing, always sharing. It'Il be good just to listen.

(Solo outdoor performance, ZUUN ART International Artists Residency, Selenge, Northern Mongolia)

MORE  https://www.kaffematthews.net/blog/item/day-43-zuun-artist-residency-selenge-province-shaamar-3

The View, Train Passing,

Kaffe Matthews is a pioneering composer and sound artist who works live with data, things and places worldwide to make new electroacoustic music for wide ranging audiences. Violin, theremin, star maps, NASA scientists, sharks, children and the BBC Scottish Symphony Orchestra have all contributed to a growing body of work for sites such as concert halls, sonic bikes, public spaces and the human body. She received a BAFTA in 2004 for Weightless Animals, in 2006 a Distinction, Prix Ars Electronica for Sonic Bed_London  and a NESTA Dreamtime Fellowship.  She is an Honorary Professor of Music at the Shanghai Music Conservatory, and was the first Edgar Varèse Guest Professor, DAAD, at TU Audio Communications, Berlin. 

She has been releasing solo works on Annette Works since 1996. In 2014 she established The Bicrophonic Research Institute(BRI) and is currently developing interactive Sensory Bikes and compositions for them, having made 10 international bike operas to date.

http://www.kaffematthews.net
http://www.annetteworks.com
http://www.sonicbikes.net
http://www.musicforbodies.net
@kaffematthews