Worldwide Booking: pete@wearee.nl
Tour dates & Info: www.besvendsen.com

Here to change the world through music and spirituality with like-minded souls we call family. Find our events and join the movement...

www.thegardensofbabylon.com/links

Derrière son nom de mercenaire ciselé pour les nuits moites et décapantes, DJ PUTE ACIER s'est taillé depuis 40 ans une solide réputation de gagneuse, collectionnant frénétiquement les expériences de cassage de genoux et de manipulations musicales génétiquement modifiées. Quand il y est, il sourit, tape du pied et a à nouveau 17 ans, se retrouvant parfaitement en phase avec Dieu alors que d'autres auraient l'impression de franchir l'antichambre de l'Enfer auditif.



De 1987 à aujourd'hui: Cargo de nuit, Milandes, Imaginaire, Canal Street, Bulten, Schakel, Caves de la Chapelle, PK, Zazou, Radio Mentale, CCSMGDB, Democrazy, Ancienne Belgique, Recyclart, M4, Tri Postal, Condition Publique, Palais des Beaux arts de Lille, N.A.M.E. 2006/2007, Vooruit, Structure Beton, Soixante, Vecteur, Chaff, TAG, Gay Pride 2010, Soleil, T.I.R., Bonnefooi, Vert Pop, Chez Moune, Tea-Time, Le café central, Kiko, DNA, Tribal Gathering 2011, Balthaz'arts, Summer Darkness Festival 2012, Festival International de l'affiche de Chaumont, Sabbat Berlin, Urban Spree, Kalabalik festival 2012/2013/2014/2015, Klub Paris, La machine du Moulin Rouge, La Rotonde Stalingrad, L'embobineuse Marseille, BLO Atelier, Epicerie Moderne Bruxelles, Barlok, Griessmuehle, Ostpol Dresden, Hangar 49, Collines Electroniques Paris, Ubu Rennes, Glaz'Art, La Java, Station des mines, SweatLodge Invasion Nantes, Kultur-A Liège, Micro-Festival, Brave Zagreb, Staub Berlin & many other places...

"Beats from the Underworld" production album & "Beats from the Underworld (The Remixes) available NOW !

With eyeball-popping, eardrum-throbbing beats and ingenious guitar-driven crescendos, Empirion has created a unique sound that finally fills that vacuous gap in the world of techno, falling somewhere between Front 242, Orbital and Prodigy. While maintaining visceral mayhem, Empirion has also managed to infuse a sense of humanity to their music-it's almost organic electronica.

Empirion credits this amazing quality to their exclusive use of low-tech, archaic equipment and the incorporation of band member Oz Morsley's old fashioned rock guitar solos. Even more remarkable in this age of frenzied sampling, the album contains almost no samples and is composed entirely of sounds that the band creates on their collection of old-school equipment, including an Atari computer. Advanced Technology is a rare dance album, infused with musicianship and artistry.

In 1993, the trio exploded onto England's rave scene with the now-classic "Narcotic Influence," included on this album. Richly layered, this track saturates their audience with the beat and sends it reeling on a six minute rollercoaster ride. The now-infamous "Giving them drugs, taking their lives away" hook has become a tongue-in-cheek anthem for technoheads everywhere. 
Tucked away in Essex, the band is free from the pollution and creative obstacles of London's throbbing pulse. The album is crammed full of original ideas and soul-drenching atmosphere. "New Religion" recalls a sound close to Orbital, but Trent Reznor's influence is also a strong presence; "Jesus Christ," with its ever-building frenzy, is met by the simpler, more mellow "Ayahuasca." This versatility gives Empirion tremendous staying power.

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Dead When I Found Her creates old-school electro-industrial music.
This soundcloud account is mostly used to post cover songs, older material, remixes & other oddities (like chiptunes).
For the full discography, please visit bandcamp: 
https://deadwhenifoundher.bandcamp.com/
For up to date info, follow me on facebook: www.facebook.com/deadwhenifoundher

from leipzig / proud member of amnistia (dark electro) and the person behind polykoptr (music to relax and dance/techno)

kai LF is following