Berlin based Dj and Producer

Booking Rest of the world: sarah@paracou.de
Booking GSA: miha@undundbooking.com
Booking NA: contact@zeroagency.com

other requests/ promos : info@midnightoperators.dance

Once an infamous host for underground raves in Berlin, Sarah Wild is now a DJ and producer. Her energetic sets oscillate between acid basslines and piano elements. Sarah has already released on @returntoforever1 @correspondant,  @permvac, @dessert-berlin @feinestier and her own label @midnightoperators.  When she was a girl her father took her on tour with his surf-rock band. She grew up hanging out in backstages of clubs and venues all around Europe. Not only through this first touring experience Sarah was always surrounded by music. She learned saxophone and piano supported by her grandmother who is also a singing teacher. All her youth Sarah played in bands and was part of several jazz projects. Also her passion for electronic dance music developed at this time. Sarah was born and raised in Jena, a former east-German city who became popular for its delicate scene of electronic music. She quickly became part of it as a dancer and also started her first little projects as an artist. Sarah Wild started her solo project in 2016 and has been touring in Europe, Mexico, Panama and Guatemala.

The M1 is a new collaborative project between Russell Webster (Shining Bird, Ernest Ellis Band) and Jay Bird (Jack Ladder Band, Tropical Strength) which started early 2020 from their shared suburb of Austinmer in the Northern Illawarra. Drawing from influences like Brian Eno, John Carpenter and The Cure’s Disintegration, The M1 delve into a world of moody, ambient, synth driven music.  

More recently, the duo have been joined by drummer Paul Mclean (Dope Lemon, The Walking Who) to finish their debut EP Megawati, which will be released September 2020.

Megawati presents four dark and cinematic tracks that ebb and flow into each other. Mixed by the group and mastered by Mikey Young (Total Control, Eddy Current Suppression Ring), Megawati calls back to the raw psychedelic synth sound you might hear on the soundtrack to a forgotten horror film from the early 80s or more recently Johann Johannsson’s score for the 2018 film ‘Mandy’.

Not wanting to drag their feet and over think their first release, Megawati was born from three improvised sessions at Jay’s home studio in the hills of Austinmer. The newly assembled M1 trio finished the EP over the course of a week during the NSW lockdown earlier this year.

“We wanted to capture the energy and spontaneity of improvised music and limit the amount of time spent doing overdubs” said Jay Bird of the recording process.

Title track and first single ‘Megawati’ will be available to stream across all platforms on Thursday the 17th of September with the full EP coming late September 2020.

From afro to techno, and a lot more in between.
Africa is the mother of beat, and beat is tempo; may your hearts beat to ours and your steps groove with our flow. On an acid trip through afro rhythms, travelling from Nigeria, Ethiopia, Congo to Ghana, cruising on electronic sounds, cosmic rhythmics and psychedelic vibrations.
African acid is the future and ...^*^

Est. 2014 - run by Maryisonacid.

New album 'BEGIN AGAIN, AGAIN' is out now
https://bfan.link/begin-again-again

booking    >   info@god69.com
a.k.a.         >   low budget aliens
vinyl          >   www.discarchive.de 

releases on: 
• @subglow
• @oscilla-sound
• xpq? / @xpq3000
• @indexrecords
• @radiantrecords 
• @herrensauna
• childsplay / @bemorechildish
• @emotionalwaves
• @entangledvisions
• @kikimora-tapes
• @ xenoplex 

69: 
is it flipped like weight or rotational, composite yin-yang? How many elements? Which poles? The pleasure is mine, meaning mutual, numeric, when it comes to 69. 69 spirals, sketches a figure in the style of clock-arms or dubplate, strides with the centrifugal surety of a comet around a roaming point. What appears like a coin in shadow is blinding, a solar flare when flipped over. So the pleasure is yours, meaning mutual, verbal, when it comes to 69. In our dialogue there’s no separating what you’ve given me from what you received. Which cuts of my slang or intonation became yours? Tolerant of error and other, my tongue knows your entire body’s language and vice-versa – our agency is shared and we accept that. You choose to name a deer a deer. I call an intergalactic junker as such. You say flac converter. I say bay leaf. Our balance is imperfect and impeccably tuned. The garden got gated but the ground carries on. We just might be gods to each other, meaning mutual, gods to ourselves.

excerpts written by Nadia Marcus
IG: @tabloidpress

More info: www.nilsfrahm.com

Management: 
felix(at)agentur-grimm(dot)com


Andrew Kaineder is following