https://www.scott-william-perry.com/biography/

Party and label department of roost.world

Music Publisher - Orchestral Sheet Music & Scores
| Entertainment Music | Jazz Music | World Music |
| Classic Music | Electronic & Techno Music | 


Sheet Music available, please contact us Email = info@edition-sowa.de

The catalogue of Edition Sowa includes a wide range of musical genres, from classical music and contemporary compositions to special musical genres with jazz elements and world music. In the future, more electronic music will also be included in the portfolio. We have made it our mission to offer both emerging and established composers a platform to make their works accessible to a wider audience.

Steve Owens grew up in upstate NY, and has a bachelor's in musicology, a master’s in Music Education and an MFA in music composition from Vermont College of Fine Arts.  He developed parallel careers as a concert flutist and as an educator in Vermont public schools.  He's published band, choral, and chamber compositions with Hal Leonard and Alry.  Steve has since left academics to pursue composition full time. Recent performances include a woodwind quintet played by City of Tomorrow, and an electro-acoustic sextet performed by The Playground Ensemble. His latest work, "Dysphoria" for the Truberry Duo, explores the inner experience of neurodivergence, drawing on his own experience as an autistic educator.

I am a composer, author, editor, teacher, and technologist. My work engages the advancement of arts and technology from both humanist and experimental perspectives. I am available for commissions, master classes, writing & editing, teaching & presentations, seminars & performances, and music digital engraving.

The scores for all the notated music you hear here can be downloaded and, one hopes, performed at your leisure:
http://maltedmedia.com/people/bathory/biglist.html

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Stanley Grill is a classical composer whose passion for medieval and Renaissance music has greatly influenced his writing. Two main themes permeate many of his works – music composed in an attempt to translate something about the nature of the physical world, and music composed to inspire and promote world peace.

If you like the music you hear on this website and would like to commission a work for yourself or your ensemble, let’s start the conversation!

ASCAP, Recording Academy

Emerging singer and songwriter 
Spontaneously Creative 

I just want to be happy 🙈✨

To read my bio, please go to: 
https://gregorykwilliamsviolist.com/about/

Russian-American pianist Pavel Petrov, hailed in the Evening Moscow for his “masterful performances, depth of tone, exquisite taste and artistic originality", is an extraordinarily gifted musician, organist, chamber performer, pedagogue, and collaborator. Born in the small city of Pyatigorsk, in the Caucasus Mountains of Southern Russia, he made his solo debut at the Bolshoi Hall of the Moscow State Conservatory at the age of 14. Since then, he has received critical acclaim for his performances throughout Russia, Europe, Asia, and North America. Memorable recitals include performances in front of Pope John Paul II, Boris Yeltsin (the first President of Russia) and other dignitaries in Great Britain, France, Greece, Germany, Spain, Italy, and Macedonia.
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Mr. Petrov has participated in various music festivals and international piano competitions including the Kanonji International Music Festival, the Virtuosos of the 21st Century, the 5th International Laureates Music Festival held in both Los Angeles, California and Taos, New Mexico, the World Piano Competition, the Hilton Head International Piano Competition, the 24th Senigallia International Piano Competition, the International Piano Competition in Puigcerdà, Spain, the California International Young Artists Competition, the Loeb/Louviere International Competition, and the All-Russia Glinka and Safonov Piano Competitions. As a winner of the award from “The New Names of Russia” International Foundation, Mr. Petrov’s name is listed in the Golden Book of Charity. Some of Mr. Petrov’s orchestral appearances include performances with the Symphonic Orchestra of the Moscow Philharmonic Society, the State Philharmonic Orchestra of Kislovodsk, the Kanagawa Philharmonic Orchestra, the Thessaloniki State Symphony Orchestra, and the Prague Symphony Orchestra.
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Mr. Pertov’s artistry and musical career are a direct result of immersion in the rich traditions of the great Russian pianists of the 20th Century, and his musical heritage stretches back to the legendary Henry and Stanislav Neuhaus. Mr. Petrov graduated from the Moscow Central Music School for gifted children and subsequently earned a Master of Music degree in piano performance, pedagogy, chamber music, and accompaniment from the Tchaikovsky Moscow State Conservatory where Mr. Petrov was a student of the famous pedagogue and pianist Valery Kastelsky. Mr. Petrov furthered his education by earning the Artist Diploma and Master of Music degree in Piano Performance from the University of Southern California Thornton School of Music. Mr. Petrov’s additional mentors include Kevin Fitz-Gerald and Sergey Dorensky. Mr. Petrov performed in master classes with Klaus Hellwig, Tamas Ungar, Jose Feghali, Valery Afanassiev, and Valery Kastelsky.
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In addition to being a noted performer, Mr. Petrov is a dedicated teacher of piano, organ, music theory, and composition. Mr. Petrov maintains membership in the Music Teachers Association of California (MTAC), the American Guild of Organists, Mu Phi International Music Fraternity, and the Scriabin International Music Foundation. Many of his students have won prizes in various music competitions and auditions, including the Young Musicians Foundation Competition, the California International Young Artists Piano Competition, the Liszt International Piano Competition, the Steinway Society of Riverside Scholarship Competition, and the MTAC Concerto Competition. Mr. Petrov serves as organist at Westminster Presbyterian Church in Westlake Village, CA.

tryin' to compete with AI

vocals: me, @laetitia-moreni, and/or Synthesizer V

also as Kul Feryadi (Post-punk) with @assmoothasas

releasing regularly — stay tuned

Dennis Bathory-Kitsz is following