Blogger and journalist living in Stockholm, Sweden. I've been playing the drums for about 20 years in different orchestras and bands.

Within ALOADED lies a singles club called ALOADED Arrival  – a rigorous curation of artists, that offers fresh musical discoveries ranging from colorful pop to underground hip hop. Hosted and pitched through all streaming platforms such as Spotify, Apple Music, QQ Music, Tidal, Deezer, Soundcloud and more we also include the music on our network of playlists totalling followers in the tens of thousands. 

Each release is highlighted through all our social media channels with our own ALOADED Arrival-artwork, staying true to our strive for mixing the worlds of music and design.

ALOADED Arrival accepts submissions and are a non-exclusive singles club, previously released tracks will also be considered. Our aim is to highlight great music in a world where attention is hard to come by.

We also have a 7" vinyl singles service, prices on request.

Rupert Falsch is a bedroom producer from Berlin. He makes electronic indie pop with German lyrics.

Making some stuff with Nanoloop on my Nintendo DS. Learning as I go.
Technical Producer at CCP Games in Reykjavik, previously a part of the Soundcloud team for a brief while in Stockholm, now just a fan cheering things on as the team is making Soundcloud the global audio platform we dreamed for it to be. 


I’m a vinyl DJ original from Gothenburg, Sweden now I’m living in Stockholm. I’ve been playing vinyl all the time and started in the nineties. I have a collection of over 1 600 records. (https://www.discogs.com/user/jamesholm/collection) 

I have played at several clubs both in Gothenburg and Stockholm and was organising a club in Gothenburg every Wednesday together with the DJ and producer Jor-El, https://on.soundcloud.com/vYHXNLripB71GjnU7. 

I was also involved and organised the official and very appreciated afterparty at the well known Gagnef music festival in Dalarna here in Sweden.

Since 2005 when I started recording my home DJ sets I’ve recorded 39 sets. They are all available here on my SounCloud page. 

When I move to Stockholm the second time I rented Eric Wahlforss apartment when he moved to Berlin to start SoundCloud. I got a really early account. Therefore I have such an easy account name, SoundCloud.com/James.

From a local hip-hop rap collective I go by the alias Skript or K.A.N.A. I wrtie write and write then talk them out all over beats


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Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

Throughout decades, (West-) Berlin native KALLE KUTS has been a household name in the German capital’s club culture. When it comes to soul, funk, house, hip hop, r&b, disco, electronica, jazz or all in between, he is known for being a sure shot on the decks with musical authenticity and credibility at the same time. 

 

Bookings include: John Legend, The Black Eyed Peas, The Roots, Simply Red, Raphael Saadiq (vip aftershow)  |  P!nk, Chromeo, Nightmares On Wax, Robin Thicke, Incognito, Dam Funk, Die Fantastischen Vier (live support)  |  Art Basel, IFA, Berlinale, Echo awards, o2 World/ UBER Arena Berlin opening, Quentin Tarrantino’s „Jackie Brown“ Europe premiere (vip parties)  |  Adidas, airbnb, ALBA Berlin, BMG, Bucherer, Campari, Carhartt WIP, Chopard, Coca Cola, Ernst & Young, McKinsey, Miramax, Native Instruments, o2, Porsche, Puma, Samsung, Sony, Soundcloud, Telekom, Universal Music (corporate events).

His G.I. DISCO events are focussing on the „80s soulful club sound“ that is now influencing modern club music and originally was imported to Germany by the American G.I.’s, their clubs and radio station AFN. Yet the party concept toured clubs from London to Barcelona. In 2010 a G.I. DISCO cd/vinyl compilation was worldwide released by acclaimed British record label BBE Music. It received raving reviews from the international music press, newspapers and news magazines including Der Spiegel and Die Zeit. Also concept and co-curation for the special exhibition „From G.I. Blues to G.I. DISCO“ (Allied Museum Berlin 2013/14), showcasing the history of the German music-, club- and youth culture under the influence of the U.S. soldiers stationed in Germany since end of World War II, gained international attention and reputation for the project.

Kana Skript is following