Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Paul Ritch’s productions and performances, characterised by his powerful and harmonic techno with a touch of pure emotive soul, represent his true signature sound – the one that has projected him to global recognition.

In 2007, Paul Ritch took the techno scene by storm both on stage and as a producer. Ever since, Paul has been defined by his passionate musical rhetoric, projected in releases for labels like Drumcode, SCI+TEC, Saved, Cocoon Recordings, Soma Records and Bpitch Control, among many others, and remixes to classic tracks such as Ondu, Positive Education,Tropical Melons, Remainings III, Magic K, The Test and I’m Burning Inside. References that have led him to be included among Resident Advisor’s all-time Top 100 charted artists.

In 2008, Paul brought to life his own imprint, Quartz Rec, conceived as a platform of artistic expression for showcasing cutting-edge techno sounds and a broad vision of electronic music. With its first release, “Split EP Part 1” (Paul Ritch, 2008), the label held a top 2 position on Beatport ́s Techno chart. And following hot on the heels of its fifth birthday, Quartz Rec has already published original tracks and remixes from Okain, Paco Osuna, Nic Fanciulli, Thomas Muller, Barem, Carlo Lio, Dubfire, 2000 and One, Onno, Cuartero and Anton Pieete.

Ritch’s musical delirium and his creativity on stage are two of his unique trademarks and these have been witnessed in his live performances on four continents including clubs such as Amnesia, Space and Pacha in Ibiza, Fabric and Egg Club in London, Womb and Circus in Tokyo, Berghain and Watergate in Berlin, Goa in Rome and Madrid, Rex Club in Paris, among many others.

He has also performed at festivals including Time Warp (Holland and Germany), Monegros (Spain), Awakenings, Voltt Open Air and ADE (Holland), SW4 (UK), Neo Pop Festival (Portugal), Hyte Park Festival (NYC), Amore Festival (Italy), BPM (Mexico) and WMC (Miami).
2014 was a year in which Paul continued to excel and reinvent himself with his very own musical mindset, and without a doubt, 2015 will be transcendental for Ritch as he looks to keep growing and achieve even greater goals.

Contact: info [at] ogamimusic.com
Promo: seismal.d [at] live.it

He reached, more than once, the Top 10 of Beatport and collaborated with many top selling artists like Pig&Dan, Sam Paganini, Truncate, Moonbeam, Reinier Zonneveld, Underher, Electric Rescue, producing under record labels like Wall Of Sound, Armada, Time, Filth On Acid, and Tronic.
 In 2017, Deadmau5 played some of his tracks/songs on the BBC and offered Seismal D the chance to be part of the Mau5trap team. He produced various EPs, as both as a solo artist and in collaboration with Frankyeffe and the singer Njira. 
Seismal D’s music production has been supported by Hardwell, Groove Armada, Markus Schulz, Cosmic Gate and the Tomorrowland team.
Seismal D founded “Wonderbeat,” a radio show he’s been producing since 2011 on m2o, where he hosts and conducts interviews with famous artists of international renown such as Robert Babicz, Digitalism, Max Cooper, Emmanuel Top, Enrico Sangiuliano, Thomas Schumacher, Florian Meindl, Hidden Empire, Affkt, Douglas Greed, just to name a few.

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

The Karmatic are a band electro-acoustic or more specifically techno -acoustic , born with the idea of merging two apparently distant worlds: the music of Underground and Techno matrix, with that of the matrix Acoustic Jazz .
The trio consists of the historical dj from m2o radio Paolo Bolognesi (the conductor) another dj from m2o Seismal D (live electronics and synthesizers) and in the end the Jazz musician Valerio Vantaggio (drums and percussion).
The nature of the project involves an extreme interconnection between sound elements generated, both from electronic synthesizers and acoustic drums, dosed and managed by Paolo Bolognesi like a real conductor. The soundscape is dominated by rhythmic structures related to culture and dub techno but with solos and rhythmic actions of acoustic drums, electronic processes that through, it becomes one with the background below.
Seismal D with his experience in the world of computer music, deals to colorize this world with strong rhythmic, with sounds and ambients that transform the soundscape, apparently closed and dark, in a dynamic and deep trip. Karmatic describes a spiritual bond accessible through music.


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