/ Red Axes /
Contact: redaxesmgmt@gmail.com

Booking Europe:
laetitia@decked-out.co.uk 

Booking USA & South America
tal@auroratalent.agency

Weekly radio show, hosted by Vytautas Morkus & Kernius Paravinskas

BOOKINGS, MUSIC, PRESS:
discoinspace at gmail com

Downtown Party Network might once have been a short yet magical period of New York City nightlife. Today the name stands for music from another side of the world - Lithuania. An entity combined of experiences, influences, events, trips, and adventures in music that have come together during the last 20 years.

Downtown Party Network’s music has been signed by german Get Physical Music and Dirt Crew Recordings, british Futureboogie and Anjunadeep, belgian Eskimo Recordings and australian Future Classic to name a few. The releases have been favorited by DJ Harvey, Dixon, Laurent Garnier, Groove Armada, Tensnake, Ame, Jamie Jones, Sasha.

‘Days Like These’ by Downtown Party Network released on legendary Eskimo Recordings back in 2009 became a dancefloor destroyer, hitting record shops’ charts and being played by countless amount of djs all around the world.

‘Space Me Out’, released in October 2013 by Silence Music, became one of the most charted tracks on Resident Advisor in 2013. Mario Basanov, Hannes Fischer and Musk accompanied the original track with brilliant remixes. Each of them received a significant amount of attention, as well as a melodramatic music video that was filmed in spooky Lithuanian nature. A year later, a new version of ‘Space Me Out’ was revamped and presented exclusively on ‘Deep House Amsterdam’ just before Amsterdam Dance Event and a brand new remix of the worldwide hit, crafted by the legendary producer Ewan Pearson. 

In the last years DPN had his shows in New York, San Fransisco, Tokyo, Hong Kong, Sydney, Shanghai, Singapore, Dubai, Stockholm, Copenhagen, Helsinki, Bangkok, Seoul, Mexico City, Jakarta, London, Berlin, Bali,  Bucharest, Ho Chi Minh, etc.

www.facebook.com/downtownpartynetwork

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

The facts of life. 

bookings : emma@pieces.live

MGMT: leon.alexander@redlightmanagement.com

RHYTHM COMPOSER

Motorbass then Superdiscount then tempovision then superdiscount 2 then Commercial eps then the cube then Superdiscount 3. 

Etienne de Crécy is a key figure of the international electronic scene.
Whether for his live shows, his recordings production or marketing around his projects, Etienne De Crecy has always been considered as a pioneer, thanks to his conceptualized, unique and innovative work.

For those too young to remember the 90s, Etienne de Crécy was the guiding hand behind the albums Super Discount (1997) and Super Discount 2 (2004), featuring contributions from Alex Gopher, Air, Cassius and DJ Mehdi. In that collective venture and in his solo work, Etienne de Crécy has always rejected the facile, remaining fiercely loyal to old-school house and choosing to extensively explore electronic music’s underground labyrinths rather than tread the beaten paths of commercial success.

During his 20-year rise to the summit, the French producer has cut some of the world’s most influential electronic albums: Pansoul (with Philipe Zdar under the name Motorbass), Super Discount, Tempovision and Super Discount 2.

After five years spent blitzing a string of venues with his legendary Beats N'Cubes show - a lavish installation and a live experience as visually brilliant as it was sonic, leaving clubbers and festival-goers dazed - Etienne de Crécy has revived his Super Discount project, ten years after the last, second opus.

contact (at) etiennedecrecy.fr

Karolis Sk is following